Charles Eames (1907–1978) and his wife, Ray Eames (1912–1988) were American designers who made significant contributions to modern architecture and industrial design. These Cranbrook Academy of Art grads turned mid-century-modernist power couple are a case study in excellent design. Charles and Ray’s prolific partnership took shape with the molded plywood chair in the 1940s, but the duo also dabbled in film, exhibition installations, toys, and even a miniature train in Los Angeles’s Griffith Park.

The Eames Office is dedicated to communicating, preserving and extending the work of Charles and Ray Eames. They feel that all three of those dimensions are important to keeping the office useful and vital, and that all of Charles and Ray’s work was the result of a way of looking at the world—a design philosophy and process that is worth sharing in many different dimensions. They do create new works as well, believing that creating wholly new works is as consistent with that philosophy as restoring and distributing classic ones.

Denver Post fine arts critic Ray Mark Rinaldi is a veteran journalist covering classical music, visual art, opera, dance and more.

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