Early on, the house's simplicity had great appeal to Jan Sasseen, the current owner. From walls to rugs to furniture, "pretty much everything is white," she says. "When I was decorating, I picked the most basic things I could find. Nothing had details or frills."

Gropius House, Walter Gropius, 1938, Lincoln, Massachusetts. When Bauhaus founder Walter Gropius moved to the United States, he settled in Lincoln, Massachusetts, where he built his family home. The house is modest in scale yet revolutionary in impact, embodying the Bauhaus principles of simplicity, economy, and restrained beauty. It combines traditional elements of New England architecture—wood, brick, and fieldstone—with innovative materials rarely used in domestic settings at that time, including glass block, acoustic plaster, chrome banisters, and the latest technology in fixtures. The house is recognized as a National Historic Landmark for its influence in bringing international modernism to the United States. A Getty grant will support the development of a conservation management plan for the building and site, to ensure the preservation of its characteristic features for the home’s continued use as a teaching tool to transmit the tenets of Bauhaus design. Grant support: $75,000

This photograph shows a young Walter Gropius in 1919, the year that Gropius became the successor to the master of the Grand-Ducal Saxon School of Arts and Crafts, the school which, under Gropius' guidance, became the Staatliches Bauhaus.

Built in 1938, this home faces the stretching coastline of Cohasset, Massachusetts. Early on, the house's simplicity had great appeal to Jan Sasseen, the current owner. From walls to rugs to furniture, "pretty much everything is white," she says. Photo by: Dean Kaufman

Hagerty House (Cohasset, Massachusetts, 1938) When this minimalist, L-shaped modern structure was first erected on the Massachusetts coastline, neighbors said it “looked like the ladies’ wing at Alcatraz,” according to the original resident, John Hagerty. Decades later, guests are still stopping by to explore this inspired Gropius/Breuer collaboration. Exposed pipes and steel staircases provide a streamlined look, while towering glass windows magnify the grandeur of the churning Atlantic Ocean below. Dwell spoke with the current owner, who said the compact-yet-open floor plan results in a “liberating” living experience. Photo Credit: Diana, Creative Commons

Waechter Architecture reimagined a traditional gabled home in southeast Portland without significantly altering the original building. A simple coat of red paint abstracts the century-old structure, creating a residential work of art.

The clients and design team chose to forego an open floor plan in favor of defined, separated spaces. In this scheme, the vertically oriented spaces act as a cinematic "hard-cut" to their horizontal counterparts. The custom hot rolled steel kitchen, one of these vertical transition spaces, receives light from above through a Velux skylight. A GE Profile Induction cooktop and oven and Miele refrigerator complete the space.

House O, designed by Jun Igarashi, forgoes hallways and interior doors in favor of casually interconnected rooms.

Marcus Lee and Rachel Hart’s wonderful wooden home sits at the end of a quiet London lane and politely turns its back on the workshops next door.

Corporate high-flyers and admitted neat freaks Bruce Thatcher and Kirsty Leighton couldn’t handle the chaos anymore. Read more about this Victorian terrace in London here.

“In this house, the roof is the only facade—the rest is dissolved beneath it.” —Architect Aljoša Dekleva

At the entry looking upward towards a Velux skylight, a vertical "sleeve" is made of stacked end grain plywood. The theme of vertical and horizontal architectural elements providing different environmental perspectives carries through to the rest of the home. Horizontal forms look out to the lake, while the vertical columns look up the sky.

Seen in the architectural context of its London neighborhood, the house is all the more extraordinary: compact, materially innovative, and easy on the eyes.

While the first home Walter Gropius constructed in the United States was his own home in Lincoln, Massachusetts, his first official commission was the Hagerty House in Cohasset, Massachusetts.

The now-landmarked Gropius House in Lincoln, Massachusetts, was designed by the architect and his wife Ise when he accepted a teaching position at Harvard in 1937.

Walter Gropius's Hagerty House (designed with Marcel Breuer) was built in 1938 in Cohasset, Massachusetts (and covered in Dwell in January 2009). The house sits just steps from the coastline, and is named for its original owner, Josephine Hagerty, whose son was a student at the Harvard Graduate School of Design when Gropius came to teach there from his native Germany.

Walter Gropius wanted the Hagerty House, his first commission in the United States, to be as close to the sea as possible. He sited the structure a precarious 20 feet from the shore and let the setting dictate the design.

Photo by Patrick Barta

This 3,200-square-foot structure was assembled with a prefabricated foundation, concrete panel siding, and efficient built-ins, minimizing construction debris and toxins—such as concrete foundation tar—on the site.

At their A. Quincy Jones house in Los Angeles, architects Cory Buckner and Nick Roberts used permeable pavers to help the soil retain moisture.

Home Renovation Tip: Get an Understanding of What’s Already Around

Many tiny home dwellers develop eco-friendly habits when they downsize—like adopting a capsule wardrobe, carpooling more, and harvesting rainwater.

The clients insisted that none of the trees on the property be disturbed, so Kevin Alter and his team at Alterstudio Architecture built a deck and an overhang around two of them.

Emilio Fuscaldo sits in the garden outside the brick house that he designed for himself and his partner, Anna Krien, on a small subdivided lot in Coburg, a suburb north of Melbourne, Australia. Photo by Nic Granleese.

Another view of the deck.

Architect Gregory Phillips connected the original house to a new modern extension that doesn’t interfere with the surrounding houses. “I try to be true to the location,”he explains, “so it doesn’t seem like some spaceship has landed.”

“The house is a piece of origami made out of triangular shapes, which we then draped over the landscape,” says Arbel.

Designed by Bauhaus founding director Walter Gropius, the school embodies the movement's core principles and values.

Alterstudio Architecture of Austin designed this house in the Texas capital for a young family of four.

Located in Aarhus, Denmark, Villa R is a minimalist, serene structure clad in zinc panels. "The objective was to create a house that brings the forest inside through large glass panels—and create an ever-changing seasonal backdrop for the interior living spaces," stated the architecture firm, C.F. Møller, of the 3,200-square-foot abode.

Karen White, David MacNaughtan, and their sons, Griffin and Finlay, hang out on the front deckof their narrow home in Toronto’s leafy Roncesvalles neighborhood. A narrow modernist composition of glass panes and purple brick, the house slips like a bookmark between two older buildings, a bright three-story abode on a lot narrower than most suburban driveways. Photo by Dean Kaufman. Read more about the small house here.

Large clerestory windows face the street at the Higashibatas’ house in Tokyo, optimizing both privacy and natural light within.

Mike Kurokawa and Paul Fishman set out for the beach from their house in the Puna region of Hawaii. A bridge leads from street level to the upper floor of the house, which is situated in a natural depression, or kipuka.

At over 500 square feet, the house’s green roof may be its most powerful—and most expensive—environmental statement. It cost $8,000 to waterproof, and $7,000 to landscape. Water from the roof feeds the toilet and the garden’s watering system, and the garden itself insulates the house and keeps gas bills low in winter. Photo by Nic Granleese.

The Desert House located in Desert Hot Springs is a steel structure designed with large expansive windows, and concrete flooring.

In consultation with the clients, Alterstudio opted to clad the house in local cypress rather than imported, FSC-certified ipe.