Sometimes all it takes is a little luck. For a young married couple, it came in the form of this rare find: a 19th-century, three-story, single-family home in the heart of Paris. The building was a charmer with good bones, but was in need of some serious care. In a vibrant retrofit by architect Pierre-Louis Gerlier that includes structural reinforcements, the reimagined design is set off with a new floor plan. The lower level now serves as a space for the couple’s children, with the public areas—including an open-plan living/dining room and kitchen—on the floor above. Upstairs, the attic has been transformed into a very large primary bedroom with a green-and-white bathroom suite. The living room (pictured) showcases the firm’s bespoke carpentry work with a beautiful, mossy-green built-in bookcase that frames a new fireplace, and a staircase surrounded by arched doorways that hold hidden storage. “We created visual breakthroughs in order to connect the different spaces,” says Gerlier. “The rounded arches are there to help magnify these moments.”
Sometimes all it takes is a little luck. For a young married couple, it came in the form of this rare find: a 19th-century, three-story, single-family home in the heart of Paris. The building was a charmer with good bones, but was in need of some serious care. In a vibrant retrofit by architect Pierre-Louis Gerlier that includes structural reinforcements, the reimagined design is set off with a new floor plan. The lower level now serves as a space for the couple’s children, with the public areas—including an open-plan living/dining room and kitchen—on the floor above. Upstairs, the attic has been transformed into a very large primary bedroom with a green-and-white bathroom suite. The living room (pictured) showcases the firm’s bespoke carpentry work with a beautiful, mossy-green built-in bookcase that frames a new fireplace, and a staircase surrounded by arched doorways that hold hidden storage. “We created visual breakthroughs in order to connect the different spaces,” says Gerlier. “The rounded arches are there to help magnify these moments.”
Perched below the Griffith Observatory and overlooking Hollywood is a lush lot crowned with four towering olive trees and a 1965 home designed by modernist architect Craig Ellwood. When a young couple purchased the home in 2018, it needed substantial work. For a historic restoration, they called on Woods + Dangaran, a local firm fluent in modernist history. The team completed a meticulous restoration of the home while keeping original components like the linear shape, open plan, and expansive windows. One of the most striking features is the original koi pond (a feature deemed so essential that its preservation was a condition of escrow) that is now crossed via a bridge that leads to a new lap pool—perhaps the biggest intervention on the property.
Perched below the Griffith Observatory and overlooking Hollywood is a lush lot crowned with four towering olive trees and a 1965 home designed by modernist architect Craig Ellwood. When a young couple purchased the home in 2018, it needed substantial work. For a historic restoration, they called on Woods + Dangaran, a local firm fluent in modernist history. The team completed a meticulous restoration of the home while keeping original components like the linear shape, open plan, and expansive windows. One of the most striking features is the original koi pond (a feature deemed so essential that its preservation was a condition of escrow) that is now crossed via a bridge that leads to a new lap pool—perhaps the biggest intervention on the property.
Sited on a remote, forested plot two hours from San José, Costa Rica, this home was designed with spiritual transcendence in mind—along with off-grid sustainability. When architect María de la Paz Alice of <span style="font-family: Theinhardt, -apple-system, BlinkMacSystemFont, &quot;Segoe UI&quot;, Roboto, Oxygen-Sans, Ubuntu, Cantarell, &quot;Helvetica Neue&quot;, sans-serif;">Mazpazz Arquitectur</span><span style="font-family: Theinhardt, -apple-system, BlinkMacSystemFont, &quot;Segoe UI&quot;, Roboto, Oxygen-Sans, Ubuntu, Cantarell, &quot;Helvetica Neue&quot;, sans-serif;">a first saw the plot in the mountains of Palmichal de Acosta, she was skeptical due to its inaccessibility. Luckily for the client—a film producer and ocean conservationist who dreamed of a place where she could disconnect—the architect was game to take on the project. Casa Salvaje, or Wild House, is an entirely autonomous stone-and-concrete home that uses geometric openings to frame its tranquil surroundings. Teaming up with interior designer Ileana Guerrero—who worked with local artisans to craft custom furnishings for the living spaces—and landscape designer Jorge Salgado, the project is a breathtaking example of architecture that connects to the earth. The home’s entrance, which the architect refers to as “the vortex,” takes the form of a concrete cube with two prominent circular openings. Crystals encrusted in the floor capture and reflect the light that passes through the overhead oculus from the sun and moon. “As you walk in, the circular window framing the mountain view is the focal point, and the sky window above immediately connects you to your surroundings,” says the architect. “I strive to create spaces that will benefit and expand people emotionally and spiritually, just as much as they do aesthetically.”</span>
Mazpazz Arquitectur
Interior designer Laura Britt followed WELL Building Standards to source the home’s non-toxic furnishings and finishes, which include living room chairs and a sofa from Thayer Coggin that use flame retardant– and formaldehyde-free cushions.
