The conclusion of World War II brought a huge influx of American optimism, which led to a burgeoning middle class interested in buying and nesting. The midcentury modern era left an indelible mark on modern design. In product design, midcentury modern masters include Ray Eames, Charles Eames, Achille Castiglioni, Arne Jacobson, Isamu Noguchi, Jean Prouve, Eero Saarinen, Poul Kjaerholm, Hans Wegner, Charlotte Perriand, and Alvar Aalto. Giants of modern architecture include Mies van der Rohe, Ray and Charles Eames, Rudolph Schindler, Paul Rudolph, Charles Ellsworth, and Richard Neutra.

In 1962, Skidmore, Owings & Merrill architect Arthur Witthoefft won the AIA's highest honor for a home he built in the lush woods of Westchester County. Having fended off a developer's wrecking ball, Todd Goddard and Andrew Mandolene went above and beyond to make this manse mint again.
In 1962, Skidmore, Owings & Merrill architect Arthur Witthoefft won the AIA's highest honor for a home he built in the lush woods of Westchester County. Having fended off a developer's wrecking ball, Todd Goddard and Andrew Mandolene went above and beyond to make this manse mint again.
At their A. Quincy Jones house in Los Angeles, architects Cory Buckner and Nick Roberts used permeable pavers to help the soil retain moisture.
At their A. Quincy Jones house in Los Angeles, architects Cory Buckner and Nick Roberts used permeable pavers to help the soil retain moisture.
The lower floor houses a spa, gym, and office. A built-in bathroom by Espace Cuisine includes a sauna.
The lower floor houses a spa, gym, and office. A built-in bathroom by Espace Cuisine includes a sauna.
Donald Wexler arrived in Palm Springs in 1952 after a stint at Richard Neutra’s office in Los Angeles eager to build on a large scale with steel—hence the prefab Steel Development Houses.
Donald Wexler arrived in Palm Springs in 1952 after a stint at Richard Neutra’s office in Los Angeles eager to build on a large scale with steel—hence the prefab Steel Development Houses.
The horizontal layout of the home allows for easy movement throughout the interior, while the line of the continuous roof seems to extend into the trees. Enlarging the opening of the home allowed for impressive views of the river and surrounding area.
The horizontal layout of the home allows for easy movement throughout the interior, while the line of the continuous roof seems to extend into the trees. Enlarging the opening of the home allowed for impressive views of the river and surrounding area.
For the kitchen, American cherry wood was used to create cabinets that establish a warm and sturdy tone. Each piece of lumber was purchased at auction by the Brillharts and stored in New Hampshire, before being shipped to Miami and milled on site. The wood island is painted black to provide a point of visual contrast.
For the kitchen, American cherry wood was used to create cabinets that establish a warm and sturdy tone. Each piece of lumber was purchased at auction by the Brillharts and stored in New Hampshire, before being shipped to Miami and milled on site. The wood island is painted black to provide a point of visual contrast.
The Irwin pool house designed by Landis Gores in 1957 boasts a central room with high ceilings and an unobstructed view of the landscape. In 2005, the Town of New Canaan purchased the property and added exhibition spaces, as well as rooms for lectures and events. The small pavilion also houses an oversized, monumental brick fireplace design that divides the main space from the kitchen area.
The Irwin pool house designed by Landis Gores in 1957 boasts a central room with high ceilings and an unobstructed view of the landscape. In 2005, the Town of New Canaan purchased the property and added exhibition spaces, as well as rooms for lectures and events. The small pavilion also houses an oversized, monumental brick fireplace design that divides the main space from the kitchen area.
The mix of stone, masonry, and wood in the south-facing terrace replicates the style of the original house. In order to ensure the space felt warm and inviting, the architect replaced the existing steel structure with solid cedar, adding cedar posts and shutters to unite the wood ceiling with both the interior and with nature outside.
The mix of stone, masonry, and wood in the south-facing terrace replicates the style of the original house. In order to ensure the space felt warm and inviting, the architect replaced the existing steel structure with solid cedar, adding cedar posts and shutters to unite the wood ceiling with both the interior and with nature outside.
In their concrete-walled courtyard, Yuka and Aaron watch as twins Emerson and Jasper, daughters Maude and Mirene, and Alfie the dog play. The house is painted in Black Bean Soup by Benjamin Moore, a color in keeping with the period of the original architecture. The garden was designed by Lauren Hall-Behrens of Lilyvilla Gardens.
In their concrete-walled courtyard, Yuka and Aaron watch as twins Emerson and Jasper, daughters Maude and Mirene, and Alfie the dog play. The house is painted in Black Bean Soup by Benjamin Moore, a color in keeping with the period of the original architecture. The garden was designed by Lauren Hall-Behrens of Lilyvilla Gardens.
A pool located just outside the dining space and master bedroom echoes the home's angular forms.
A pool located just outside the dining space and master bedroom echoes the home's angular forms.
