Sævik compares her house to a contemplative hideout. “It’s very quiet,” she says. “You can concentrate and let thoughts fly.” Her favorite summer pastimes include reading, painting, drawing, yoga, and “just sitting and feeling the forest,” she says.

The three levels of the house transition from public to private: The ground floor is composed of the kitchen and living-dining area; the bathroom and closet occupy the mezzanine, accessed by a ship’s ladder; and the sleeping loft hovers a couple steps above. The seminal 1970s tome A Pattern Language, written by Christopher Alexander, Sara Ishikawa, and Murray Silverstein, inspired the layout. “I’m a huge proponent of the [book],” says Azevedo. “I like the ideas of a bed as an alcove, natural light on two sides of a room, varying ceiling heights, and different levels of privacy.”

Sævik designed the wood tub in the bathroom, which features an adjacent sauna. The Inxx A5 faucet is by Mora.

The interiors are clad in white-glazed pine, a contrast to the black-stained facade. The brick fireplace is original. Near a Polder sofa by Hella Jongerius for Vitra is a coffee table of Sævik’s design. The rocking chair is vintage and came with the house.

With clever storage and a retractable skylight, a London apartment designed by metalworker and owner Simone ten Hompel and Roger Hynam of Rogeroger Design Solutions feels larger than its 576 square feet. The team worked in a uniquely collaborative way, with Ullmayer Sylvester planning the space, Hynam creating the built-in storage and the kitchen island, and ten Hompel making models and scrawling on the wall to better envision their proposals. The kitchen island features a compact cooktop by Whirlpool and an integrated drainboard incised into the countertop for easy cleaning.

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The house is divided into three sections connected by a series of outdoor galleries. “When I walk from one room to another, I have to go outdoors and feel the weather and nature—rain, cold, and sun,” says Sævik. Instead of emphasizing the expansive panorama of oak, pine, and aspen trees, the house frames select views—a move inspired by Japanese design.

A section of the roof reaches over a rock outcropping—a detail that visually connects the house to the landscape and offers a handy way to climb up to the roof deck without using a ladder.

The Miller House and Garden features a custom-made sofa in the open-plan living area designed by Saarinen with textiles by Girard. The home was widely published and is in part credited for the popularity of conversation pits in the 1950s and 1960s.

The bed is located just behind the desk.

Architect Alex Gil and his wife, Claudia DeSimio, affixed a 750-square-foot addition to the roof of a 19th-century Williamsburg townhouse, transforming their cramped third-floor apartment into a modern duplex. The original fireplace remains, but has been stripped down to exposed brick, as have the surrounding walls, creating an almost wainscot-like design of exposed brick with flat white drywall above.

Located in New Zealand, this compact prefab vacation home in the seaside community of Onemana Beach was a collaboration with architecture students from Auckland’s Unitec Institute of Technology.

Dwell's Manhattan Home Tour, which showcased five modern homes from the Upper East Side to Chelsea, also took place today. @npzstudio shared a picture of their pass in anticipation.

Closet Case To consolidate most appliances and food storage, keep his compact kitchen looking neat, and save money on cabinets, Sherman built a closet into the kitchen wall (“Cabinets are expensive but closets are cheap,” he offers). Inside is a countertop, blackboard surface, toaster oven, garbage cans, magnetic knife rack, and plenty of shelves. When the doors are closed, the unit recedes from view.

With a construction budget of less than $200 per square foot, architect Les Eerkes (with the mentorship of Tom Kunding) looked for ways to build the structure efficiently. He specified glulam—glued laminated timber—for the structure and spanned the skeleton with structurally insulated floor and roof panels. The structure is stationed atop a six-column foundation. "The 'six-footed' solution was balanced against a spread footing and stem wall approach," Eerkes says. "Cost analysis led us in the direction of the column footing approach because it minimized excavation and form work costs."

The Alvar Aalto dining chairs, which sit against a table (Table 86A) and lamp (Pendant Lamp A110) by the same designer, were deliberately chosen because they sit slightly lower to the ground and can be used in the living area as well. The back wall unit includes a television, garden-view windows, and fireplace, surrounded by an Aalto chair (Armchair 400) and a daybed from a Melbourne designer. The window’s placement allows residents to look out on the garden while blocking the views from the neighboring eight-story apartment building.

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When not in use during winter, the tub is hidden from the home’s view. The entrance has a sheltered overhang for car parking.

Anna Hoover, founder of the non-profit First Light Alaska, sought a "thought refuge, a room with a view to sit and contemplate future projects and reflect on recent travels and interactions, plenty of ‘headspace’—tall ceilings—and the ability to host other artists for studio time," she says. A longtime resident of the Pacific Northwest, Hoover was familiar with the work of Olson Kundig and contacted the Seattle-based firm to design her abode.

“We have described the house as an urban cabin and this captures the essential character we were seeking to achieve,” says architect Charles Thomson. “Because the plan is so tight, it was critical that every part was considered carefully. But we also wanted spaces that were simple and flexible to accommodate the typical range of family activities.”

Steel rods surround the staircase. A MayDay lamp by Konstanting Grcic for Flos is affixed to the rope wall.

In the sleeping loft, floor-to-ceiling windows overlook the fir canopy of the surrounding forest. "The house faces east, so the sun and moon rise and reflect on the water," Hoover says. "The moon rising with the fire crackling is a delight. And on sunny summer mornings, the sunbeams magically shimmer off the Puget Sound and reflect onto the ceiling of the bedroom, we could never have planned this."

Ridgewood Residence, Assembledge

Ridgewood Residence, Assembledge

Ridgewood Residence, Assembledge

Photo by Julian King

“The design process was organic, but we wanted to create a well-crafted house with intrinsically beautiful materials that would deliver joy as well as robustness to sustain a long period of time,” Thomson says.

The ultra-compact "sleeping berths" are a couple of steps up from the ground. Deep frame windows mediate views to the outside and the white walls bounce diffused light to illuminate the space as if it were a light box.

“I love the house more each day,” says Tamami Sylvester of her and husband Michael's home by Sebastian Mariscal in Venice, California. The kitchen, which includes all Miele appliances, is sheathed in custom woodwork from Semihandmade. Accessories from A+R complement the Caesarstone countertops and Franke faucet. A LifeSource Water System provides filtration. Photo by Coral von Zumwalt.

Six-inch-square blue tiles cover the walls and floor of the girls’ upstairs bathroom. The towels and rug are also by H&M Home.

Architect Chris Pardo designed the Element 1 model for prefab builder Method Homes, cladding it in Cor-Ten steel and cedar. Pardo’s design “is the definition of simple, elegant, straightforward building,” resident Karen Kiest says.

Escape made a splash by launching a property in Tampa Bay filled with its trailers. But you don’t have to live there to own one.

"How would a kid draw a house?" architect Per Franson asked himself when designing the Olivero-Reinius family home. The simple prefab structure’s unusual color comes from a traditional source: falu rödfärg, the historic mineral paint that gives the region’s famous barns their red color.

Architect Gustavo Costa calls the home library the “project’s heart.” This central space houses the owner’s expansive collection of about 5,000 books, and acts as a meeting place for friends and colleagues. A Gerrit Thomas Rietveld Red and Blue chair completes the space.