"Beauty," Olafur Eliasson, 1993. In this work, a spotlight shines through a layer of mist to create a rainbow that's only visible from certain angles.

In this glass-enclosed master bedroom, a LC4 armchair faces the master bed. The moveable frame adjusts along the base, allowing the sitter to switch from upright to full recline, or lounge at a number of other sitting angles.

The flooring includes much of the original oak wood, with few replacements that blend in well and glass corners create a seamless connection between the wooded landscape and interior living spaces.

Clerestory windows surround all rooms, providing the spaces with plentiful daylight.

1993, Pierluigi Cerri.

The renovated kitchen features quartz counters and natural maple cabinets, and it flows easily with the rest of the renovated open plan.

The green roof, wood cladding, and low profile help to integrate the home with its lush, natural surroundings.

Multiple Hytte cabins can be clustered together to create a village layout.

A curving skylight illuminates the minimalist kitchen of a dwelling in Bondi Beach, Australia, that was renovated by Andrew Burges Architects.

The Lais designed their house to be theirs forever. As such, they were able to make design moves that made sense for themselves but that wouldn't have high resale value, like the Japanese-style master bathroom in the middle of the second floor instead of off of the master bedroom. The traditional setup features bath stools from Muji for washing off.

The built-in bench that borders the cantilevered bed features two storage drawers and a hatch that accesses an additional storage compartment.

The crisp white kitchen features appliances built into the cabinetry and marble countertops.

San Francisco’s modernists were faced with the issue of building within a firmly established stylistic tradition—think bay windows and gingerbread. Henry Hill’s 1947 renovation of a 1908 Victorian tucked away on an alley in historic Russian Hill provides a remarkable response to the dilemma.

The kitchen and convertible desk area of the Kugelschiff display a luminous, white-painted ceiling and walls, and white ash cabinetry and flooring.

For architect Stephen Chung, the design of his Wayland, Massachusetts, home was all about blending into the natural environment. The first floor is a serene composition of white and wood. The demand for a domestic office space inspired him to build up, adding a second floor for him to "experiment." In a departure from the Cape Cod aesthetic that rules his block, he was able to give the addition a modernist take, while also literally reflecting the existing landscape of the neighborhood. The entire 1,100-square-foot adjunct that encompasses his second story office-studio, master suite, and fort for his two young sons is swathed in mirrored siding and plate-glass windows.

In an effort to create an abundance of light and air flow throughout the space, the home follows an L-shaped floor plan that wraps around outdoor areas. “We designed several open spaces, each with a different feel: the garden and pool, the terrace, and the back patio,” says Cesarman. “The idea was to reduce the area to the most basic and essential [elements].”

The dwelling is raised on three marine-grade, aluminum-alloy flotation tubes, each with five sealed compartments for extra safety.

Mike Kurokawa and Paul Fishman set out for the beach from their house in the Puna region of Hawaii. A bridge leads from street level to the upper floor of the house, which is situated in a natural depression, or kipuka.

Homeowner Jay Longtin served as the general contractor and performed the majority of the remodel work, aside from the outdoor floors, concrete, and pool, which were done by Architectural Blue.

Bathroom

The exterior of Connect 4L 1,600 sf 3 bed 3 bath 2 story modern prefab.

Le Corbusier, Charlotte Perriand, and Pierre Jeanneret designed the LC4 Villa Church lounge for Cassina.

Marita is an avid reader, clocking about a book a day, so she built this bookcase for her family’s collection and painted it a bright plum shade.

This living/bedroom space showcases neutral tones and shades of white to contrast the continued use of natural, treated wood surfaces.

A photo of Verner Panton from 1993. © Panton Design, Basel

With library's Cor-Ten shield open, the home’s facade is seen at night. The L shaped pedestrian pathway forces visitors to travel around the perimeter before entry, gradually experiencing the architectural composition step by step.

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