Marcel Breuer Hooper House II Exterior Courtyard House View
Marcel Breuer Hooper House II Exterior Courtyard House View
Villain Arjen Rudd’s modern, canyon-top lair was an integral part of the Lethal Weapon 2 screenplay from the very beginning. Its role only grew larger as the more downbeat first draft of Shane Black’s script (Gibson’s Riggs was originally fated to die at the end) was revised by Black’s successor, Jeffrey Boam. The challenge was finding an existing Los Angeles–area structure that matched the one imagined on the page. 

 John Lautner, the American mid-century modern master who apprenticed under Frank Lloyd Wright in the 1930s, designed Garcia House in 1962 for jazz arranger Russell Garcia. It still sits high atop the Hollywood Hills at 7436 Mulholland Drive. With its unique almond eye shape topped by a curved, parabolic roof and supported by steel stilts sixty feet above the canyon below, the house is also known as the Rainbow House, after the colorful stained-glass panels that dot its facade.
Villain Arjen Rudd’s modern, canyon-top lair was an integral part of the Lethal Weapon 2 screenplay from the very beginning. Its role only grew larger as the more downbeat first draft of Shane Black’s script (Gibson’s Riggs was originally fated to die at the end) was revised by Black’s successor, Jeffrey Boam. The challenge was finding an existing Los Angeles–area structure that matched the one imagined on the page. John Lautner, the American mid-century modern master who apprenticed under Frank Lloyd Wright in the 1930s, designed Garcia House in 1962 for jazz arranger Russell Garcia. It still sits high atop the Hollywood Hills at 7436 Mulholland Drive. With its unique almond eye shape topped by a curved, parabolic roof and supported by steel stilts sixty feet above the canyon below, the house is also known as the Rainbow House, after the colorful stained-glass panels that dot its facade.
Schneidman House and owner, Kristin MacDowell (MHA 301).

In 1946, a group of returning servicemen began talks of creating a housing cooperative to build a utopian community on a dusty hillside above Los Angeles. Soon, more than 400 families were on board, and the Mutual Housing Association was born.
Schneidman House and owner, Kristin MacDowell (MHA 301). In 1946, a group of returning servicemen began talks of creating a housing cooperative to build a utopian community on a dusty hillside above Los Angeles. Soon, more than 400 families were on board, and the Mutual Housing Association was born.
Built in 1963, the Flansburgh House remains an architectural gem within Lincoln, Mass.
Built in 1963, the Flansburgh House remains an architectural gem within Lincoln, Mass.
Segerholt Residence Exterior Driveway
Segerholt Residence Exterior Driveway
Last year, Tahquitz Plaza, a business complex Kaptur designed in the 1970s, underwent a restoration, which he helped oversee.
Last year, Tahquitz Plaza, a business complex Kaptur designed in the 1970s, underwent a restoration, which he helped oversee.
The semi-outdoor space extends the living room outward. Inside, a layer of glass sliding doors further facilitate breezes. The occupants can enjoy the sound and smell of rain behind shelter.
The semi-outdoor space extends the living room outward. Inside, a layer of glass sliding doors further facilitate breezes. The occupants can enjoy the sound and smell of rain behind shelter.
The flooring in the master bath is vein-cut Ocean Silver travertine. The custom bathroom vanity is stained birch, the polished chrome fixtures are from Hansgrohe’s Axor Uno2 line, and the chair is upholstered in Checker by Alexander Girard for Maharam.
The flooring in the master bath is vein-cut Ocean Silver travertine. The custom bathroom vanity is stained birch, the polished chrome fixtures are from Hansgrohe’s Axor Uno2 line, and the chair is upholstered in Checker by Alexander Girard for Maharam.
Kelly Milford helps son Adam out of the hot tub nestled on a wood deck in back of the house. The exterior paint is Wrought Iron by Benjamin Moore.
Kelly Milford helps son Adam out of the hot tub nestled on a wood deck in back of the house. The exterior paint is Wrought Iron by Benjamin Moore.
Deciding to buy a home comes with its own unique set of pressures. Oftentimes, it’s seen as a seal of adulthood, an acceptance of permanence, and perhaps most importantly, it also means that you’re about to spend a large sum of money; it makes sense that no one wants to go about it in a casual way.
Deciding to buy a home comes with its own unique set of pressures. Oftentimes, it’s seen as a seal of adulthood, an acceptance of permanence, and perhaps most importantly, it also means that you’re about to spend a large sum of money; it makes sense that no one wants to go about it in a casual way.
Speaking to his original design, architect Saul Zaik says, “We were really just building boxes with a bunch of windows but experimenting with how you integrated indoor and outdoor spaces.” The house has seven different openings to the exterior, allowing different courtyard or patio settings for a range of outdoor activities, including seating for a gathering on the street-facing side. The Milfords hired Lilyvilla Gardens for the landscaping around the house, including variegated bluestone steps with thyme joints.
Speaking to his original design, architect Saul Zaik says, “We were really just building boxes with a bunch of windows but experimenting with how you integrated indoor and outdoor spaces.” The house has seven different openings to the exterior, allowing different courtyard or patio settings for a range of outdoor activities, including seating for a gathering on the street-facing side. The Milfords hired Lilyvilla Gardens for the landscaping around the house, including variegated bluestone steps with thyme joints.
