Its living room features an Eames LCW, Bertoia Barstools, and Eames Tandem Shell Seats.

The 1956 LeBaron-Moruzzi Residence by Sam Pascal features all-white interiors with vibrant yellow accents, as seen with the chimney at right.

The 1956 all-white La Casa di Ucello Bianca, designed by an unkown architect, was carefully restored by its current owners.

The kitchen of the La Casa di Ucello Bianca. As architect Ron Radziner says in the book's forward, Chavkin's color photography captures the light so essential to experiencing the West Coast's desert modernism.

Also in La Casa di Ucello Bianca, sunlight from a clerestory reflects off white ceilings to illuminate richly hued furnishings.

Another 1956 tract house with a flat roof designed by Krisel.

Stefano Boeri (born 1956)

When it comes to an alarm clock, Santos says, “Just because it wakes you up every morning doesn't mean it has to be ugly. Make your alarm clock work for your schedule and your decor.” Designed by Arne Jacobsen in 1956, the City Hall Alarm Clock is a companion to Jacobsen’s iconic wall version, originally designed for the Rodovre City Hall building in Copenhagen.

Saarinen designed his famous Tulip armchair as part of the Pedestal collection for Knoll in 1956 (manufacturing began the following year). With its minimal base and narrow, simple stem, the clean-lined design aimed to provide a solution to clunkier designs of, in the designer's own words, "ugly, confusing, unrestful world."

A stony walk and a line of bamboo, original to the property, direct visitors to the entryway of the Pfeiffers’ modest 1956 slice of heaven.

Divisumma GT 24 adding machine designed in 1956 by Nizzoli Marcello for Olivetti.

In true mid-century fashion, a George Nelson Bubble Lamp is paired with an Eames Lounge by Charles and Ray Eames in a corner of the living room. The glass walls and mitered corner are original features of architect Saul Zaik’s 1956 design.

Study for 'Homage to the Square: Last Century'

In the living room, Fred sits beneath Tom Wesselmann’s Claire’s Valentine Banner, from 1973. A George Nelson Yellow Marshmallow sofa from 1956 joins a Darrell Landrum coffee table, also from the 1950s, and a pair of Verner Panton Cone chairs.

American Embassy, interior, decommissioned and modified. Architect: Harry Weese & Associates, 1956.

1956 William Krisel FAIA for Alexander Construction Company

A tract house with a butterfly roof designed in 1956 for Joe Dunas.

Jessica Helgerson Interior Design, with project manager and lead designer Emily Kudsen Leland at the helm, remade a Portland abode with a crisp paint palette: Benjamin Moore’s Wrought Iron for the cladding and Venetian Gold for the front door. The home was originally designed by Saul Zaik in Southwest Portland, complete with a wood-clad exterior, in 1956. As part of the renovation, landscape design was completed by Lilyvilla Gardens.

Built in 1956 for the World’s Fair, the Atomiumis an homage to the future. It recently reopened after a complete renovation.

The kitchen features Japanese ash casework and Jacques Biny lights, made in 1956. A Semi pendant by Gubi hangs above a De La Espada table.

Madeline and Gabriella check out the handprints of their grandmother and granduncle, which were cast in the original foundation in 1956.

The 1956 home sits on a tree-filled lot in Connecticut, and was originally designed and built by local architect Cyril K. Smith, who studied under Louis Kahn.

The exterior sconces are original to Zaik's 1956 design. JHID rebuilt the rear deck off the living room, which connects to an aggregate patio; the two architectural elements are connected by pathways in variegated bluestone designed by Lilyvilla Gardens.

A black electric guitar, a vintage rosewood desk, and a side chair by Charles and Ray Eames sit at the foot of the stairs just beneath a photo of designer Barbara Hill herself competing in the 1956 Miss America Pageant.

Byron Wilson's silver, ebony, and ivory necklace from 1956 shows how modern design worked its way into jewelery as well.

This photo shows Jones and his family lounging on the terrace of their home circa 1956. Photo courtesy of the Fay Jones Collection, University of Arkansas.

Once owned by musician, producer, and DJ Moby, this midcentury dwelling in Pound Ridge, New York, was restored to preserve its original architectural elements by David Henken, a disciple of Frank Lloyd Wright. Built in 1956, the two-story home was originally created by renowned local builder Vito Fosella to embrace the wooded landscape with an exterior clad in teak, mahogany, and stone. The roof is tar and gravel.

We can't dream up more perfect home office ideas for him. Handsome paint colors combine with dark wood cabinetry and hardwood floors to create this masculine-leaning office in a renovated midcentury home in Southern California. The homeowner scoured high and low for this 1956 Quadreflex mono speaker designed by Charles and Ray Eames for Stephens Tru-Sonic—the ultimate grown-up toy.

Rich red bricks and vertical lines define the exterior of Jone's Wilkinson/Lechtenburger residence first built as a spec house in 1956. Photo by Don Shreve

Outside the atelier are cast bronze lights adapted from an interior design for Finland's National Pensions Institute (completed in 1956) finance department's conference room.

1956 Santa Fe

Atrium: 1956 (top left), Atrium 2021 (top right). Dining Nook turned Entry: 1956, 1980's, 2021. Lady Gaga art piece by prodigy artist, Anna-Maria Nikolova

Scribbles and edits on The Killing (1956) manuscript.

This 1956 gem was designed by Ralph Spencer Twitchell, a key figure in the Sarasota School of Architecture.

Arroyo designed this slatted-wood coffee table in 1956.

Rear remodel: 1956 to 2021 #twinpalms