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The back and front cover seen together.
The back and front cover seen together.
The extensive use of natural wood on nearly every surface makes the inside of The Barn feel like an extension of the landscape outside.
The extensive use of natural wood on nearly every surface makes the inside of The Barn feel like an extension of the landscape outside.
Sleeping nooks that look like the grooves in a block of cheese.
Sleeping nooks that look like the grooves in a block of cheese.
The Alphabet, 2001-A silk screened poster containing twenty six faces each representing a letter of the alphabet and a custom 'typeface' originally published in V Magazine. Photographed by Inez van Lamsweerde and Vinoodh Matadin.
The Alphabet, 2001-A silk screened poster containing twenty six faces each representing a letter of the alphabet and a custom 'typeface' originally published in V Magazine. Photographed by Inez van Lamsweerde and Vinoodh Matadin.
A passage between the walls for hide and seek.
A passage between the walls for hide and seek.
Translation, 2006-Edited and designed by the duo, this book was produced for the exhibition 'Translation' at the Palais de Tokyo in 2005, that showcased artworks from the Dakis Joannou Collection.
Translation, 2006-Edited and designed by the duo, this book was produced for the exhibition 'Translation' at the Palais de Tokyo in 2005, that showcased artworks from the Dakis Joannou Collection.
Collaborating with Stockholm-based fragrance house Byredo and renowned perfumer Jérôme Epinette, M/M concocted up the design for the M/Mink scent—an amalgam of notes that include solid ink, patchouli leaf, and adoxal.
Collaborating with Stockholm-based fragrance house Byredo and renowned perfumer Jérôme Epinette, M/M concocted up the design for the M/Mink scent—an amalgam of notes that include solid ink, patchouli leaf, and adoxal.
Silk screened posters for fashion house Balenciaga with photography by Inez van Lamsweerde and Vinoodh Matadin. Anne-Catherine, 2001 seen here.
Silk screened posters for fashion house Balenciaga with photography by Inez van Lamsweerde and Vinoodh Matadin. Anne-Catherine, 2001 seen here.
Alphabet Poster- A close up of the letter 'N' aka Nicola.
Alphabet Poster- A close up of the letter 'N' aka Nicola.
In conjunction with the M/Mink scent for Byredo, the designers created a series of 4 limited edition posters featuring photography by frequent collaborators since the late 90s, Inez van Lamsweerde and Vinoodh Matadin (only 100 were made). Seen here, #3, 2010.
In conjunction with the M/Mink scent for Byredo, the designers created a series of 4 limited edition posters featuring photography by frequent collaborators since the late 90s, Inez van Lamsweerde and Vinoodh Matadin (only 100 were made). Seen here, #3, 2010.
The architects pulled away the roof at the house’s center to create a courtyard where the residents can enjoy meals. The ground sits below floor level, which means that the wraparound eucalyptus deck can also serve as a bench.
The architects pulled away the roof at the house’s center to create a courtyard where the residents can enjoy meals. The ground sits below floor level, which means that the wraparound eucalyptus deck can also serve as a bench.
1972 Poster-Color silk screened posters for British-American artist Sarah's Morris' film, 1972.
1972 Poster-Color silk screened posters for British-American artist Sarah's Morris' film, 1972.
This living/bedroom space showcases neutral tones and shades of white to contrast the continued use of natural, treated wood surfaces.
This living/bedroom space showcases neutral tones and shades of white to contrast the continued use of natural, treated wood surfaces.
Mathias Augustyniak and Michael Amzalag of M/M (Paris) by Inez van Lamsweerde and Vinoodh Matadin.
Mathias Augustyniak and Michael Amzalag of M/M (Paris) by Inez van Lamsweerde and Vinoodh Matadin.
The original home’s second floor had three bedrooms with flat ceilings. Arch11 quickly realized there was a great volume in the upper floors at the gable ends of the home and chose to integrate the attic space into the second floor. This design move allowed the interior to be informed in part by the exterior while creating a bright, serene living space among the treetops.
The original home’s second floor had three bedrooms with flat ceilings. Arch11 quickly realized there was a great volume in the upper floors at the gable ends of the home and chose to integrate the attic space into the second floor. This design move allowed the interior to be informed in part by the exterior while creating a bright, serene living space among the treetops.
90mm
90mm
90mm
90mm
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