Lilyvilla Gardens built custom wood and concrete steps connecting the street to the house, which flow into an exposed patio under the refurbished carport. In addition to collecting midcentury furniture, Ty Milford is a vintage car aficionado and owner of two cherry red Porsches.
Lilyvilla Gardens built custom wood and concrete steps connecting the street to the house, which flow into an exposed patio under the refurbished carport. In addition to collecting midcentury furniture, Ty Milford is a vintage car aficionado and owner of two cherry red Porsches.
For the kitchen, American cherry wood was used to create cabinets that establish a warm and sturdy tone. Each piece of lumber was purchased at auction by the Brillharts and stored in New Hampshire, before being shipped to Miami and milled on site. The wood island is painted black to provide a point of visual contrast. Himalayan marble countertops and stainless steel appliances lend moments of clean modernism to the kitchen, which is flooded with bright light thanks to patio windows that open to the yard.
For the kitchen, American cherry wood was used to create cabinets that establish a warm and sturdy tone. Each piece of lumber was purchased at auction by the Brillharts and stored in New Hampshire, before being shipped to Miami and milled on site. The wood island is painted black to provide a point of visual contrast. Himalayan marble countertops and stainless steel appliances lend moments of clean modernism to the kitchen, which is flooded with bright light thanks to patio windows that open to the yard.
The Andersen Architectural Collection’s Eagle windows and doors provide the panes and passageways of the home.
The Andersen Architectural Collection’s Eagle windows and doors provide the panes and passageways of the home.
Webber + Studio went with a bold, orange hue for these kitchen countertops. Past the front door and a short hallway lies an expansive living, dining, and kitchen space.
Webber + Studio went with a bold, orange hue for these kitchen countertops. Past the front door and a short hallway lies an expansive living, dining, and kitchen space.
The only grouping of Frank Lloyd Wright's early American System-Built Homes—built by Arthur Richards and designed with standardized components for mass appeal to moderate-income families—is situated in the Burnham Park neighborhood in Milwaukee, Wisconsin. The four model 7A duplexes, one model B1 bungalow (shown here), and model C3 bungalow were added to the National Register of Historic Places in 1985.
The only grouping of Frank Lloyd Wright's early American System-Built Homes—built by Arthur Richards and designed with standardized components for mass appeal to moderate-income families—is situated in the Burnham Park neighborhood in Milwaukee, Wisconsin. The four model 7A duplexes, one model B1 bungalow (shown here), and model C3 bungalow were added to the National Register of Historic Places in 1985.
With post-and-beam construction, a thin roof profile, and an open floor plan that facilitates an interplay between the interior and exterior, the Dwell Prefab Palm Springs by Turkel Design bears all the signatures of the architecture firm. The show home is its first in California, which allowed Turkel and his team to put extra emphasis on indoor/outdoor living.
With post-and-beam construction, a thin roof profile, and an open floor plan that facilitates an interplay between the interior and exterior, the Dwell Prefab Palm Springs by Turkel Design bears all the signatures of the architecture firm. The show home is its first in California, which allowed Turkel and his team to put extra emphasis on indoor/outdoor living.
We’ve gathered 20 of our favorite homes that maintain their midcentury flavor without sacrificing 21st-century modernizations and updates.
We’ve gathered 20 of our favorite homes that maintain their midcentury flavor without sacrificing 21st-century modernizations and updates.
The team painted the exterior brick after patching it in places, like the section left by the removal of the door. “We could find the exact texture of brick, that classic Roman running bond, but we could not find it in the right color,” says architect Kailin Gregga. Painting the entire exterior unifies the façade. Rich Brilliant Willing “Hoist” sconces in Black was also added.
The team painted the exterior brick after patching it in places, like the section left by the removal of the door. “We could find the exact texture of brick, that classic Roman running bond, but we could not find it in the right color,” says architect Kailin Gregga. Painting the entire exterior unifies the façade. Rich Brilliant Willing “Hoist” sconces in Black was also added.
Between the front and rear exteriors, over 800-square-feet of patio space extend the living areas into the outdoors. From this angle, the references to Florida cracker architecture are obvious. The sleeping quarters are connected via a central corridor and kitchen to the living space on the other end of the building, a modern interpretation of the classic dogtrot house.
Between the front and rear exteriors, over 800-square-feet of patio space extend the living areas into the outdoors. From this angle, the references to Florida cracker architecture are obvious. The sleeping quarters are connected via a central corridor and kitchen to the living space on the other end of the building, a modern interpretation of the classic dogtrot house.
Located in Long Beach's Los Cerritos/Virginia Country Club neighborhood, the duplex occupies a 7,306-square-foot lot.
Located in Long Beach's Los Cerritos/Virginia Country Club neighborhood, the duplex occupies a 7,306-square-foot lot.
The living room features two side chairs and an end table by Edward Wormley for Dunbar and a bronze screen designed by Harold Balazs.
The living room features two side chairs and an end table by Edward Wormley for Dunbar and a bronze screen designed by Harold Balazs.

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