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He asserts that Oubrerie “did everything he ever wanted to do here. The more you experience the house, the more intensely you will see the assemblage. “He went to great pains so that you would ultimately see differences in what at first seem repeatable instances.” Visible in the stairs, the underside of balconies, the infill of railings, they are all handled oppositely, with different mountings—“conditions, conditions, conditions, it’s almost baroque. Ornament on top of ornament.”