"Beauty," Olafur Eliasson, 1993. In this work, a spotlight shines through a layer of mist to create a rainbow that's only visible from certain angles.

Morrison and collaborator James Irvine, a friend from college, unveiled this influential line of home goods for Cappellini at the 1992 furniture fair in Milan, making a strong case for pure, minimalist design. In addition to re-investigating the form and function of everyday objects, it also featured the work of then up-and-coming designers such as Tom Dixon and Konstantin Grcic.

1993, Pierluigi Cerri.

A photo of Verner Panton from 1993. © Panton Design, Basel

Vitra Fire Station, Weil am Rhein, Germany, 1993

The new upstairs bathroom, inspired by a 1992 Robin Williams movie, juxtaposes hexagonal and rectangular white tiles, as well as blue grout with four pops of yellow metal (matching the color of the original house's front door).

The Waterloo International Terminal, 1993, in London. Image courtesy Jo Reid/John Peck.

Kellogg spent five years working on the house, and the structure was completed in 1993.

In an adjacent room, various forms of experimental architecture are explored with renderings, sculptures, models, and sketches. Shown here is Neil M. Denari's model for Prototype House, Tokyo, created from 1992 to 1993. Though this design was never actually built, it represented his idea of creating

Rineke Dijkstra, Kolobrzeg, Poland, July 26, 1992, 1992; chromogenic print; 66 1/8 in. x 55 11/16 in.; Courtesy the artist and Marian Goodman Gallery, New York & Paris; © Rineke Dijkstra

In an adjacent room, various forms of experimental architecture are explored with renderings, sculptures, models, and sketches. Shown here is Neil M. Denari’s model for Prototype House, Tokyo, created from 1992 to 1993. Though this design was never actually built, it represented his idea of creating “living machines” as a solution to confined urban living.

Rineke Dijkstra, Hilton Head Island, S.C., USA, June 24, 1992; 1992; chromogenic print; 66 1/8 in. x 55 11/16 in.; Courtesy the artist and Marian Goodman Gallery, New York & Paris; © Rineke Dijkstra

Judin was fascinated by the abandoned gas station ever since he first discovered it in 1992. At the time, it had been unused for seven years. He finally purchased it in 2005 and transformed it into a one-of-a-kind residence.

Rineke Dijkstra, Long Island, N. Y., USA, July 1, 1993, 1993; chromogenic print; 66 1/8 in. x 55 11/16 in.; Courtesy the artist and Marian Goodman Gallery, New York & Paris; © Rineke Dijkstra

When traveling couple Nate and Taylor Lavender were dating and living in Florida, they purchased a 34-foot, 1992 Airstream, which they renovated and affectionately named Augustine the Airstream (after the city of St. Augustine, Florida, where they found her on Craigslist).

Here is a reconstruction of the sculpture Wings on the roof of the School of Architecture IUAV, Università di Venezia, Santa Marta from 1992. The photo is by G. Basilico.

San Diego California Temple — 7474 Charmant Dr., ldschurchtemples.com/san...

An homage to the medallion Louis XVI chair, Delo Lindo's 1992 "Butterfly" chair merges traditional wood with fluorescent green translucid methacrylate. © D. Feintrenie

A ways down the path, I turned back to admire Mark di Suvero's Schubert Sonata sculpture, constructed in 1992 out of painted and unpainted steel.

1992, Pierluigi Cerri.

The Bentwood Collection by Frank Gehry for Knoll, 1992.

The Bentwood Collection by Frank Gehry for Knoll, 1992

A photo of Verner Panton from 1993

Monotype Grotesque, by Monotype foundry, 1926 / 1992

Cross Check™ Chair by Frank Gehry for Knoll, 1992.

The evolution of the Bentwood Collection by Frank Gehry for Knoll, 1992.

Anders Färdig founded Design House Stockholm in 1992.

An aerial view of Washington, DC, circa 1993.

Products from Rudy’s Barbershop, which started in Seattle in 1993, are available in the shower.

Original advertisement for the Bentwood Collection by Frank Gehry for Knoll, 1992

The Power Play™ Chair and Ottoman by Frank Gehry for Knoll, 1992.

Louise Lawler Untitled (Martin and Mike), 1992 cibachrome, crystal, felt

When Rob and Mary Lubera started pulling threads to uncover the origins of their new home—the lone midcentury house amid rows of Tudor Revivals in suburban Detroit—not even architecture scholars could have anticipated what they would find. Theirs is the last surviving residence by Alexander Girard (1907–1993), a modernist visionary who made his name in textiles but tried his hand at virtually everything, architecture included. The shoji-like laminate screens, seen in the entryway, are characteristic of his Japanese-influenced work.

1993 Stefano Giovannoni designs Merdolino toilet brush for Alessi.

Designed by the firm behind the Guggenheim’s 1992 addition, this stately home soars with a double-height rotunda.

Orgone Stretch and Lounge, 1993. Photo by Fabrice Gousset/Courtesy of Galerie Kreo.