By superimposing an elevated, highly decorative surface onto the Lavanderia, Sigurdardóttir married the Palazzo Zenobio's two buildings, the pavilion and the laundry, as one. The pavilion, symbolizing the opulence and leisure of the owner, is contrasted by the laundry’s historic associations with labor. The surface pattern of the platform replicates artisanal tile construction and is all hand-worked. Sigurdardóttir chose to use art materials instead of traditional flooring materials to emphasize an understanding of the tiled surface as sculpture and a map of sorts that might be walked upon and experienced from shifting angles. Photo by: ORCH_ orsenigochemollo and courtesy of the artist and the Icelandic Art center.  Search “lost and foundation” from Katrín Sigurdardóttir’s Foundation at the Venice Biennale

Search “lost and foundation”

By superimposing an elevated, highly decorative surface onto the Lavanderia, Sigurdardóttir married the Palazzo Zenobio's two buildings, the pavilion and the laundry, as one. The pavilion, symbolizing the opulence and leisure of the owner, is contrasted by the laundry’s historic associations with labor. The surface pattern of the platform replicates artisanal tile construction and is all hand-worked. Sigurdardóttir chose to use art materials instead of traditional flooring materials to emphasize an understanding of the tiled surface as sculpture and a map of sorts that might be walked upon and experienced from shifting angles. Photo by: ORCH_ orsenigochemollo and courtesy of the artist and the Icelandic Art center.