This open-concept Amsterdam loft features soaring 15-foot ceilings, an Eames lounge chair and ottoman, and a Jielde light. Throughout the home, Standard Studio architects Wouter Slot and Jurjen van Hulzen favored raw materials, including concrete, oiled oak, and hot-rolled steel, all of which complemented the original space's industrial feel. Tucked smartly underneath the loft, a compact home office features functional built-in shelving and an Eames DSR chair.

Charles and Ray Eames were true collaborators.

Ray Eames, House of Cards (with Charles Eames), 1952.

Ray Eames, Walnut stools, 1960.

The Films of Charles and Ray Eames. $40.49

By creating a desk out of roof beams, this home office perfectly integrates into an open-plan renovation of a Northern Italian farmhouse.

A photograph by Phil Schaafsma highlights the ergonomic design of the chair.

The dining table, made from a single piece of teak, is a little over 13 feet long and was custom made for the space. It can seat up to 24.

In the living room, an Eames lounge chair is matched with a Richard Conover–designed fiberglass chair in similar proportions. A custom coffee table by Asher Israelow com-plements the industrial lighting by Workstead, affixed to walls painted in Farrow and Ball’s Manor House Gray. The sliding doors leading into the home office were fabricated by Markus Bartenschlager.

The iconic shell chair, designed by Charles and Ray Eames in 1948 and frequently knocked-off since. Today Herman Miller makes the shell from 100% recyclable polypropylene (a.k.a. molded plastic), a more eco-friendly option than the original fiberglass.

The study features floor-to-ceiling sliding glass doors that bring the outdoors in. Space-saving custom walnut desks are accented by a Pixo Optical LED Table Lamp, an AJ table lamp, and a 1958 Eames Management Chair.

Salon of the Freunde von Freunden X Vitra Apartment Tented fabric provides separation for the bedroom, and plays off the room's array of textures. Photo by Steve Herud

The Miller House and Garden features a custom-made sofa in the open-plan living area designed by Saarinen with textiles by Girard. The home was widely published and is in part credited for the popularity of conversation pits in the 1950s and 1960s.

In the living area of Daniel Rozensztroch’s Paris apartment, an Eames La Chaise and a butterfly chair complement a Moroccan Berber rug.

In the living room Daphne the dog keeps company with a Case Study Day Bed from Modernica, a LCM chair by Charles and Ray Eames for Herman Miller, and a painting by the Brooklyn artist Joyce Kim.

The owners toured this home, which surrounds a mature tipu tipu tree, while visiting relatives for the day. The brick is original to the 1947 construction.

Suzanne and Brooks Kelley at the back of their 1,100-square-foot guest cottage.

The LCW debuted in 1946, when it caused a stir at national design festivals.

Charles and Ray on the steel frames of their home while it was under construction in 1949.

Eames Mugs "Although the Eames are no longer around to design for us, they’re still inspiring us—in this case, with artist's tools from their popular House of Cards," Derringer says.

Each Eames Notebook in Whitbread Wilkinson’s series includes a graphic design from Charles and Ray Eames. The Numbers pattern notebook, shown here, includes 120 pages and an elastic band to keep the notebook secured. The eye-catching pattern will make a bold visual statement on a desktop or console table.

Sliding doors by Quantum were made to look like the original panes that couldn't be saved, and they lead to a fire pit outside.

“A building can have far greater impact than the space it stands in.”—William Carpenter, architect and resident

New zoning allowed for a zero-lot-line structure, but required a public storefront, which Carpenter uses as an art gallery.

Charrier transformed a cramped attic into a sunny dining room with Vitral windows and white-tinted pine floors by Dinesen. The Sara table is by Hay, the Shell chairs are by Charles and Ray Eames, and the artwork is a hand-printed textile she had framed.

Originally intended as a play structure for the couple's daughter, the tea house instead became an office, stocked with Charles and Ray Eames-designed furniture in honor of the nearby Eames House.

When the family wants to eat meals inside, they can sit around the dining table on Eames chairs.

An Eames lounge and ottoman hold court in the master bedroom upstairs. Plenty of natural light and a muted color scheme give the space a wonderfully light feel.

Eames: Beautiful Details by Eames Demetrios (Ammo Books, 2012). A collector’s item and visual celebration of the life and work of Charles and Ray Eames.

One of Aldana's Eames wire chairs.

The floor is polished concrete, chosen for its durability, low-cost, and minimal maintenance. The red fiberglass armchair is from Modernica.

A small Eames Wire-base table provides the perfect dining space for son, Paul.

Originally a piece of Appalachian folk art in Charles and Ray Eames’s living room, the Eames bird rose to popularity in the 1950s and was reproduced by Vitra. $235

On a wall hangs a leg splint designed by Charles and Ray Eames for the U.S. Navy in 1942.

Located in Los Angeles' Pacific Palisades neighborhood, The Eames House, also known as Case Study House No. 8, is a landmark of midcentury modern architecture. Constructed in 1949 by husband-and-wife Charles and Ray Eames, they lived in the home—which served as both their home and studio—until their deaths. Charles in 1978 and Ray, ten years to the day, in 1988.