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The feature walls in the children’s bedrooms in the upstairs addition are painted using British Paints Waterflow 316.
The feature walls in the children’s bedrooms in the upstairs addition are painted using British Paints Waterflow 316.
Materials and craft play a significant role inside and out. The columns are Type 316 stainless steel – almost nautical grade. Floors and walls are walnut; windows are mahogany.
Materials and craft play a significant role inside and out. The columns are Type 316 stainless steel – almost nautical grade. Floors and walls are walnut; windows are mahogany.
Custom 316 Stainless Steel Glass Railing Fitting
Custom 316 Stainless Steel Glass Railing Fitting
No. 316 Kopra Standing + standing Weimaraner
No. 316 Kopra Standing + standing Weimaraner
Zits No. 316, 2003, Acrylic through panel, 18 x 30 inches
Zits No. 316, 2003, Acrylic through panel, 18 x 30 inches
William McGregor Paxton. <i>The House Maid</i>, 1910. Oil on canvas. 30 1/8 × 25 3/16 in.
The House Maid
RC's Plumbing Company _ 6263 McNeil Dr #316, Austin, TX 78729 _ 512-736-8870 _ https://www.rcplumbingcompany.com
RC's Plumbing Company _ 6263 McNeil Dr #316, Austin, TX 78729 _ 512-736-8870 _ www.rcplumbingcompany.com
The landing looks out on the dining nook below. Although the couple were required to build on their previous home’s footprint, they were allowed to increase the building’s overall square footage by 25 percent, which brought it to 2,316.
The landing looks out on the dining nook below. Although the couple were required to build on their previous home’s footprint, they were allowed to increase the building’s overall square footage by 25 percent, which brought it to 2,316.
Kannemeyer, Anton
Kannemeyer, Anton
Cueria Law Firm, LLC _ 700 Camp St # 316, New Orleans, LA 70130, USA _ (504) 525-5211 _ https://www.cuerialawfirm.com/
Cueria Law Firm, LLC _ 700 Camp St # 316, New Orleans, LA 70130, USA _ (504) 525-5211 _ www.cuerialawfirm.com
Rineke Dijkstra, Almerisa, Wormer, the Netherlands, February 21, 1998; 1998; chromogenic print; 49 3/16 in. x 41 5/16 in. ; Courtesy the artist and Marian Goodman Gallery, New York & Paris; © Rineke Dijkstra
Rineke Dijkstra, Almerisa, Wormer, the Netherlands, February 21, 1998; 1998; chromogenic print; 49 3/16 in. x 41 5/16 in. ; Courtesy the artist and Marian Goodman Gallery, New York & Paris; © Rineke Dijkstra
Rineke Dijkstra, Almerisa, Zoetermeer, the Netherlands, June 19, 2008, 2008; chromogenic print; 49 3/16 in. x 41 5/16 in. ; Courtesy the artist and Marian Goodman Gallery, New York & Paris; © Rineke Dijkstra
Rineke Dijkstra, Almerisa, Zoetermeer, the Netherlands, June 19, 2008, 2008; chromogenic print; 49 3/16 in. x 41 5/16 in. ; Courtesy the artist and Marian Goodman Gallery, New York & Paris; © Rineke Dijkstra
Rineke Dijkstra, Almerisa, Leidschendam, the Netherlands, April 13, 2002, 2002; chromogenic print; 49 3/16 in. x 41 5/16 in. ; Courtesy the artist and Marian Goodman Gallery, New York & Paris; © Rineke Dijkstra
Rineke Dijkstra, Almerisa, Leidschendam, the Netherlands, April 13, 2002, 2002; chromogenic print; 49 3/16 in. x 41 5/16 in. ; Courtesy the artist and Marian Goodman Gallery, New York & Paris; © Rineke Dijkstra
Rineke Dijkstra, Almerisa, Leidschendam, the Netherlands, March 24, 2007, 2007; chromogenic print; 49 3/16 in. x 41 5/16 in. ; Courtesy the artist and Marian Goodman Gallery, New York & Paris; © Rineke Dijkstra
Rineke Dijkstra, Almerisa, Leidschendam, the Netherlands, March 24, 2007, 2007; chromogenic print; 49 3/16 in. x 41 5/16 in. ; Courtesy the artist and Marian Goodman Gallery, New York & Paris; © Rineke Dijkstra
Victor Moscoso (Spanish and American, b. 1936). Junior Wells, 1966. Offset lithograph. 50.3 x 36 cm (19 13/16 x 14 3/16 in.). Gift of Mr. and Mrs. Leslie J. Schreyer, 1979-34-37. Photo by Matt Flynn.
