1983, Alberto Longhi.

1685, Alberto Longhi.

1971, Alberto Longhi.

1977, Alberto Longhi.

1981, Alberto Longhi.

1989, Pierluigi Cerri.

1987, Pierluigi Cerri.

1988, Pierluigi Cerri.

1992, Pierluigi Cerri.

1982, Alberto Longhi.

1980, Alberto Longhi.

1972, Alberto Longhi.

1979, Alberto Longhi.

1970, Alberto Longhi.

1978, Alberto Longhi.

2005, Studio Cerri & Associati / Pierluigi Cerri e Alessandro Colombo.

1993, Pierluigi Cerri.

2006, Studio Cerri & Associati / Pierluigi Cerri e Alessandro Colombo.

2011, Studio Cerri & Associatti / Pierluigi Cerri and Allessandro Colombo.

1994, Massimo Vignelli / Vignelli Associates.

1995, Massimo Vignelli / Vignelli Associates.

2004, Studio Cerri & Associati / Pierluigi Cerri e Alessandro Colombo.

2001, Massimo Vignelli / Vignelli Associates.

1998, Massimo Vignelli / Vignelli Associates.

2000, Massimo Vignelli / Vignelli Associates.

1996, Massimo Vignelli / Vignelli Associates.

2003, Massimo Vignelli / Vignelli Associates.

2007, Studio Cerri & Associati / Pierluigi Cerri e Alessandro Colombo.

The 2014 Discipline collection focuses on materials. (We especially like Lars Beller Fjetland's flat-pack Maya table in stone and wood.)

An office vignette showcasing furnishings by Arper from the 2016 Salone del Mobile.

A moment from Hella Jongerius for CasaVitra, a 12,000-square-foot pop-up installation.

Lee Broom's new Optical lighting collection is taking a spin around Milan—in the back of a truck!

"I Hate U/I Love U" by graphic designer Yoshiaki Irobe, exhibited as part of the SUBTLE Takeo paper show at La Triennale di Milano.

A limited-edition poster by Erwan Bouroullec for HAY at Milan's 1947 building La Pelota.

On display at San Gregorio 40 is the Euler table by Pinch, featuring a 10 x 10 grid of English oak and white resin.

At Salone Satellite, we're enjoying work by emerging designers from Mexico to Mauritius.