The large windows let in fresh breezes and provide an opportunity for the owners to jump out of the house and into the water.

The clients insisted that none of the trees on the property be disturbed, so Kevin Alter and his team at Alterstudio Architecture built a deck and an overhang around two of them.

Another view of the deck.

Alterstudio Architecture of Austin designed this house in the Texas capital for a young family of four.

In consultation with the clients, Alterstudio opted to clad the house in local cypress rather than imported, FSC-certified ipe.

With the residents awake inside, this trailer's burnished glow reflects the sunset.

A sky-blue vintage trailer blends in with the sky.

Mark Word Design did the landscaping, with an emphasis on water conservation. "It's about usage levels, but it's also about the way we treat storm water and runoff since it all goes back into our supply at the end of the cycle," designer Sarah Carr says. Word and his team chose plants that help reduce erosion, require little watering, and allow storm water to percolate. Mulch and living ground covers—including Big Blue liriope, marsilea, and Palisades zoysia turf—keep moisture within the soil and lower the temperature of the soil, protecting the roots of the live oak trees.

The interior combines modern and more traditional elements, such as this oriental rug.

The cypress cladding carries over from the exterior to the interior of the house.

On one side of the house, a white central staircase leads to a split-level landing the Robertsons call "the reading room." "We needed a place to hang out and for the kids to read," explains owner Vivi Nguyen-Robertson. Awaiting the birth of the couple's son, she relaxes in a built-in reading nook in the library.

Davor (with his wife, Abbe, and son, August) designed the main living and dining pavilion as a double-height space to increase its perceived volume, and added high cubbies for extra storage.

The sitting room.

Builders, developers, designers, and architects have developed a range of homes that are composed of prefabricated, modular, or kit-of-parts pieces that can allow for lower costs, faster and easier on-site construction, and even higher quality spaces. Here, we delve into the differences—and similarities—among these manufactured residences.

On a trip to Naoshima, Japan, the Houston newlyweds behind Robertson Design fell in love with Tadao Ando’s concrete-composed museums. This led the couple to create a residence of their own comprised of a low concrete wall, concrete cube, and box clad in Siberian larch. The indoors are rounded out with white oak, marble, and leather-finished granite.

The low windows in the master bedroom focus the view on the backyard, not the neighbors. Christopher designed the solid poplar platform bed.

An outdoor shower tucked behind a screen off the master bedroom neutralizes this threat. “We thought it sounded great for muddy kids to run up and shower off there,” Coco says.

We love this sleek home office design layout, where steel details contrast mesquite flooring throughout the home, including at the pathway to the "crow’s nest" office. It's also a great option if you're looking for home office ideas for small spaces.

Of the seven steps in Michael Pozner’s not-quite-500-square-foot aerie in Greenwich Village, five contain drawers. His small set of table and chairs is from CB2.

Porches and rolling glass doors draw in the river breeze to keep the home cool.

“The unique site-plan includes the main house, a two-story dog run, and a guest cabin,” Flato says. “All are seamlessly stitched together by a grand boardwalk, making an arrival by boat or by car an equally engaging experience.” Vertical grain Western red cedar acts as the exterior siding.

Tina and Matthew Ford, here with daughter Daisy, are the owners of Shade House Development, the company that designed and is building the suite of houses that comprise Row on 25th in Houston, Texas.

The owners’ main living area has two stories with a master bedroom, which can be accessed by a rolling door, and porches on either end of the structure. “This large, barn-like building, with its moveable bedroom wall and office, allows the house to be both intimate and social, effortlessly accommodating guests or individuals alike,” Flato says.

The series of pitched white buildings was inspired by the work of architect Hugh Newell Jacobsen. “The shell of the house is a very simple form,” says Matthew Ford, “no turns or intersecting roof sections. This allowed me to use solid but inexpensive framing and roofing crews. We are always looking for the point where simplicity and luxury meet.”

“Consistent with the lakefront cabin charm, the owners liked the idea of accessing much of the house from outdoor porches and walkways,” says architect Ted Flato. Supplies from Dynamic Architectural Windows and Doors bring light in to the home’s covered spaces.

Designers Christopher Robertson and Vivi Nguyen-Robertson conceived their house as an unfolding sequence of simple geometric forms: a low concrete wall, a concrete cube, and a boxclad in Siberian larch.

Using natural materials is one way of bringing nature indoors. Oiled white ash floors and ceilings, along with Italian poplar and Lawson cypress joinery, are found throughout architect Andrew Simpson’s 538-square-foot home outside Wellington, New Zealand.

White-oak stairs connect the first-floor living spaces with the upstairs sleeping areas.

The former dining room is now home to Russell and Fontanez’s custom kitchen, designed by LOT-EK and fabricated by Chef Restaurant Supplies. “We love to entertain,” Russell says. “Before, the galley kitchen was in the hallway; now we can cook and still be a part of the party.” The space-saving setup, which adjoins the living room, features stainless steel–paneled cabinets, DuPont Corian countertops, Onda stools by Jesus Gasca for Stua, and fixtures and appliances by Grohe, Liebherr, and Miele. To maximize space, the designers specified that the cabinets be built around a former fireplace in the kitchen. “Because there’s a bump out where the chimney is, we turned the sink lengthwise,” Lignano says. “The cabinet directly overhead is only four inches deep, so it’s just a huge spice rack.” The island provides ample additional storage.

The floor tiles are close matches to the originals, which had to be replaced after a pipe burst.

The family room is situated at the apex of the house, with picturesque views that extend up the meticulously landscaped north slope. The concrete floor sits just low enough that the main elements of the scene—the succulent garden and large limestone ledges—are at eye level. A bank of NanaWall folding windows breaks up the fourth wall.

Edgeland House, built on a cliff-top lot in Austin by architect Thomas Bercy for lawyer and writer Chris Brown, is topped by a living roof to help it blend into the landscape. The concrete, steel, and glass house is divided into two distinct public and private halves.

A sleek version of the traditional parrilla, or grill, handcrafted by Oficios Asociados, has pride of place on the patio counter. - Buenos Aires, Argentina Dwell Magazine : September / October 2017

Kelly Milford helps son Adam out of the hot tub nestled on a wood deck in back of the house. The exterior paint is Wrought Iron by Benjamin Moore.

Dunlop demonstrates the deck’s secondary use: as a launching pad into the concrete plunge pool on the first floor.

At night, the entire studio glows like a lantern, its light amplified by the reflection in the seasonal pond. I