"Beauty," Olafur Eliasson, 1993.
In this work, a spotlight shines through a layer of mist to create a rainbow that's only visible from certain angles.
1993, Pierluigi Cerri.
The 377-square-foot Woodland Cabin by London-based practice De Rosee Sa was completed over the course of multiple trips to the lakeside lot in the village of Nouvelles in southern Belgium. The steeply pitched structure is clad in timber that was stained black from used tractor engine oil, which is a popular finish for local agricultural buildings.
A more formal dining area can be found just steps from the kitchen in the glass-wrapped atrium.
Nicolas Grospierre, Hydroklinika, 2004, D-Print on Wood, 19 3/4" x 19 3/4"
Vitra Fire Station, Weil am Rhein, Germany, 1993
More diamonds, boldly interpreted in a 3'4" by 5'8" rug.
De Rosee Sa designed and built this black timber cabin on a budget of $32,872. The home’s exterior, which was stained using tractor engine oil, references the rural vernacular of its locale.
The staircase is constructed of laminated 3/4" plywood sheets, and all of the components are interlocking using mortise and tenon joints instead of fasteners.
Goje, Sandile
The Waterloo International Terminal, 1993, in London. Image courtesy Jo Reid/John Peck.
Kellogg spent five years working on the house, and the structure was completed in 1993.
The 34-foot-long Airstream Excella was gutted and renovated by Innovative Spaces in Santa Barbara, California.
Grospierre photographed the facility in 2004, a year before it was partially demolished and turned into a water park.
Nicolas Grospierre,
Hydroklinika, 2004, D-Print on Wood, 19 3/4" x 19 3/4".
The artist commented that the eerie emptiness of the abruptly abandoned building reminded him of a modern day Pompeii.
Nicolas Grospierre,
Hydroklinika, 2004, D-Print on Wood, 19 3/4" x 19 3/4".
Hydroklinika is a series of 32 photographs of a treatment spa complex built between 1976 and 1981 in Druskininkai, Lithuania.
Nicolas Grospierre,
Hydroklinika, 2004, D-Print on Wood, 19 3/4" x 19 3/4".
At the end of the hall the ceiling lifts to an airy 3.4 metres, subtly marking the shared spaces of the home.
When traveling couple Nate and Taylor Lavender were dating and living in Florida, they purchased a 34-foot, 1992 Airstream, which they renovated and affectionately named Augustine the Airstream (after the city of St. Augustine, Florida, where they found her on Craigslist).
The complex was built by little-known architects Romuladas and Ausra Silinskas on a ternary plan, which means each element is repeated by a multiple of three.
Nicolas Grospierre,
Hydroklinika, 2004, D-Print on Wood, 19 3/4" x 19 3/4".
This residence is centered around a 34-foot-tall light well, which floods the home with warm natural light. In the summer, this area is transformed into a heat chimney by drawing warm air up to the operable skylight. Cooler air flows in through the glazed windows at the garden level, blending beauty and sustainability.
The complex—which could accommodate up to 500 patients— boasted 50 healing rooms, 80 thermal baths, 40 mud baths, and an underground pool.
Nicolas Grospierre,
Hydroklinika, 2004, D-Print on Wood, 19 3/4" x 19 3/4".
A photo of Verner Panton from 1993
An aerial view of Washington, DC, circa 1993.
Turkel Design has worked with clients throughout the country and the world, covering 34 states and places like New Zealand and the Bahamas.
Products from Rudy’s Barbershop, which started in Seattle in 1993, are available in the shower.
B. ZEYLONENSIS NO. 2, 2016
ARCHIVAL DIGITAL PRINT
16 3/4 X 16 3/4 INCHES
EDITION OF 3
B. ZEYLONENSIS NO. 1, 2016
ARCHIVAL DIGITAL PRINT
16 3/4 X 16 3/4 INCHES
EDITION OF 3
When Rob and Mary Lubera started pulling threads to uncover the origins of their new home—the lone midcentury house amid rows of Tudor Revivals in suburban Detroit—not even architecture scholars could have anticipated what they would find. Theirs is the last surviving residence by Alexander Girard (1907–1993), a modernist visionary who made his name in textiles but tried his hand at virtually everything, architecture included. The shoji-like laminate screens, seen in the entryway, are characteristic of his Japanese-influenced work.