Here's a wider view of the exterior.

Here's the "monstrosity."

Design tomes, a salient message, mid-century ceramic.

Here are the 'after' plans.

Here's Transparency's homepage.

Christopher Roy’s layered, made-to-order “Why Not Bespoke” line combines a European dose of industrial design whimsy—he is British, after all—with traditional forms like the Windsor chair. Invoking a modern-Americana flair, see more here.

Here's a detail of the bookshelf.

Here's the Selectric stamp.

"Sandblasted Message Glasses," Andrea Brown, Pratt Institute

Here's the shop's front entrance.

Here's a shot of the demonstration space.

Here's a close up of the installation.

Here's a rear view of the mailbox.

Here's an Armadillo in front of a Manatee.

Hella Jongerius / Jongeriuslab in Berlin

Wearing rubber gloves, apply the oil, starting from the corner of the room farthest from the door. Apply an even layer of oil all over the floor, using a wide floor brush or paintbrush. Use a small paintbrush for edges.

And here's the kitchen on a typical day. Clutter is practically unavoidable when your kitchen is a Lilliputian nook.

Speed Your Message is an ad from around 1931 designed by the Englishman Albert E. Halliwell. It was published by Imperial and International Communications Limited.

Here’s a close-up showing the frame being “pre-looped” with yarn.

Additionally spotted at HAY: a clever fold-your own steel shelf. Here it is in its 'before' form.

And here's a church dating from the 1800s.

Here's a close-up of the unraveling in action.

Here are a couple cottages at the Carneros Inn.

Here's a close-up of the musical sculpture.

Here's the full cover, front to back.

Here's the Culina paddle in solid walnut.

Here's a mess of pots waiting to be fired.

Here's the cover of Osman's new book.

Here's the counter filled with sandwiches and pastries.

Baldwin Hills,proto core control room

Contractors should have liability insurance for the type of work they’re going to complete—as well as worker’s compensation.

Regent Road Parklet, Cape Town, South Africa, 2015 Van Wyk's view of architecture as an art form relies heavily on the perspective that it "must acknowledge notions of history and theory, criticism of architecture, and urbanism." He wants to restore the architect as an artist, and prevent the field from crystalizing into the "monotonous standardized industry it is transforming into.”

Here's the little guy, all finished.