Located 31 miles north of Lima, the C3 House is set in a windswept Ancón landscape that the architects describe as "martian-like."
Located 31 miles north of Lima, the C3 House is set in a windswept Ancón landscape that the architects describe as "martian-like."
The living room and dining area occupy the heart of the "living" volume and are enclosed on both sides by full-height glazing.
The living room and dining area occupy the heart of the "living" volume and are enclosed on both sides by full-height glazing.
Lightroom 1.0, a photography studio, is a freestanding structure on the property. “Together, they represent an autobiography of my career,” Carpenter says.
Lightroom 1.0, a photography studio, is a freestanding structure on the property. “Together, they represent an autobiography of my career,” Carpenter says.
Both the sitting and standing versions of DESK 01, a collaboration between Artifox and IdeaPaint, are outfitted with dry erase surfaces for recording sudden bursts of creativity.
Both the sitting and standing versions of DESK 01, a collaboration between Artifox and IdeaPaint, are outfitted with dry erase surfaces for recording sudden bursts of creativity.
Style: "#1"
Style: "#1"
Like many of Benepe's projects, planting P.S. 111's playground is more than a quality of life improvement. The grass and other flora help absorb flood water during storms, relieving pressure on the city's drainage systems.
Like many of Benepe's projects, planting P.S. 111's playground is more than a quality of life improvement. The grass and other flora help absorb flood water during storms, relieving pressure on the city's drainage systems.
In the living room, an 18th century jajim, purchased in Istanbul, hangs behind a Molteni & C sofa covered in woven linen with mohair pillows. The wool rug is from California Carpets.
In the living room, an 18th century jajim, purchased in Istanbul, hangs behind a Molteni & C sofa covered in woven linen with mohair pillows. The wool rug is from California Carpets.
At P.S. 111, the Trust for Public Land transformed an asphalt eyesore into a green sanctuary for New York City schoolchildren.
At P.S. 111, the Trust for Public Land transformed an asphalt eyesore into a green sanctuary for New York City schoolchildren.
While the original home was dark, like other homes of its period, the addition allowed Andrews and his team to let in an abundance of natural light.
While the original home was dark, like other homes of its period, the addition allowed Andrews and his team to let in an abundance of natural light.
After - exterior and new cedar fence
After - exterior and new cedar fence
A classroom in PS 313.
A classroom in PS 313.
The façade of the interwar dwelling was painted bright white and left largely unchanged, with a sole burst of color coming from a yellow DesignByThem “tomtom” letterbox. Though the extension is invisible from the street, architect Christopher Polly says it provides “significant additional freedom for the owners and their three young children to grow into.”
The façade of the interwar dwelling was painted bright white and left largely unchanged, with a sole burst of color coming from a yellow DesignByThem “tomtom” letterbox. Though the extension is invisible from the street, architect Christopher Polly says it provides “significant additional freedom for the owners and their three young children to grow into.”
Photos By Rob Turner Photography
Photos By Rob Turner Photography
A student from PS 47 in the Bronx.
A student from PS 47 in the Bronx.
For PS 234 in Manhattan's Tribeca neighborhood, Macrae-Gibson designed a colorful walkway to connect the main school building to a modern addition designed by the firm in 2008. The walkway, adjacent to a play yard, protects students and teachers from the elements as they move from one area to another.
For PS 234 in Manhattan's Tribeca neighborhood, Macrae-Gibson designed a colorful walkway to connect the main school building to a modern addition designed by the firm in 2008. The walkway, adjacent to a play yard, protects students and teachers from the elements as they move from one area to another.
The custom leather platform bed was designed by Shikany’s firm, PS Studios.
The custom leather platform bed was designed by Shikany’s firm, PS Studios.
PS 313 is a school in Sunnyside, Queens for 432 kindergarteners through fifth graders that opened in the fall of 2014. Equipped with a central courtyard and rooftop play area, the brick masonry building has attained a green rating from New York City.
PS 313 is a school in Sunnyside, Queens for 432 kindergarteners through fifth graders that opened in the fall of 2014. Equipped with a central courtyard and rooftop play area, the brick masonry building has attained a green rating from New York City.
The red steel-framed structure is lined with perforated metal panels in a variety of colors.
The red steel-framed structure is lined with perforated metal panels in a variety of colors.
Top 9 Kitchens of 2020: The nominees for this year’s Dwell Design Awards are the epitome of style and function.
Top 9 Kitchens of 2020: The nominees for this year’s Dwell Design Awards are the epitome of style and function.
Lauren and Brittan Ellingson, the owners of Notice Snowboards, a custom snowboard and wakesurf company in Whitefish, Montana, approached Workaday Design and builder Mindful Designs to concoct a new lake home for their family. The brief was, perhaps unsurprisingly, focused on getting the family outdoors as much as possible.
