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"Beauty," Olafur Eliasson, 1993. In this work, a spotlight shines through a layer of mist to create a rainbow that's only visible from certain angles.
"Beauty," Olafur Eliasson, 1993. In this work, a spotlight shines through a layer of mist to create a rainbow that's only visible from certain angles.
The Escape, Máze, 2009
The Escape, Máze, 2009
Rows of rolling earth comprise the 2009 Storm King Wavefield, the artist’s largest site-specific installation.
Rows of rolling earth comprise the 2009 Storm King Wavefield, the artist’s largest site-specific installation.
1993, Pierluigi Cerri.
1993, Pierluigi Cerri.
Designed by Stockholm-based architects Johan Oscarson and Jonas Elding in Landskrona, Sweden, this 1,300-square-foot townhouse, completed in 2009, presents an elegant approach to urban infill. Tucked between two older buildings, the stark, white structure sits in an 800-square-foot lot that measures just 15 feet wide.
Designed by Stockholm-based architects Johan Oscarson and Jonas Elding in Landskrona, Sweden, this 1,300-square-foot townhouse, completed in 2009, presents an elegant approach to urban infill. Tucked between two older buildings, the stark, white structure sits in an 800-square-foot lot that measures just 15 feet wide.
A photo of Verner Panton from 1993. © Panton Design, Basel
A photo of Verner Panton from 1993. © Panton Design, Basel
Gary_Snyder, at Art Miami, 2009. From the Series "Art Fares"
Gary_Snyder, at Art Miami, 2009. From the Series "Art Fares"
An empty building in Detroit, 2009.
An empty building in Detroit, 2009.
Quadrifoglio Floorlamp, Sophie Larger, 2009.
Quadrifoglio Floorlamp, Sophie Larger, 2009.
Claire_Oliver_Gallery, at Art Miami, 2009. From the Series "Art Fares"
Claire_Oliver_Gallery, at Art Miami, 2009. From the Series "Art Fares"
Leonard_Ruethmueller, at Art Miami, 2009. From the Series "Art Fares"
Leonard_Ruethmueller, at Art Miami, 2009. From the Series "Art Fares"
"Sunspace for Shibukawa," Olafur Eliasson, 2009. This stainless steel observatory, stationed in Shibukawa, Japan, contains a number of glass oculi that capture the movement of light throughout the day, creating varying projections in the interior.
"Sunspace for Shibukawa," Olafur Eliasson, 2009. This stainless steel observatory, stationed in Shibukawa, Japan, contains a number of glass oculi that capture the movement of light throughout the day, creating varying projections in the interior.
Accento cutlery for Serafino Zani, 2009.
Accento cutlery for Serafino Zani, 2009.
Vitra Fire Station, Weil am Rhein, Germany, 1993
Vitra Fire Station, Weil am Rhein, Germany, 1993
Copyright by Matthias Heiderich
Copyright by Matthias Heiderich
Untitled. From series "Color Berlin," 2009.
Untitled. From series "Color Berlin," 2009.
Max_Hetzler, Gallery at Art Basel Miami.From the Series "Art Fares"
Max_Hetzler, Gallery at Art Basel Miami.From the Series "Art Fares"
Matthew_Marks Gallery at Art Basel Miami, 2009.
Matthew_Marks Gallery at Art Basel Miami, 2009.
Gagosian Gallery, Art Basel Miami 2009. From the Series "Art Fares"
Gagosian Gallery, Art Basel Miami 2009. From the Series "Art Fares"
James Welling, "0467," 2009. Inkjet print.
James Welling, "0467," 2009. Inkjet print.
Cancan Floorlamp, Jean-Marc Gady, 2009.
Cancan Floorlamp, Jean-Marc Gady, 2009.
Rythme Sofa, fabrics by Missoni Home, 2009.
Rythme Sofa, fabrics by Missoni Home, 2009.
Pool Rocker II, 2009. Corrugated cardboard.
Pool Rocker II, 2009. Corrugated cardboard.
Tests for dried and embroidered lemon skins for Scholten & Baijings's Vegetable series from 2009. These "hyper-realistic, ingenious translations" mimic the texture of vegetables through fabric and embroidery.
Tests for dried and embroidered lemon skins for Scholten & Baijings's Vegetable series from 2009. These "hyper-realistic, ingenious translations" mimic the texture of vegetables through fabric and embroidery.
The 360 degree Chair and Stool for Magis, 2009.
The 360 degree Chair and Stool for Magis, 2009.
2009: Kazuyo Sejima & Ryue Nishizawa of SANAA An abstract steel sunshade, which floats like smoke amidst the trees, was the focus of the Japanese architect’s 2009 design, support on slight columns like a parasol on a warm spring day. Photograph © 2009 Edmund Sumner/VIEW
2009: Kazuyo Sejima & Ryue Nishizawa of SANAA An abstract steel sunshade, which floats like smoke amidst the trees, was the focus of the Japanese architect’s 2009 design, support on slight columns like a parasol on a warm spring day. Photograph © 2009 Edmund Sumner/VIEW
Apartment Therapy window competition, Jaunary 20, 2009.
Apartment Therapy window competition, Jaunary 20, 2009.
The black facade of the Yatabes’ house may turn a darkly futuristic face to its suburban block, but behind it the house is full of light. In Saitama, a tightly packed neighborhood near Tokyo, the black metal screen affords the family privacy without sacrificing outdoor space.
The black facade of the Yatabes’ house may turn a darkly futuristic face to its suburban block, but behind it the house is full of light. In Saitama, a tightly packed neighborhood near Tokyo, the black metal screen affords the family privacy without sacrificing outdoor space.
Miller used brass, aluminum and glass for the 2009 Hirsutio Vases.
Miller used brass, aluminum and glass for the 2009 Hirsutio Vases.
Our March, 2009 issue Learning from Down Under chronicled the best sustainable design, like a self-sustaining home on Great Barrier Island, in Australia and New Zealand. Photo by: Prue Ruscoe
Our March, 2009 issue Learning from Down Under chronicled the best sustainable design, like a self-sustaining home on Great Barrier Island, in Australia and New Zealand. Photo by: Prue Ruscoe
The Waterloo International Terminal, 1993, in London. Image courtesy Jo Reid/John Peck.
The Waterloo International Terminal, 1993, in London. Image courtesy Jo Reid/John Peck.

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