Black and white kitchen cabinets painted with a triangular pattern add a whimsical touch to this funky kitchen.

Florida couple John Pirman and Steve Tetreault built a new house inspired by the Sarasota School. Today’s FEMA codes required a plinth to lift the house five-and-a-half feet above grade and a roof that can withstand hurricane wind loads, making it a challenge to re-create the lightness of midcentury design, Pirman says.

An enclosed courtyard, bordred by ipe, is arguably the most distinctive feature of the house that the Phil Kean Design Group created for Adriana De Azevedo, Daniel Coelho, and their two daughters in Winter Park, Florida.

The house is located in the Camp Biscayne area of Coconut Grove, a neighborhood in Miami. Its main volume is clad in Prodema.

Accordion-style glass doors open the living room up to a lanai, or covered veranda, that in turn opens via a pair of retractable screens onto a pool deck. The effect is to create a single seamless space that merges the living room with the outdoors.

Ipe makes another appearance in the living room, creating a strong indoor-outdoor connection. Kean sited the transom windows to capture views of the moss-covered trees in the backyard.

The floors in the kitchen are polished concrete.

A deep-red door adds a pop of color to the ipe-enclosed front courtyard of this modern home in Winter Park, Florida. Maintaining an indoor/outdoor connection was important to the family, as was a simple and sustainable material palette that includes wood and polished concrete.

The kitchen counters and islands reflect a relatively simple material palette.

The concrete wall mimics the slope of the hill outside as a reference to early Maori structures that were dug into the land. The simple kitchen has strandboard cabinetry and an MDF island that conceals a fireplace at one end. The ceramic works on the built-in seat at right are by Raewyn Atkinson and Robyn Lewis.

One of the greatest design challenges, according to Franz and Paré-Mayer, was reimagining the dark, unfinished garage space in a way that would “establish [it] as primary, instead of an afterthought to the original floor above.” This was achieved by layering open, linked spaces on the ground floor and sticking to a few carefully selected materials for cohesion and fluidity. There are hardly any hallways in the home; every space serves a function. Polished concrete floors continue throughout the new living level, and a bent metal dining chair with a reclaimed Douglas fir backrest made by Scholz sits in front of an open white oak staircase.

Florida-based studio Yield displays a number of its modern home goods, including the French Press coffee makers, Spun Planter, and Meso Pendant Light.

Raise the Roof Using a commercial roof in a residential project was a first for architect Michael Epstein. While similar systems are often covered, Epstein chose this long-span roof deck from Epic Metals for its beam-like interior face, which hides fastenings in its deep grooves, creating a flat-panel appearance.

Float On Clerestory windows from YKK Commercial give the illusion that the roof hovers above the house—a key factor in keeping the light, modern touch that the homeowners desired. Epstein did not design the clerestories in a single, straight line; the glass drops down where possible to allow the maximum amount of light. It took a bit of convincing to sway his clients. “He said, ‘Listen to me, stay with my concept, and you won’t be sorry,’” Tetreault recalls. “So I stuck with it, and I’m not sorry.”

Because the house is narrow and long (16 by 68 feet), the design team decided to create a huge open-air space to light the interior naturally. Two retractable motor-driven canvas canopies shelter the space during Singapore’s frequent rains.

Choosing a kitchen or bathroom countertop can be nerve-wracking, and we understand why—they can be one of the most expensive aspects of a renovation, with the added responsibility of impacting the aesthetics of a space. Read on as we work our way through the pros and cons of seven of the most common countertop materials.

On the outskirts of Austin, Texas, author Chris Brown and his dog Katsu head to the river; the path was once a dumping ground on top of a long-defunct underground oil pipeline. The green roof was conceptualized by John Hart Asher of the Ecosystem Design Group at the Lady Bird Johnson Wildflower Center in Austin.

Photo via Hughesumbanhowar Architects

Pirman, an illustrator, works on a vintage Florence Knoll table in his studio at the front of the house.

Clad in Western red cedar siding and punctuated with floor-to-ceiling windows, this minimalist two-bedroom home boasts sunrise views over the Sonoma hills.

Shady Business “What makes this house wonderful to live in is that the light is always, always changing,” says Pirman. Here, he adjusts shades fabricated by Unique Wholesale Distributors, which pull down in the morning when the sunlight is strongest.

Show It Off While the couple’s art collection is a focal point of the house, the structure’s abundance of glass walls means there are fewer places on which to hang it. Custom one-and-a-quarter-inch hardwood-plank shelves and a credenza from DWR provide places to rotate favorite pieces.

Going Underground The site the Wadhams found for their home was designated as “green belt” land, which meant that there were restrictions on the size of the structure’s footprint. Because it’s critical for the pair to live on a single floor, especially as they grow older, Archer tucked the home’s three guest rooms—vital for four visiting children and eight grandchildren—all belowground. Not only does that keep the home’s layout trim, but with the living spaces and master bedroom at ground level, the couple will be able to stay in the house for longer, getting more use out of the energy and resources expended to build it.

Cassidy used the pool as an anchor for an overarching backyard master plan that pulled the parts together.

Movable and space-saving design elements define this creative family home in the Mission District. The kitchen was given an economical revamp by adding new drawer and door fronts to the existing cabinet boxes. Countertops were replaced with custom fabricated white oak butcher block surfaces, and a complementary white oak kitchen island was installed. A Wolf range, Vent-a-Hood hood, Franke stainless steel sink, and Bosch dishwasher complete the space.

Movable and space-saving design elements define this creative family home in San Francisco’s Mission District. A midcentury home was transformed, and through the renovation, the molding at the fireplace was taken down, as was the cast plaster mantle. The sleek, new, metal fireplace design features a white oak custom bench made by Zack, accented by a vintage carnation milk crate from his mother’s childhood.

Benjamin Moore’s Tomato Red provides “punctuation” to the exterior. “That was the cheapest way to have that hot spark of color,” Pirman explains.

The bath’s Kohler Purist fixtures and Frederick Weinberg animal figures sit on a Corian countertop

In the master suite, a painting by Eric Freeman hangs over a West Elm bed.

Wheelhaus founder and CEO Jamie Mackay creates prefabs with the same quality and durability of the log cabins he grew up with, while also incorporating his values of green production and modern design. Although it takes about four months to construct his prefabricated properties, it takes about a week for the home to be delivered, and then three to five days for the house to be set up on site.

Suzanne and Brooks Kelley at the back of their 1,100-square-foot guest cottage.

In 1962, Skidmore, Owings & Merrill architect Arthur Witthoefft won the AIA's highest honor for a home he built in the lush woods of Westchester County. Having fended off a developer's wrecking ball, Todd Goddard and Andrew Mandolene went above and beyond to make this manse mint again.

The master bath contains all functions in the white fiberglass panel that runs the length of the wall. Lazor designed the vanity; the tub is by Duravit.

“It was a major decision to put the kitchen in the center where everything would revolve around it,” says Lazor. “We did this simply by following what patterns we observed—it was just where people gravitated.” The bar stools are by Blu Dot, and the chairs by Charles and Ray Eames.

In the DoghousePaul and Shoko's dog, Mei, has lucked into a small prefab home of her own. Making use of a water jet cutter at his office, and using Adobe Illustrator as his design tool, Paul fashioned a series of panels that slot together without any nails or screws.

James's bedroom furniture was custom designed by Hatch Workshop.