Durable, economical, and easy to build, the simple A-frame was once the must-have midcentury vacation home. Today, the classic retreat has been propelled back to popularity, thanks largely to photo-centric platforms like Instagram and Pinterest. Read on for 20 charming A-frame homes that caught our eye.

In a couple’s Mexico City apartment designed by David Levy of Flexform, a Murano chandelier hangs above a marble-topped dining table from the showroom.

The Antonio Citterio walnut-back Morgan chairs are also from Flexform.

The clients insisted that none of the trees on the property be disturbed, so Kevin Alter and his team at Alterstudio Architecture built a deck and an overhang around two of them.

Another view of the deck.

“The house is a piece of origami made out of triangular shapes, which we then draped over the landscape,” says Arbel.

Alterstudio Architecture of Austin designed this house in the Texas capital for a young family of four.

In consultation with the clients, Alterstudio opted to clad the house in local cypress rather than imported, FSC-certified ipe.

The result: a house that looks like it’s just been dropped into a field, casual, with nary a path leading up to it and a front door that can barely be detected on the red-cedar-shingled facade.

Adding 290 square feet to this already small (just 566 square feet) black A-frame in Brecht, Belgium, was all the local building ordinances allowed, but the architects at dmvA found that a single wing extended out to the side gave resident Rini van Beek all the storage and living space that she needs.

Bruce Thatcher and Kirsty Leighton behind their London home.

Bassam (left, with Fellows) hung redwood garage doors that match the house’s exterior.

Fed up with flashy, environmentally insensitive beach homes, architect Gerald Parsonson and his wife, Kate, designed a humble hideaway nestled behind sand dunes along the New Zealand coastline. Crafted in the image of a modest Kiwi bach, their 1,670-square-foot retreat consists of a group of small buildings clad in black-stained pine weatherboards and fiber-cement sheets.

“Peter and I’ve got shockingly similar and far-reaching design inspirations. Our conversations would move easily from brutalism to driftwood to kachinas and then flow right back to something applicable to architecture. I can’t tell you how many times I will do that with a less-design-literate client and just get a blank stare!” —Architect Craig Steely

Kayak in hand, Tom and Will make a break for the beach.

A third of the house and deck cantilever out toward the stream, and the void beneath the deck provides a place for wood storage. The cabin sits just 100 feet from the water, and with the windows open you can hear the ambient rush of the stream from throughout the house.

“Segovia is a very central region, but an underdeveloped one,” de la Quadra-Salcedo says. “Traditionally devoted to agriculture and mainly livestock, it flourished in the sixteenth century but now that the older generations are disappearing, there is a problem of abandoned villages and fields.” The structure highlights the rural surroundings.

The Casa Cuatro sits above a 180-foot cliff that overlooks the Pacific Ocean. The locally quarried stone makes the house blend in with the landscape and acts as a thermal-mass wall, absorbing heat during the day and releasing it through the evening.

Mark Word Design did the landscaping, with an emphasis on water conservation. "It's about usage levels, but it's also about the way we treat storm water and runoff since it all goes back into our supply at the end of the cycle," designer Sarah Carr says. Word and his team chose plants that help reduce erosion, require little watering, and allow storm water to percolate. Mulch and living ground covers—including Big Blue liriope, marsilea, and Palisades zoysia turf—keep moisture within the soil and lower the temperature of the soil, protecting the roots of the live oak trees.

The interior combines modern and more traditional elements, such as this oriental rug.

The cypress cladding carries over from the exterior to the interior of the house.

The house was built on piers (save for the lower-level bedroom) so that little of the natural landscape would be disturbed.

Where once there was a timeworn 1950s bungalow in the Metropolitan Green Belt south of London, there now stands a dynamic house whose two volumes are joined by a glass atrium. The project was designed by Grant Freeman of OB Architecture.

Churtichaga and de la Quadra-Salcedo purchased a parcel of former farmland to build their vacation home twelve years ago but only recently completed the house—a timber-clad minimalist structure expertly designed to disappear into the scenic landscape.

Atherton's bedroom also contains a miniature piano; outside is a red bud tree, an appealing spot for mellow contemplation.

Having purchased the land from a friend who also has a house in the community, Schneider had a better sense of what she wanted—and what she didn't—her site. "From the experience at the neighbor's house," Foster says, "she knew she didn't want the house to have its back to the morning sun so we created a deck and somewhere to sit outside that faces east." Don't miss a word of Dwell! Download our FREE app from iTunes, friend us on Facebook, or follow us on Twitter!

@sticks.and.bricks: it's #treehouse season! please excuse me while I go #playintheyard.

A silo ladder in the study leads to the roof deck. Both desk lamps are Tizios by Richard Sapper for Artemide; the pendant is a Zettle’z by Ingo Maurer; and the Kalos armchair and Solo desk chair are by Antonio Citterio for B&B Italia.

The Lai family—Mayuko, baby Shota on her lap, David, Maya, and Yumi sitting on a cushion on the deck—relaxes in their indoor-outdoor living space, made by opening the glass sliding doors to connect the living room and engawa deck.

Surman Weston delivers a contemporary twist on the mock-Tudor style with minimalist interiors and intricate brickwork.

Located in Springfield, Missouri, this modern farmhouse designed by Kansas-City based firm Hufft Projects exudes the traditional vernacular of Kansas with an updated take on the conventional form. The rolling hills and expansive land resemble the tone of quaint Marquette.

An aerial shot of the property showing the house nestled in a clearing. The dense wooded surroundings inspired the couple to prioritize exterior views in the home’s design

The most sustainable element of all is the Lais’ intention to make their first home their last home as well. “Some people have this mentality of getting a starter house, then upgrading from there,” David says. “We just wanted to find a place to live in and then stay there forever.” Eventually they imagine passing the home down to their children.

Clad in Douglas fir, the home is constructed of low maintenance materials that tie in with the natural surroundings.