The project was commissioned on family farmland by Osvald Bjelland, who is chairman and CEO of the global business advisory Xyntéo and founder of The Performance Theatre, a leadership think tank. The challenge in designing the Åkrafjorden hunting lodge on a fjord, high in the mountains above the village of Etne in Hordaland, Norway, was indeed its small size in the face of its intended use: The mountain hut was to be maximum 35 square meters (ca. 377 square feet), with the capacity to shelter up to 21 people (the same number of beds as at the family’s farmhouse down in the village). Plus, the off-grid structure with no running water needed to look like it had always been there. Only accessible by foot or on horseback, the remote lodge’s setting is beautiful, isolated, beside a lake in the untouched Nordic wilderness of West Norway. One important part of the design concept was to integrate the hut into the landscape. Thus, the small hut’s shape, orientation and materials are influenced by the terrain’s characteristic composition of grass, heather and glacial rocks. In winter, the cabin becomes another brown fleck — like the rocks — in mounds of snow. Search “377 maigrün” from Hideaway Cabin

Search “377 maigrün”

The project was commissioned on family farmland by Osvald Bjelland, who is chairman and CEO of the global business advisory Xyntéo and founder of The Performance Theatre, a leadership think tank.

The challenge in designing the Åkrafjorden hunting lodge on a fjord, high in the mountains above the village of Etne in Hordaland, Norway, was indeed its small size in the face of its intended use: The mountain hut was to be maximum 35 square meters (ca. 377 square feet), with the capacity to shelter up to 21 people (the same number of beds as at the family’s farmhouse down in the village). Plus, the off-grid structure with no running water needed to look like it had always been there.

Only accessible by foot or on horseback, the remote lodge’s setting is beautiful, isolated, beside a lake in the untouched Nordic wilderness of West Norway.

One important part of the design concept was to integrate the hut into the landscape. Thus, the small hut’s shape, orientation and materials are influenced by the terrain’s characteristic composition of grass, heather and glacial rocks. In winter, the cabin becomes another brown fleck — like the rocks — in mounds of snow.