Tracing a path of reflections through a series of convex mirrors, the two-channel projection TATTARRATTAT guides viewers on two simultaneous tours of a 14th century Venetian palazzo. Nicolas Grospierre, TATTARRATTAT, 2010, 43 ¼” x 51 ½”. Search “+샤넬루쥬알뤼르벨벳51㎠+【텔레검색】【명품다이소】【캬툑T3333】+ᘩwithdrewυ티파니하트팔찌레이벤선글라스3447ᙊnews+크롬하츠목걸이트위드모자+나이키공장ㅑ나이키에어맥스굽높이℃throwᘙ” from 'One Thousand Doors, No Exit'

Search “+샤넬루쥬알뤼르벨벳51㎠+【텔레검색】【명품다이소】【캬툑T3333】+ᘩwithdrewυ티파니하트팔찌레이벤선글라스3447ᙊnews+크롬하츠목걸이트위드모자+나이키공장ㅑ나이키에어맥스굽높이℃throwᘙ”

Tracing a path of reflections through a series of convex mirrors, the two-channel projection TATTARRATTAT guides viewers on two simultaneous tours of a 14th century Venetian palazzo.

Nicolas Grospierre,

TATTARRATTAT, 2010, 43 ¼” x 51 ½”.