Interior designer Laura Britt followed WELL Building Standards to source the home’s non-toxic furnishings and finishes, which include living room chairs and a sofa from Thayer Coggin that use flame retardant– and formaldehyde-free cushions.
“It’s so nice back here in the summer in the shade,” says Sherry. “We don’t even have to put sunscreen on the kids. It’s a true little oasis.”
“It’s so nice back here in the summer in the shade,” says Sherry. “We don’t even have to put sunscreen on the kids. It’s a true little oasis.”
Kick off your summer with these stellar sales from your favorite fashion, beauty, home decor, and bedding brands.
Kick off your summer with these stellar sales from your favorite fashion, beauty, home decor, and bedding brands.
The floor-to-ceiling sliding doors and windows were the most expensive line item in the renovation. “The house would simply not be the same without them,” says architect Miguel Rivera. “When you are in the living area with the doors open, it creates one large indoor/outdoor space that is simply stunning.” Just beyond the kitchen, a bookcase in the hallway is painted to appear red from one side and gray from the other.
The floor-to-ceiling sliding doors and windows were the most expensive line item in the renovation. “The house would simply not be the same without them,” says architect Miguel Rivera. “When you are in the living area with the doors open, it creates one large indoor/outdoor space that is simply stunning.” Just beyond the kitchen, a bookcase in the hallway is painted to appear red from one side and gray from the other.
In 2009 on a quiet Los Angeles corner, Mel Elias found a severely water-damaged, crumbling 5,000-square-foot house hidden behind a tangle of overgrown vegetation. Its former owner, the late Hollywood acting coach Milton Katselas, had filled his property with industrial skylights and enormous, wood-burning fireplaces. The glass-and-concrete construction was framed by high ceilings, rusted steel beams, and varied elevations across the single-story plan. Thanks to an 11-year long, multiphase renovation by designer Carter Bradley, the home—with all of its quirks and character—shines again.
In 2009 on a quiet Los Angeles corner, Mel Elias found a severely water-damaged, crumbling 5,000-square-foot house hidden behind a tangle of overgrown vegetation. Its former owner, the late Hollywood acting coach Milton Katselas, had filled his property with industrial skylights and enormous, wood-burning fireplaces. The glass-and-concrete construction was framed by high ceilings, rusted steel beams, and varied elevations across the single-story plan. Thanks to an 11-year long, multiphase renovation by designer Carter Bradley, the home—with all of its quirks and character—shines again.
A dusty-pink facade is only a hint of what’s inside this 18th-century structure. For Sérgio Antunes, cofounder of Lisbon-based Aurora Arquitectos, the charming exterior and its rich pigment provided a fascinating starting point for the renovation of the Rose Building—a single-family residence in southern Portugal that his team turned into five glowing apartments in collaboration with Lisbon architecture studio FURO. Throughout are huge swaths of color with unique touches: For example, painted on the ceiling of the central stair is a moody mural of a woman in the style of a fresco, and in one of the unit’s bathrooms, more ceiling artwork depicts a mermaid emerging from a swirl of waves. Elsewhere, arched windows, sloped ceilings, ornate moldings, and wooden doors elegantly play off Portuguese marble and patterned ceramic tiles. With the go-ahead from the city, the architects were also able to construct a modern addition at the rear—The Mustard Building—that pairs natural wood partitions with the subdued tones of creamy terrazzo.
