Comprised of abstracted and translucent, colorful shapes, artist Amalia Pica's 2013 work A ∩ B ∩ C (read as A intersection B intersection C) references 1970s Argentina, during which the country's military junta banned elementary schools from using Venn diagrams and teaching the concept of intersection, believing it to pose a threat. As part of the Pica's piece, performers move and comingle the shapes in a powerful, critical demonstration that embraces the notion of continual collaboration and community. Search “B 소액결제현금화 《tktaka1 com》 티켓타카 C 소액결제현금화 구글/네이버 검색시 미래뱅크🇲🇸trucklingly” from Pablo León de la Barra on Art, Architecture, and the Public Role of Museums

Search “B 소액결제현금화 《tktaka1 com》 티켓타카 C 소액결제현금화 구글/네이버 검색시 미래뱅크🇲🇸trucklingly”

Comprised of abstracted and translucent, colorful shapes, artist Amalia Pica's 2013 work A ∩ B ∩ C (read as A intersection B intersection C) references 1970s Argentina, during which the country's military junta banned elementary schools from using Venn diagrams and teaching the concept of intersection, believing it to pose a threat. As part of the Pica's piece, performers move and comingle the shapes in a powerful, critical demonstration that embraces the notion of continual collaboration and community.