Lauren and Brittan Ellingson, the owners of Notice Snowboards, a custom snowboard and wakesurf company in Whitefish, Montana, approached Workaday Design and builder Mindful Designs to concoct a new lake home for their family. The brief was, perhaps unsurprisingly, focused on getting the family outdoors as much as possible.
The Lofthouse is built one of the many hills separating it from the couple’s main residence. "Excavation was a challenge, as we wanted to maintain as much of the existing landscape as possible, but needed to clear out trees for the foundation," says Tarah.
The Lofthouse is built one of the many hills separating it from the couple’s main residence. "Excavation was a challenge, as we wanted to maintain as much of the existing landscape as possible, but needed to clear out trees for the foundation," says Tarah.
The architects designed the home’s expansion with the knowledge that the owners plan to continue the renovation when their budget allows it. "We wanted to put everything in the right place so it doesn’t have to be undone later," says Corti.
The architects designed the home’s expansion with the knowledge that the owners plan to continue the renovation when their budget allows it. "We wanted to put everything in the right place so it doesn’t have to be undone later," says Corti.
Parota wood continues in the spacious kitchen. Marisa and Christopher found the blue tile that runs throughout the home on a trip to León, Mexico. "It called out to us," says Christopher. Festooned with small stars, its tone matches the color of the ocean perfectly.
Parota wood continues in the spacious kitchen. Marisa and Christopher found the blue tile that runs throughout the home on a trip to León, Mexico. "It called out to us," says Christopher. Festooned with small stars, its tone matches the color of the ocean perfectly.
Houston-based designer Barbara Hill is known for a stripped-down aesthetic that blends art-world cachet with Texas modernism. Vitra’s Slow chair sits in front of a powder-coated-steel bookcase made by Hill’s go-to fabricator, George Sacaris; it was originally built for the Houston house.
Houston-based designer Barbara Hill is known for a stripped-down aesthetic that blends art-world cachet with Texas modernism. Vitra’s Slow chair sits in front of a powder-coated-steel bookcase made by Hill’s go-to fabricator, George Sacaris; it was originally built for the Houston house.
The architects embraced the modernist form of the new structure instead of cladding the extension in expensive brick to match the original Victorian’s exterior.
The architects embraced the modernist form of the new structure instead of cladding the extension in expensive brick to match the original Victorian’s exterior.
When architect Antonio Monserrat transformed an old 800-square-foot Brooklyn loft into his new home, he imbued his love of colorful, multifunctional design into an eye-catching renovation. Once used as a bakery in the early 20th century, the postindustrial space came with great bones—original exposed timber beams, 12-foot ceilings and large windows—that Monserrat used as a backdrop for his playful color choices, small-scale studio prototypes, and contemporary furnishings. From the emerald-green entryway with a hot-pink ceiling to the sunshine-yellow Kartell storage pieces, the Spanish architect’s loft beautifully blends creative inspiration with functionality.
When architect Antonio Monserrat transformed an old 800-square-foot Brooklyn loft into his new home, he imbued his love of colorful, multifunctional design into an eye-catching renovation. Once used as a bakery in the early 20th century, the postindustrial space came with great bones—original exposed timber beams, 12-foot ceilings and large windows—that Monserrat used as a backdrop for his playful color choices, small-scale studio prototypes, and contemporary furnishings. From the emerald-green entryway with a hot-pink ceiling to the sunshine-yellow Kartell storage pieces, the Spanish architect’s loft beautifully blends creative inspiration with functionality.
At Under, a Snøhetta-designed restaurant balanced on the Norwegian coast, guests dine 16 feet below the ocean’s surface. The tilted concrete tube gives the impression that it’s sliding into the sea. “The idea was to make a tube that would bring people from above sea level down under the sea,” lead architect Rune Grasdal told Dezeen. “That transition is easy to understand, but it’s also the most effective way to do it. It also feels secure, but you don’t feel trapped.” The angle was also designed with the building’s aquatic neighbors in mind. Over time the structure will become part of its environment, acting as an artificial reef. Marine research tools like cameras have been installed outside the restaurant to help scientists learn about the population, behavior, and diversity of the species living in this part of the North Atlantic.
At Under, a Snøhetta-designed restaurant balanced on the Norwegian coast, guests dine 16 feet below the ocean’s surface. The tilted concrete tube gives the impression that it’s sliding into the sea. “The idea was to make a tube that would bring people from above sea level down under the sea,” lead architect Rune Grasdal told Dezeen. “That transition is easy to understand, but it’s also the most effective way to do it. It also feels secure, but you don’t feel trapped.” The angle was also designed with the building’s aquatic neighbors in mind. Over time the structure will become part of its environment, acting as an artificial reef. Marine research tools like cameras have been installed outside the restaurant to help scientists learn about the population, behavior, and diversity of the species living in this part of the North Atlantic.

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