A dusty-pink facade is only a hint of what’s inside this 18th-century structure. For Sérgio Antunes, cofounder of Lisbon-based Aurora Arquitectos, the charming exterior and its rich pigment provided a fascinating starting point for the renovation of the Rose Building—a single-family residence in southern Portugal that his team turned into five glowing apartments in collaboration with Lisbon architecture studio FURO. Throughout are huge swaths of color with unique touches: For example, painted on the ceiling of the central stair is a moody mural of a woman in the style of a fresco, and in one of the unit’s bathrooms, more ceiling artwork depicts a mermaid emerging from a swirl of waves. Elsewhere, arched windows, sloped ceilings, ornate moldings, and wooden doors elegantly play off Portuguese marble and patterned ceramic tiles. With the go-ahead from the city, the architects were also able to construct a modern addition at the rear—The Mustard Building—that pairs natural wood partitions with the subdued tones of creamy terrazzo.
The house has a front door, but it’s actually not the main entrance: That’s found around the side, via a soothing, wood-lined courtyard. It’s a natural space for outdoor entertaining, too, thanks to the built-in fireplace and bench.
The house has a front door, but it’s actually not the main entrance: That’s found around the side, via a soothing, wood-lined courtyard. It’s a natural space for outdoor entertaining, too, thanks to the built-in fireplace and bench.
The floors are an engineered hardwood oak, limewashed with a tumbled finish. The dining table is a hand-me-down from Daisy’s parents. Upstairs, the primary bedroom opens right up onto a rooftop terrace, but for nights when Pete and Daisy feel like hosting, Loader installed an Arne Jacobsen–inspired, thin spiral staircase on the outside for guests to climb.
The floors are an engineered hardwood oak, limewashed with a tumbled finish. The dining table is a hand-me-down from Daisy’s parents. Upstairs, the primary bedroom opens right up onto a rooftop terrace, but for nights when Pete and Daisy feel like hosting, Loader installed an Arne Jacobsen–inspired, thin spiral staircase on the outside for guests to climb.
The zig-zag ceiling adds a sense of playfulness and maximizes the visual volume of the open-concept kitchen and dining area. Combined with the oversized sliding doors, the space feels incredibly open and airy.
The zig-zag ceiling adds a sense of playfulness and maximizes the visual volume of the open-concept kitchen and dining area. Combined with the oversized sliding doors, the space feels incredibly open and airy.
Interior designer Laura Britt and architect Stephen Andrews took notes from WELL Building Standards—and their physician client—to craft a nurturing family residence that also protects against harsh weather.
Interior designer Laura Britt and architect Stephen Andrews took notes from WELL Building Standards—and their physician client—to craft a nurturing family residence that also protects against harsh weather.
Woodcraft Mobiliar created built-in cabinetry in almost every room of the home, keeping furniture needs to a minimum.
Woodcraft Mobiliar created built-in cabinetry in almost every room of the home, keeping furniture needs to a minimum.
Sophia and Henry relax in the open-plan living area of their tiny home with their dog Cora, a Labrador retriever and Siberian husky mix.
Sophia and Henry relax in the open-plan living area of their tiny home with their dog Cora, a Labrador retriever and Siberian husky mix.
A sliding barn door accesses the bathroom, where the Jungbauers installed a compost toilet and low-flow fixtures for the sink and the shower.
A sliding barn door accesses the bathroom, where the Jungbauers installed a compost toilet and low-flow fixtures for the sink and the shower.
Love the tile, and great solution for a small space - put the tub in the shower !
Love the tile, and great solution for a small space - put the tub in the shower !
Livning room through slide away glass doors to patio.  Indoor/Outdoor living at its best.
Livning room through slide away glass doors to patio. Indoor/Outdoor living at its best.
Front entry with peekaboo door and walnut slat screen.
Front entry with peekaboo door and walnut slat screen.
