Sometimes all it takes is a little luck. For a young married couple, it came in the form of this rare find: a 19th-century, three-story, single-family home in the heart of Paris. The building was a charmer with good bones, but was in need of some serious care. In a vibrant retrofit by architect Pierre-Louis Gerlier that includes structural reinforcements, the reimagined design is set off with a new floor plan. The lower level now serves as a space for the couple’s children, with the public areas—including an open-plan living/dining room and kitchen—on the floor above. Upstairs, the attic has been transformed into a very large primary bedroom with a green-and-white bathroom suite. The living room (pictured) showcases the firm’s bespoke carpentry work with a beautiful, mossy-green built-in bookcase that frames a new fireplace, and a staircase surrounded by arched doorways that hold hidden storage. “We created visual breakthroughs in order to connect the different spaces,” says Gerlier. “The rounded arches are there to help magnify these moments.”

Perched below the Griffith Observatory and overlooking Hollywood is a lush lot crowned with four towering olive trees and a 1965 home designed by modernist architect Craig Ellwood. When a young couple purchased the home in 2018, it needed substantial work. For a historic restoration, they called on Woods + Dangaran, a local firm fluent in modernist history. The team completed a meticulous restoration of the home while keeping original components like the linear shape, open plan, and expansive windows. One of the most striking features is the original koi pond (a feature deemed so essential that its preservation was a condition of escrow) that is now crossed via a bridge that leads to a new lap pool—perhaps the biggest intervention on the property.

Mazpazz Arquitectur

Interior designer Laura Britt followed WELL Building Standards to source the home’s non-toxic furnishings and finishes, which include living room chairs and a sofa from Thayer Coggin that use flame retardant– and formaldehyde-free cushions.

“It’s so nice back here in the summer in the shade,” says Sherry. “We don’t even have to put sunscreen on the kids. It’s a true little oasis.”

Located 31 miles north of Lima, the C3 House is set in a windswept Ancón landscape that the architects describe as "martian-like."

The living room and dining area occupy the heart of the "living" volume and are enclosed on both sides by full-height glazing.

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The floor-to-ceiling sliding doors and windows were the most expensive line item in the renovation. “The house would simply not be the same without them,” says architect Miguel Rivera. “When you are in the living area with the doors open, it creates one large indoor/outdoor space that is simply stunning.” Just beyond the kitchen, a bookcase in the hallway is painted to appear red from one side and gray from the other.

Lightroom 1.0, a photography studio, is a freestanding structure on the property. “Together, they represent an autobiography of my career,” Carpenter says.

In the living room, an 18th century jajim, purchased in Istanbul, hangs behind a Molteni & C sofa covered in woven linen with mohair pillows. The wool rug is from California Carpets.

Both the sitting and standing versions of DESK 01, a collaboration between Artifox and IdeaPaint, are outfitted with dry erase surfaces for recording sudden bursts of creativity.

Style: "#1"

"Shane enjoys both cooking and entertaining so we maximized the counter space to make meal prep and hosting easy," Priftaj says. "It was also very important that the kitchen include a gas grill so he could quickly and conveniently grill without having to climb up five flights of stairs to use the bbq on the patio." Priftaj selected high-gloss acrylic white cabinets from bulthaup's b3 line with an aluminum backsplash and b3 prism drawer system to keep things tidy. A Wolf hood and gas cooktop with chargrill give Carslake the flexibility he desired for indoor grilling. The counters are polished white quartz.

In 2009 on a quiet Los Angeles corner, Mel Elias found a severely water-damaged, crumbling 5,000-square-foot house hidden behind a tangle of overgrown vegetation. Its former owner, the late Hollywood acting coach Milton Katselas, had filled his property with industrial skylights and enormous, wood-burning fireplaces. The glass-and-concrete construction was framed by high ceilings, rusted steel beams, and varied elevations across the single-story plan. Thanks to an 11-year long, multiphase renovation by designer Carter Bradley, the home—with all of its quirks and character—shines again.

A dusty-pink facade is only a hint of what’s inside this 18th-century structure. For Sérgio Antunes, cofounder of Lisbon-based Aurora Arquitectos, the charming exterior and its rich pigment provided a fascinating starting point for the renovation of the Rose Building—a single-family residence in southern Portugal that his team turned into five glowing apartments in collaboration with Lisbon architecture studio FURO. Throughout are huge swaths of color with unique touches: For example, painted on the ceiling of the central stair is a moody mural of a woman in the style of a fresco, and in one of the unit’s bathrooms, more ceiling artwork depicts a mermaid emerging from a swirl of waves. Elsewhere, arched windows, sloped ceilings, ornate moldings, and wooden doors elegantly play off Portuguese marble and patterned ceramic tiles. With the go-ahead from the city, the architects were also able to construct a modern addition at the rear—The Mustard Building—that pairs natural wood partitions with the subdued tones of creamy terrazzo.

The house has a front door, but it’s actually not the main entrance: That’s found around the side, via a soothing, wood-lined courtyard. It’s a natural space for outdoor entertaining, too, thanks to the built-in fireplace and bench.

The floors are an engineered hardwood oak, limewashed with a tumbled finish. The dining table is a hand-me-down from Daisy’s parents. Upstairs, the primary bedroom opens right up onto a rooftop terrace, but for nights when Pete and Daisy feel like hosting, Loader installed an Arne Jacobsen–inspired, thin spiral staircase on the outside for guests to climb.

The zig-zag ceiling adds a sense of playfulness and maximizes the visual volume of the open-concept kitchen and dining area. Combined with the oversized sliding doors, the space feels incredibly open and airy.

Interior designer Laura Britt and architect Stephen Andrews took notes from WELL Building Standards—and their physician client—to craft a nurturing family residence that also protects against harsh weather.

Woodcraft Mobiliar created built-in cabinetry in almost every room of the home, keeping furniture needs to a minimum.

Sophia and Henry relax in the open-plan living area of their tiny home with their dog Cora, a Labrador retriever and Siberian husky mix.

A sliding barn door accesses the bathroom, where the Jungbauers installed a compost toilet and low-flow fixtures for the sink and the shower.

The only grouping of Frank Lloyd Wright's early American System-Built Homes—built by Arthur Richards and designed with standardized components for mass appeal to moderate-income families—is situated in the Burnham Park neighborhood in Milwaukee, Wisconsin. The four model 7A duplexes, one model B1 bungalow (shown here), and model C3 bungalow were added to the National Register of Historic Places in 1985.

After - exterior and new cedar fence

While the original home was dark, like other homes of its period, the addition allowed Andrews and his team to let in an abundance of natural light.

The exterior of Connect 4L 1,600 sf 3 bed 3 bath 2 story modern prefab.

Despite the cast-on-site concrete dividers, there's still an airy sense of space; the dividers support, instead of overwhelm. This approach came from the architects' constant sense of experimentation and playfulness, a deliberate approach that helped them find new ways to use recycled and salvaged materials.

"It was supposed to be as naked as possible," says Alexandru Popescu, one of the members of R3Architetti who helped design and build the 3 Vaults apartment. "The furniture is absolutely included in the architecture; it’s more like an indoor landscape instead of a typical open plan." The kitchen exemplifies their approach, with textured concrete walls contrasting with wood panels and salvaged industrial lighting. The table, custom built by R3Architetti, is made in part from pipes procured from one of their fathers, a plumber.

The façade of the interwar dwelling was painted bright white and left largely unchanged, with a sole burst of color coming from a yellow DesignByThem “tomtom” letterbox. Though the extension is invisible from the street, architect Christopher Polly says it provides “significant additional freedom for the owners and their three young children to grow into.”