“The Winton House combines Gehry’s love of sculpture, his interest in urbanism—as each form is said to be a building in a village—and his expression as an artist, given the relationship he cited with the painter Morandi,” says MacLear. The guest home provided an interesting contrast to the classical, International-Style modernism of Johnson’s main residence, perhaps a physical metaphor to where both architects were at in their careers, one a known master, the other a young creative trying to find his voice. “Philip Johnson loved Frank Gehry not only because they both loved art and architecture,” says MacLear, “but because Frank gave Philip what all mentors want—a new view into the ideas of the future.” Search “the frank gehry easy chair blue” from Would You Buy This Idiosyncratic Frank Gehry Guest House?

Search “the frank gehry easy chair blue”

“The Winton House combines Gehry’s love of sculpture, his interest in urbanism—as each form is said to be a building in a village—and his expression as an artist, given the relationship he cited with the painter Morandi,” says MacLear. The guest home provided an interesting contrast to the classical, International-Style modernism of Johnson’s main residence, perhaps a physical metaphor to where both architects were at in their careers, one a known master, the other a young creative trying to find his voice. “Philip Johnson loved Frank Gehry not only because they both loved art and architecture,” says MacLear, “but because Frank gave Philip what all mentors want—a new view into the ideas of the future.”