The table is by Made, the sneaker-inspired Shoe Toss pendants are by Jeremy Hatch of Ricochet Studio, and the laser-cut photo on the wall is by the couple’s collective art and design practice, Public Studio.
The living room is five steps down from the kitchen and office space and features textured black slate tile from Olympia Tile, Voyage Immobile sofas with Farniente collection upholstery (a wedding present from Flanders’s mother) by Roche Bobois, and a rug from Turkmenistan the couple picked up in Jerusalem. The sliding glass doors are by Loewen and the glazing above is by Inline Fiberglass. Sawatzky relied on Wayne Arsenault for the custom millwork and carpentry.
Sawatzky designed the bookshelves along the living room wall out of Ikea components: one-inch Lagan butcher block countertops and inexpensive Ekby Lerberg brackets. She also used pieces of the strong and attractive countertops for built-in shelves in the upstairs lounge as well as for trim in the kitchen.
In the master bedroom, the couple opted for Artemide lighting: Vintage Eclisse table lamps by Vico Magistretti hang over the nightstands and a Tizio table lamp by Richard Sapper rests on a side table. The lounge chairs are vintage finds, and the rug is a Bedouin design purchased in Jerusalem.
Maira wallpaper from the 70s adorns the guest bathroom. When they knocked down several interior walls, Sawatzky and Flanders were left with tons of lath—the thin, irregular strips of softwood that provided the base for wall plaster. With the help of a demolition contractor, they sorted out the cleanest pieces to reuse. The couple clad the box on the second floor that contains their bathroom and closets with the lath, nail-gunning each piece to the walls.
In the kitchen, the continuous kitchen worktop and table are made of marble from Caledonia Marble. The pink Tamatik dining chairs are by Connie Chisholm and are from the Canadian design shop Made. The Blinding Love pendant lights are by Periphere, which has shops in Montreal and Toronto. The iron rails were
inspired both by screens the couple had seen on their travels in the Middle East and by the ornate wrought ironwork favored by their Portuguese neighbors. Barzel Ironworks fabricated the banister to Sawatzky’s design by slicing up iron pipe, welding it, and painting it.
To keep vases, dishes, and small appliances handy but off the countertop, Sawatzky designed two niches within a wall of deep cabinets. Inset outlets supply power; butcher block lines all sides; and Plexiglas doors provide hits of bright orange. Plastic World, a local dealer, custom-cut the Plexiglas for the storage cubby which sits beneath a photo by artist Chris Curreri.
The couple has a large collection of cookbooks. To provide storage for them in the kitchen—and also seating—Sawatzky topped narrow bookcases (Bestå units by Ikea) with custom-made cushions, upholstered in gray Circa fabric by Knoll Textiles purchased from Modern Fabrics. The bookshelf-cum-bench was custom upholstered by Tina Morgan Designs.