Victor Moscoso (Spanish and American, b. 1936). Junior Wells, 1966. Offset lithograph. 50.3 x 36 cm (19 13/16 x 14 3/16 in.). Gift of Mr. and Mrs. Leslie J. Schreyer, 1979-34-37. Photo by Matt Flynn.
Rineke Dijkstra, Almerisa, Asylum Center Leiden, Leiden, the Netherlands, March 14, 1994, 1994; chromogenic print; 49 3/16 in. x 41 5/16 in. ; Courtesy the artist and Marian Goodman Gallery, New York & Paris; © Rineke Dijkstra
Rineke Dijkstra, Almerisa, Asylum Center Leiden, Leiden, the Netherlands, March 14, 1994, 1994; chromogenic print; 49 3/16 in. x 41 5/16 in. ; Courtesy the artist and Marian Goodman Gallery, New York & Paris; © Rineke Dijkstra
Cueria Law Firm, LLC _ 700 Camp St # 316, New Orleans, LA 70130, USA (504) 525-5211 _ https://www.google.com/search?q=Cueria+Law+Firm+New+Orleans,+LA&kponly&kgmid=/g/1td_yz4x
Cueria Law Firm, LLC _ 700 Camp St # 316, New Orleans, LA 70130, USA (504) 525-5211 _ www.google.com/sea...
This is the studio on the property. It is 3,316 sqf and is the home of Hard Goods, the owner's furniture line (on a side note, the Hard Goods Modern Muskoka Chair won 'Best Furniture Design' at Dwell on Design 2012). The structure is built of rammed earth and timber, and the end walls are clad in old-growth pine that was milled on-site from the trees felled when clearing the build-site.
This is the studio on the property. It is 3,316 sqf and is the home of Hard Goods, the owner's furniture line (on a side note, the Hard Goods Modern Muskoka Chair won 'Best Furniture Design' at Dwell on Design 2012). The structure is built of rammed earth and timber, and the end walls are clad in old-growth pine that was milled on-site from the trees felled when clearing the build-site.
Drawing, Design for a Living Room with Dining Area, 1933–39; Designed by Margarethe Fröhlich (Austrian, 1901–2001); Austria; brush and gouache, black ink; graphite, silver foil, collaged colored paper, wood veneer, newsprint on heavy cream wove paper; 43.7 x 30.1 cm (17 3/16 x 11 7/8 in.); Gift of Margarethe Fröhlich; 1997-109-14 Photo: Cooper Hewitt.
Drawing, Design for a Living Room with Dining Area, 1933–39; Designed by Margarethe Fröhlich (Austrian, 1901–2001); Austria; brush and gouache, black ink; graphite, silver foil, collaged colored paper, wood veneer, newsprint on heavy cream wove paper; 43.7 x 30.1 cm (17 3/16 x 11 7/8 in.); Gift of Margarethe Fröhlich; 1997-109-14 Photo: Cooper Hewitt.