This living/bedroom space showcases neutral tones and shades of white to contrast the continued use of natural, treated wood surfaces.
This living/bedroom space showcases neutral tones and shades of white to contrast the continued use of natural, treated wood surfaces.
Newly relined pool, and original cement lined patio with Schultz Patio pieces
Newly relined pool, and original cement lined patio with Schultz Patio pieces
al Fresco dining 60's style
al Fresco dining 60's style
V60by Volvo

In showrooms early 2014, the new V60 sports wagon features fold-down seats for versatility. Like all of Volvo’s fleet, the V60 includes the company’s low-speed collision-avoidance technology, called City Safety. It works at speeds up to 31 mph, automatically braking the car to prevent collisions. Responding to increasing traffic congestion and the fact that most accidents occur at low speeds, the systems in 2014 models will now include cyclist detection. volvocars.com
V60by Volvo In showrooms early 2014, the new V60 sports wagon features fold-down seats for versatility. Like all of Volvo’s fleet, the V60 includes the company’s low-speed collision-avoidance technology, called City Safety. It works at speeds up to 31 mph, automatically braking the car to prevent collisions. Responding to increasing traffic congestion and the fact that most accidents occur at low speeds, the systems in 2014 models will now include cyclist detection. volvocars.com
Custom cabinets in a mix of white oak and lacquered paint join Miele appliances and a honed quartz countertop.
Custom cabinets in a mix of white oak and lacquered paint join Miele appliances and a honed quartz countertop.
In Malinalco, Mexico, Casa Mague by <span style="font-family: Theinhardt, -apple-system, BlinkMacSystemFont, &quot;Segoe UI&quot;, Roboto, Oxygen-Sans, Ubuntu, Cantarell, &quot;Helvetica Neue&quot;, sans-serif;">Mauricio Ceballos X Architects </span><span style="font-family: Theinhardt, -apple-system, BlinkMacSystemFont, &quot;Segoe UI&quot;, Roboto, Oxygen-Sans, Ubuntu, Cantarell, &quot;Helvetica Neue&quot;, sans-serif;">draws inspiration from the region’s Aztec heritage. “Piramide de Malinalco, one of only three carved pyramids in the world, is part of the town’s daily life,” explains the firm’s director and founder, </span><span style="font-family: Theinhardt, -apple-system, BlinkMacSystemFont, &quot;Segoe UI&quot;, Roboto, Oxygen-Sans, Ubuntu, Cantarell, &quot;Helvetica Neue&quot;, sans-serif;">Mauricio Ceballos Pressler</span><span style="font-family: Theinhardt, -apple-system, BlinkMacSystemFont, &quot;Segoe UI&quot;, Roboto, Oxygen-Sans, Ubuntu, Cantarell, &quot;Helvetica Neue&quot;, sans-serif;">. “The inhabitants feel proud of their Aztec roots.” To honor them, and in direct reference to the nearby pyramid, an exterior living area adjacent to the pool in the first slide features a curved and stepped wood wall. To more broadly echo a Mesoamerican worldview, Pressler designed each room of the 2,906-square-foot home to feel as if it’s woven into the landscape. “Trees have ritual meaning,” he explains. “The roots symbolize the connection to the underworld, the trunks symbolize the earthly human life, and the branches symbolize the connection with the Gods.”</span>
Mauricio Ceballos X Architects
The SSB is made of four pieces that slot together to create the central V design and comes in two types of wood or steel. It can hold an open cookbook in the kitchen, display favorite titles in the living room, and it also works well for kids.
The SSB is made of four pieces that slot together to create the central V design and comes in two types of wood or steel. It can hold an open cookbook in the kitchen, display favorite titles in the living room, and it also works well for kids.
Love the walnut wrapped bookshelves, and the original tile on the fireplace.  That smoked glass vintage dining table and Eames chairs help finish the Mad Man look.
Love the walnut wrapped bookshelves, and the original tile on the fireplace. That smoked glass vintage dining table and Eames chairs help finish the Mad Man look.

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