Phyllis Richardson is the blogger behind Archetcetera and is a writer of books on architecture and design and of occasional literary exploits. Books include the XS series, New Sacred Architecture, House Plus, the Style City volumes on London and Paris, and Designed for Kids. She contributes architecture and design features to the print versions of the Financial Times Weekend and The Plan.

Architecture student. Dog lover. Coffee enthusiast. Occasional figure skater. Aspiring adventurer.

Small homes enthusiast and occasional house filpper

I'm a DIY enthusiast and a part-time copywriter who loves to share his ideas, occasionally.

I'm a lifestyle photographer, occasional blogger, and mom to two French Bulldogs. I also love a good book!

Amy Silberman was born and raised on the East Coast, she packed up and headed for the occasionally sunny shores of Northern California in 1997. She is most likely outside climbing rocks or hiking about.

I make things occasionally. When I'm not making things I'm looking at pretty things.

Thomas Bentzen's work ranges from tableware to interior design, from furniture to industrial design. His passion is to create objects that engage and create curiosity, that are functional and simple and meet the human need while in use—and simply create joy while not. He is obsessed with materials and their limits, by form and functionality and by the durability of design. Before setting up his own design office in spring 2010 he worked for Danish designer Louise Campbell for five years where he became a partner in 2008. Bentzen is co-founder of the Copenhagen-based design collective REMOVE and has exhibited his work at various international exhibitions and furniture fairs. He is a board-member at the Danish Cabinetmakers Autumn Exhibition also known as SE and occasionally teaches at the Danish Designschool in Copenhagen.

Simon is a former food editor and senior writer for Metro. After an eating tour that stretched from Ho Chi Minh City to Sansepolcro, Tuscany, he settled in London where he worked for Esquire and lived in a council flat two minutes’ walk from the Borough Market. He now freelances from Auckland for the likes of KiaOra (the Air New Zealand magazine), Monocle, Cuisine, Home New Zealand and Metro, where you’ll find columns on eating and drinking, as well as the occasional feature on topics as varied as bread and the politics of waste. His first book, Food Heroes, was published by Penguin in October 2012.

We are a large furniture manufacturer developing an assortment of products including Home Office, Home Entertainment, Occasional, Accent Seating, Office Seating and Commercial Office Furniture.

Rural Design is an established practice of award winning architects based on the Isle of Skye. It undertakes projects throughout the Highlands of Scotland and occasionally further afield. Its portfolio of work emphasises the diversity of design skills it can offer, from new build and furniture design to landscape and masterplanning. Rural Design consciously avoids a prescriptive style, with each project being based upon a rigorous analysis of the clients requirements, the site and the landscape context. Its work is characterised by a crisp and contemporary approach; however it is always grounded by an understanding of history and a respect for the environment.

Known for its artful collaborations with both established and up-and-coming talents in contemporary design, Ligne Roset offers consumers an entire lifestyle in which to live both boldly and beautifully via its furniture collections and complimentary decorative accessories, lighting, rugs, textiles and occasional items. An additional distinguishing point of difference that sets Ligne Roset apart from other manufacturers is its tradition of investing in dynamic designer collaborations. Matching its deeply-held belief in design with investment and technical innovation, Ligne Roset has grown from a small business to a multinational company with factories in France, headquarters in Briord, France and more than 200 exclusive Ligne Roset stores and 1,000 retail distributors worldwide. All the while, the company has been family-run since its inception in 1860. Creativity is a key value of the Ligne Roset brand: if a new product demands new materials or productions methods, the company will simply acquire them. Seats, pieces of furniture, lighting, textiles, rugs or bed linens: the idea precedes and the technique follows.

Stress can make your tinnitus worse. Tinnitus is occasionally psychogenic. Try not to rush through life and plan things in advance. Try a few deep relaxation techniques, and then incorporate the most effective ones into your daily life.

Allan Copley is a Furniture Manufacturer based of San Diego CA. We are an industry leader in wood and metal occasional furniture. With the help of award-winning desginers like Dean Maltz and Michael Wolk among others, Allan Copley designs has cfreated designed-focused collections that are modern, yet timeless in their ability to tantalizing your design eye while suiting the unique needs of your client.

At Home Luxury Décor, we offer a wide range of<a href="https://homeluxurydecor.com/product-category/furniture/occasional/end-table/">round end tables</a>and tall end tables from Artmax and other interior decor brands.

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Joe Toreno was born in Miami FL but presently resides in Los Angles. He lives with his wife Brook, his son Donovan and his two dogs, George and Capone. He travels all over shooting photos for magazines, record companies and advertising agencies. When he's not working he will sometimes ride a skateboard although it occasionally causes him bodily harm.