Skyscrapers on Transparent Yellow. Ca. 1929. Glass, 13 3/8 x 13 3/16 in. Photo: Tim Nighswander. Image licenced to Eleonore Hugendubel The Museum of Modern Art by Eleonore Hugendubel Usage : - 3000 X 3000 pixels (Letter Size, A4) � Photo: Albers Foundation/Art Resource, NY / Art Resource
Skyscrapers on Transparent Yellow. Ca. 1929. Glass, 13 3/8 x 13 3/16 in. Photo: Tim Nighswander. Image licenced to Eleonore Hugendubel The Museum of Modern Art by Eleonore Hugendubel Usage : - 3000 X 3000 pixels (Letter Size, A4) � Photo: Albers Foundation/Art Resource, NY / Art Resource
Catherine, Norman
Catherine, Norman
Ved Renden is a minimalist space located in Dyssegaard, Denmark utilizing a Reform kitchen designed by Norm Architects. The Norm design offers a variety of materials that can be combined as desired. Drawer fronts and doors are available in bronzed tombac and sawn smoked oak veneer. All drawer fronts and cabinet doors are without handles and have a 3/16 x 3/16 ” edge on the back. All fronts are opened with a push-system (electric or mechanic), but handles in bronzed tombac can be added, which we recommend for integrated appliances. The tombac fronts are made of 1/16 ” solid tombac, bronzed and glued on a ¾ ” black-dyed MDF. The edges have been varnished and twice coated with wax. The bronzed tombac will gradually get a golden shine in the areas of continuous wear and patinate beautifully over time. Fronts and doors in sawn smoked oak are veneered on the front and back, and the same wood is used on the solid edges. In this particular project, the design used sawn smoked oak, bronzed tombac handles and a countertop in marble.
Ved Renden is a minimalist space located in Dyssegaard, Denmark utilizing a Reform kitchen designed by Norm Architects. The Norm design offers a variety of materials that can be combined as desired. Drawer fronts and doors are available in bronzed tombac and sawn smoked oak veneer. All drawer fronts and cabinet doors are without handles and have a 3/16 x 3/16 ” edge on the back. All fronts are opened with a push-system (electric or mechanic), but handles in bronzed tombac can be added, which we recommend for integrated appliances. The tombac fronts are made of 1/16 ” solid tombac, bronzed and glued on a ¾ ” black-dyed MDF. The edges have been varnished and twice coated with wax. The bronzed tombac will gradually get a golden shine in the areas of continuous wear and patinate beautifully over time. Fronts and doors in sawn smoked oak are veneered on the front and back, and the same wood is used on the solid edges. In this particular project, the design used sawn smoked oak, bronzed tombac handles and a countertop in marble.
Schreuders, Claudette
Schreuders, Claudette
Tana, Nomathemba
Tana, Nomathemba
Coffee and Tea Set, 1995-1996. Zaha Hadid (Iraqi, b. 1950). Sterling silver. Overall: 18 1/2 x 22 1/16 x 14 3/16 in, Tea Pot: 3 1/8 x 5 7/8 x 11 in, Coffee Pot: 3 15/16 x 3 9/16 x 11 in, Milk Jug: 2 3/4 x 7 7/8 x 3 9/16 in, Sugar Bowl: 2 3/4 x 3 9/16 x 3 15/16 in. Silver. Made by Sawaya & Moroni, Milan, Italy. Don't miss a word of Dwell! Download our FREE app from iTunes, friend us on Facebook, or follow us on Twitter!
Coffee and Tea Set, 1995-1996. Zaha Hadid (Iraqi, b. 1950). Sterling silver. Overall: 18 1/2 x 22 1/16 x 14 3/16 in, Tea Pot: 3 1/8 x 5 7/8 x 11 in, Coffee Pot: 3 15/16 x 3 9/16 x 11 in, Milk Jug: 2 3/4 x 7 7/8 x 3 9/16 in, Sugar Bowl: 2 3/4 x 3 9/16 x 3 15/16 in. Silver. Made by Sawaya & Moroni, Milan, Italy. Don't miss a word of Dwell! Download our FREE app from iTunes, friend us on Facebook, or follow us on Twitter!