Black and white kitchen cabinets painted with a triangular pattern add a whimsical touch to this funky kitchen.

Uninterrupted cement flooring was chosen for the mezzanine. The cement extends to the bed and bathtub block, while the exposed ductwork and black beams above dramatically accentuate the ceilings.

The concrete wall mimics the slope of the hill outside as a reference to early Maori structures that were dug into the land. The simple kitchen has strandboard cabinetry and an MDF island that conceals a fireplace at one end. The ceramic works on the built-in seat at right are by Raewyn Atkinson and Robyn Lewis.

Futuristic floating stairs lead to the loft’s mezzanine. Throughout the lower level, natural stone was chosen for the flooring, laid at an irregular angle to add visual interest.

The main bathroom is only partially separated from the sleeping area by a glass partition. The absence of opaque walls creates a feeling of openness and cohesion in the bright mezzanine space.

Structural changes were immediately made to the original shell to bring in more natural light. The small windows on the front façade were dramatically replaced with a folding window assembly that stretches the entire width of the room. Skylights were cleverly added slightly beneath the peak pitch of the roof to funnel light towards the mezzanine, while still illuminating the main floor below. Warm, rich iroko wood spans the ceiling and wall, and also extends to the seating bench beneath the window.

Because the house is narrow and long (16 by 68 feet), the design team decided to create a huge open-air space to light the interior naturally. Two retractable motor-driven canvas canopies shelter the space during Singapore’s frequent rains.

Choosing a kitchen or bathroom countertop can be nerve-wracking, and we understand why—they can be one of the most expensive aspects of a renovation, with the added responsibility of impacting the aesthetics of a space. Read on as we work our way through the pros and cons of seven of the most common countertop materials.

The Ataturk Cultural Center, located in the busy Taksim Square, is home to the opera and many state-sponsored music and performance events. Photo by Cristobal Palma.

On the outskirts of Austin, Texas, author Chris Brown and his dog Katsu head to the river; the path was once a dumping ground on top of a long-defunct underground oil pipeline. The green roof was conceptualized by John Hart Asher of the Ecosystem Design Group at the Lady Bird Johnson Wildflower Center in Austin.

The Single Octopus chandelier, designed by Autoban, hangs in the kitchen of Çağlar's Istanbul apartment.

The team’s design philosophy was “not to have too many ideas,” and instead focus on a few key aesthetic moves that would be carried through the entire space. The lower living level features a full-wall storage system and statement hearth on a concrete platform. Sectional seating offers sweeping city views of Karakoy, including an old Armenian church and Galata Tower.

A cast-in-place concrete kitchen island features a cantilevered concrete dining table. The hearth’s plinth offers added seating at the table during crowded gatherings.

Clad in Western red cedar siding and punctuated with floor-to-ceiling windows, this minimalist two-bedroom home boasts sunrise views over the Sonoma hills.

Going Underground The site the Wadhams found for their home was designated as “green belt” land, which meant that there were restrictions on the size of the structure’s footprint. Because it’s critical for the pair to live on a single floor, especially as they grow older, Archer tucked the home’s three guest rooms—vital for four visiting children and eight grandchildren—all belowground. Not only does that keep the home’s layout trim, but with the living spaces and master bedroom at ground level, the couple will be able to stay in the house for longer, getting more use out of the energy and resources expended to build it.

Cassidy used the pool as an anchor for an overarching backyard master plan that pulled the parts together.

The kitchen worktop is framed in iron, and functional wheeled storage fits perfectly underneath. The full-wall shelving system offers ample storage for dishware and cooking accessories.

Wheelhaus founder and CEO Jamie Mackay creates prefabs with the same quality and durability of the log cabins he grew up with, while also incorporating his values of green production and modern design. Although it takes about four months to construct his prefabricated properties, it takes about a week for the home to be delivered, and then three to five days for the house to be set up on site.

One of the many House Cafes designed by Autoban.

Suzanne and Brooks Kelley at the back of their 1,100-square-foot guest cottage.

In 1962, Skidmore, Owings & Merrill architect Arthur Witthoefft won the AIA's highest honor for a home he built in the lush woods of Westchester County. Having fended off a developer's wrecking ball, Todd Goddard and Andrew Mandolene went above and beyond to make this manse mint again.

One entire wall of the space is dedicated to storage. A simple, clean iron rod shelving system was conceptualized to span the entire wall left to right, and both floors top to bottom. Depending on the location of the storage wall, the nondescript iron grid can be used to house items in the living room, kitchen, library, or bedroom areas.

The master bath contains all functions in the white fiberglass panel that runs the length of the wall. Lazor designed the vanity; the tub is by Duravit.

“It was a major decision to put the kitchen in the center where everything would revolve around it,” says Lazor. “We did this simply by following what patterns we observed—it was just where people gravitated.” The bar stools are by Blu Dot, and the chairs by Charles and Ray Eames.

In the DoghousePaul and Shoko's dog, Mei, has lucked into a small prefab home of her own. Making use of a water jet cutter at his office, and using Adobe Illustrator as his design tool, Paul fashioned a series of panels that slot together without any nails or screws.

James's bedroom furniture was custom designed by Hatch Workshop.

Just because your kitchen is on the smaller side doesn’t mean you can’t make it as efficient and effective as possible.

Their creative confections may ruin our diets, but we’re happy to be their taste testers anytime.

This "local prefab" home on the Isle of Skye is made mostly from materials sourced in northern Scotland. The timber-framed model, meant to evoke the simple agrarian barns of the area, can be constructed on-site in as little as a day and is designed for affordability.

The Kelleys furnished the cottage with help from Suzanne’s daughter Betsy Burbank of Betsy Burbank Interiors. Classic modernist icons, such as a Saarinen Womb chair for Knoll, a Herman Miller Eames lounge chair, and an Eileen Grey E1027 side table look at home alongside present-day pieces such as an Encore sofa (which handily folds down into a sleeping surface) from Room & Board and a Doka rug designed and produced by Stephanie Odegard. The Wohlert pendant lights from Louis Poulsen were designed by Vilhelm Wohlert in 1959, but grouped as such, they appear distinctly contemporary.

“The client wanted an interior space where you could read the materiality of the building elements like understanding the ingredients in a recipe,” principal architect Elizabeth Webster explains. The extension features distinctly textured materials: an exposed timber ceiling, painted brick walls, and polished concrete floors. Warm lighting by Brinklicht unifies the space.

This dreamy, glass bedroom by the lake was created as an early prototype for the prefabricated greenhouse/she kits known as the Kekkilä Green Sheds.

Helsinki architect Ville Hara and designer Linda Bergroth collaborated on a prefab shed-meets-sleeping cabin, which can be assembled with little else than a screwdriver. Bergroth, inspired by nomadic yurt dwellers, wanted an indoor/outdoor experience for her property in Finland.

In order to bring a Turkish spirit into the space, Autoban created textured blue ceramic tiles inspired by Marmara marble to line the interior. Traditional Iznik tiles, handmade by Turkish craftsmen in Istanbul, are also integrated into the design.

A double bowl sink is also quite self-explanatory, created either out of one large sink with a divider or from two distinct bowls framed into a single sink.

Van Beek’s extra space is home to her office. She works on a Tense table by Piergiorgio and Michele Cazzaniga and Flow chairs by Jean Marie Massaud, both for MDF Italia.