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As we see it, there are a lot of people out there who want to sell their art and a lot of people who'd like to buy it. They just have a hard time finding each other. The internet is the perfect place to bring those people together, and we're exactly the right people to make it happen. We're passionate about art and the internet at 20x200. We're really excited about creating a place where almost any art lover can be an art collector. We introduce at least two new editions a week: one photo and one work on paper. Most are available in three or four sizes. When we first launched, the smallest size was reprinted in the largest batch — an edition of 200 — and sold at the lowest price — $20. Hence the name 20x200. (We say it: "twenty by two-hundred." 200x20 just didn't sound as good.) We also offer 11"x14" editions of 500 for $50, 16"x20" editions of 20 for $200, 20"x24" editions of 50 for $500, 24"x30" editions of 10 for $1,000 and 30"x40" editions of 2 for $2,000. We may occasionally offer editions at other sizes and price points. Usually, the original artwork is also available so let us know if you want the one-and-only! Every single print is delivered with a numbered certificate of authenticity that is signed by the artist, the artist's bio and statement, and instructions for caring for your print.

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Roscoe Jackson is Shawn Gnann and Caleb Dawson. We're all about taking an environmentally sustainable approach to making comfortable, durable modern furniture. Our materials are carefully considered to balance high performance with minimal environmental impact. We manufacture our products in a couple of small workshops in south Alabama and Chicago (long story) and when we're not designing we're drinking beer, appreciating nature, and occasionally sporting ill-advised beards.

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In 1934, Erie Sauder started a woodworking business in a barn behind his home in Archbold, Ohio. Originally a builder of custom cabinetry and church pews, he began crafting small occasional tables from the fine, leftover wood. In 1940, the workmanship of these tables eventually inspired a traveling salesman to place an astounding order of 25,000 — a seemingly impossible purchase order for a budding company. But with a little ingenuity and a lot of determination, Sauder Woodworking Co. grew and flourished. Fast forward to 1953 for Sauder to find the answer to its calling — a patented table that could be assembled at home. And it was this snap-together table that marked the beginning of the ready-to-assemble furniture industry.

Justin Pauly Architects was founded in 2008 in Monterey, California. The firm is focused primarily on single-family residential architecture with occasional forays into the multifamily realm. The structures we choose to create utilize both material and energy efficiently. We are expected to understand the technical challenges, the regulatory obstacles, and the construction techniques by which our structures are shaped, and we believe that, in the end, the buildings that emerge from each process should be structurally sound, visually pleasing, and live lightly on the land. The occupants we serve may or may not be our clients. Regardless, we recognize that they will enrich the spaces we create, and in order to fully serve them, we must understand their culture, their needs, and their own vision for the process we are embarking on together. Architecture is very much an act of listening. The landscape in which we have chosen to work is that of California. It is a diverse setting of coastline, forests, deserts, and valleys. There are cities, suburbs, farms, and wilderness, and each context should dictate its own varied architectural solution. It is vital that a building reacts to both its immediate surroundings and its larger 'place.' In our opinion, all good works of architecture have done just that.

About‘What exactly is it you do?’ ...is a question Thorsten often gets asked. ‘Hmmm, I’m not quite sure myself.’ is the response he usually gives, ‘I do quite a few different things that are somewhat linked.’ He producesHe thinks producing describes Thorsten’s first and main activity quite well. It’s what made him set up his business in the first place. As he out-sources all the production, manufacturing would be the wrong description (as he has no factories himself), but as a producer he brings together the designer and the appropriate supplier. These products then form part of the thorsten van elten range and are sold in many shops in many cities in many countries around the world. His aim is and always has been to produce wherever possible in the UK but occasionally he is forced to produce elsewhere in the European Community. View list of designers He distributesDuring his years in the industry Thorsten has met quite a few like-minded people who do similar things in different countries, so he thought it would be nice to make these more easily available in the UK. It made perfect sense that alongside his own products Thorsten would distribute a few select ranges for the UK market only. View list of companies he distributes He selectsWell, it’s really just his online-shop which which in its previous format didn’t make sense to him anymore ever since he closed down his actual shop. He will still carry on selling a few of the ‘old’ products but he now calls them ‘essentials’. Alongside this he will have changing themes where he selects weird and wonderful products (obviously based on or around that theme) which will only be available online. There will also be a guest editor appropriate for the theme to pick additional products. The new format will be launched at the end of September 2008. The first theme will be Deutschland and the guest editor will be André Klauser. Thorsten cares very much about what he does and thinks his customers will do too. He hopes that his products (produced, distributed or selected) will have a long and happy life ahead of them and will give their owners as much joy as it has given him making, buying or finding them. And remember, buy less and buy better! Thorsten

Mountain Kind Photography features the work of Mary Kiesau (and occasionally Merle Kirkley). The photos are taken in the Methow Valley and the North Cascades unless otherwise noted. I love taking photos and sharing my passion for the natural world and its conservation with others. I have taken photos since childhood and love the art, science and practice of capturing the spirit, beauty and stories in life - whether it be landscapes or creatures, light and shadows, historic buildings or equipment, or simply moments in time that will fuel memories. Through photography I have learned to truly see and feel and be one with the world. Even when I do not have a camera, I take photos in my mind when I see something that I want to capture, memorialize and hold onto. For the most part, the images that grab me tend to be ones of natural beauty, and beauty comes in many shapes, sizes, shades and seasons. Everyday beauty surrounds us - there is always something worthy of a photograph - but what really motivates me to take a photo is not necessarily what I see but what I feel. When I feel inspiration, light, energy, magic, wonder, gratitude... I want to savor it, and it’s through photography that I attempt to do that, and then share it with others. My life’s work and personal passions are based in trying to find a way to live in harmony and balance with the earth and its finite resources - to live locally and seasonally - and to care for and conserve that which sustains us. I want my photographs to do the same thing. And so, while I will do a variety of freelance work, the bulk of my photographs are an expression of my love for the area I call home - the Methow Valley. My goal is to share the beauty and spirit of the Methow with other people who have a special place in their heart for this sweet little valley, and to support and encourage the ongoing conservation of the Methow and all the things that make it extraordinary. Along with photography, I am a naturalist, educator and organic farmer “wannabe.” I am the Methow Conservancy’sEducational Programs Director, where I've been working for 9+ years. In the fall of 2014, I started a Masters of Education in Environmental Education graduate program at Western Washington University's Huxley College for the Environment. In my "spare" time (ha!), I grow and put away food, and enjoy some of the Methow’s many recreational (and meditative) opportunities - hiking, road and trail biking, nordic and backcountry skiing, climbing and just wandering around. I live with Merle and our four furry friends, Ceilidh, Ella, Nootka, Sora and Nattie Cat, near Mazama where we strive to live consciously, sustainably and happily.

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Hello! I'm a 24 year old freelancer based in London, England.I love colour, pattern, shapes, communincation and typography. Pens, pencils and paper are my favourite and primary medium. I also run a colourful project at: www.randomgotbeautiful.com. How would you sum up your work?My work tends to end up in a variety of outcomes as I like to showcase different ideas. They can vary from being quite simple to massively detailed. A heavy focus randomly shifts between colour, pattern and typography. I also have a passion for creating books about language and communication, in which I design and occasionally bind my own. How did you become a designer/illustrator?I've always been interested in visual messages and communication. I chose to study graphic design and ended up studying that subject for a total of six years. My degree course focused a lot on graphic and conceptual design and ideas. This was really helpful to me, but simultaneously I wanted something different so I started to draw. I found myself mostly drawing shapes and patterns. I decided to take illustration more seriously after I graduated. What is your mixed media work about?Mixed Media Girls are experimental works combining found imagery with personal illustration. A mixed media girl illustration is initially inspired by the original photograph. I change the girl's surroundings by including abstract details in bright colours and meticulous patterns. The final outcome is often playful and eclectic. I personally see the girl as either a prop to the pattern or just part of the canvas. I have always loved creating detail with lines, patterns and shapes. But later, I decided to add girls to put the patterns into context. Sometimes it is viewed as the other way round but I don't mind that. Creating mixed media work for clients is slightly different. The illustration should be secondary to the real imagery. I try to enhance the photography rather than drown it out. Describe your other work in more detail?My books are very simple conceptual ideas referring to language and communication. I'm interested in how we interact with one another and how different people have a natural and mutual understanding on simple common things. I'm always thinking about 'the next book' and like to create a series that would become available to purchase in the future. The typographic illustrations are like a bridge between my books and my abstract illustrations. I love type so I try to make it fun, playful and visually interesting, to me at least! Random Got Beautiful is an online public participatory site that I started while I was still at university. I have a fascination with other peoples random spontaneous photographs, and I wanted a way in which I could continually look at different ones but in one easy location. I decided that 'colour' would be a nice simple incentive to get others involved as it was creative but at the same time, didn't limit itself to only those who were "creatives". I wanted anybody to be able to take part. I jokingly refer to myself as a jack of all trades but a master of none, because I do many different things. A lot being on a trial-and-error type basis. What kinds of materials do you work with?I draw and colour by hand because I enjoy the process and prefer the results. I use pencils, fine liner pens and a lot of felt tips. Some mixed media work contain real imagery. The photography is either given to me or I get them from magazines. Most of the time they are literally cut and pasted on, but other times I'd add them using a computer program. How much time do you spend to complete an illustration?If there is no deadline then too much time. I’m the biggest procrastinator in the world! That is my worse habit. What inspires you?Almost everything. Things that I see, hear or randomly notice can trigger an idea for a new book or an illustration. Seeing a lot of hard work and passion displayed by other people in various design fields (art, design, sculpture, music videos etc) also inspires me to work on what I do. What advice would you share with someone who is entering the world of art and design?I'd share advice that was recently given to me. “Be prolific.” Create a lot of work and then create some more. Getting a personal site is easier than ever now. Everything has gone digital crazy. Sending a link or a pdf portfolio to people can be the perfect catalyst to get noticed. Send your work to mags, brands, studios etc and join online design communities just to get that initial ball rolling. It’s all about letting people know you exist and then the rest will hopefully come from that.