The landscaping appears to be based on the mullet principle: business in the front, as seen here (manicured grid lawn, with native vegetation sprouting in careful symmetry), party in the back (sunflowers and wild mountain grass growing in harmonious chaos).

A verdant tundra that the architect dubbed the “courtyard” separates Bullitt’s house from his 900-square-foot studio. The space, which is planted with Bog Myrtle, bearberry, and other native plants, “reinforces...the dominance of the landscape over the building,” the architect says. “The end result was an exceedingly naturalized setting.”

A small terrace outfitted with an H55 easy chair by Björn Hultén offers a view of the San Francisco Bay.

The ever-changing, lush wooded surroundings of Minnesota, such as those experienced at this 8,000-square-foot Type Variant House outside of Minneapolis designed by Coen and Partners, are right near the small town of New Richland.

The landscape design, by Anna Boeschenstein of Grounded, followed a 2,200-square-foot extension by Formwork architects Robert and Cecilia H. Nichols. The front door is painted in Chinese Red by Sherwin-Williams.

Upon his first visit to Tasmania, an island south of the Australian mainland, resident David Burns was immediately smitten with its varied, pristine landscape. Working with architecture firm Misho+Associates, he built a self-sustaining, 818-square-foot retreat that would allow him to completely unplug from urban life.

Achieving such efficiency and maintaining the integrity of the wetlands and woodlands on the property meant more research for both the designers and the resident—just getting approval for the siting of the buildings and the driveway took eight months—but Hague is hardly one to do things half way. “A lot of times couples engage in house-building, like birds. I'm doing this solo, more like a monk,” he says of the deeply personal undertaking.

Sited parallel to each other, the two autonomous bedroom cabins frame perspectival views of the surrounding landscape. Exteriors of all three structures feature mitered corners and cross-laminated timber panels, all nailed by hand.

The backyard’s emphasis on nature is mirrored in the front of the home, which also underwent extensive landscaping by Considered Design. The owners and Parish wanted to “tone everything down” and turn the home into a backdrop for a natural setting.

To combat the site’s steep, uneven grade, Boeschenstein staggered a series of ipe decks around the two main volumes of the house. Atticus joins his brother, Bodhi, on the zigzag decks.

“It was very important to get the integration between the garden and the house right,” Maynard says. The architects worked with Bush Projects to strike that balance, laying down concrete pavers and planting native flora that add to the home’s relaxed feel. Permanent steel awnings protect windows from glare, while retractable fabric ones by Shadefactor offer residents optional shelter when they sit outside.

Glass Houses Though the original plans called for a frameless wall of glass in the back, it turned out that it would eat up most of the budget. Instead, they installed three wood-framed windows made by Fecon. fecon.de Cut and Plant For the landscaping, the couple literally took a page out of somebody else’s book. Winterhalder says their garden was lifted from page 38 of Peter Janke’s Kleine Gärten (Small Gardens), published by Becker Joest Volk Verlag. bjvv.de

Crushed stone paths and native plantings, including cacti, wildflowers, and grasses, encompass the surrounding landscape. “We’re nothing but natural,” says Austin. “The cacti, to me, are like pieces of sculpture, each with their own personality. I even named some.”

Shope and his wife carefully designed an eco-friendly landscape: For instance, they did not fell any tree with holes that could support an owl’s nest. They also planted flower species that feed hummingbirds and monarch butterflies. Shope laid out the pathway of reclaimed granite slabs that leads toward the Hudson River below.

The bedroom pavilion is mostly hidden, thanks to a massive native California oak—part of a grove. “That’s the good thing about oaks—they keep their leaves in the winter, so you don’t have one view in the summer and another in the winter,” Suzanne says.

A maple tree grows through an ipe deck in this garden that Mary Barensfeld designed for a family in Berkeley, California. A reflecting pool separates it from a granite patio, which is furnished with a Petal dining table by Richard Schultz and chairs by Mario Bellini. The 1,150-square-foot garden serves as an elegant transition from the couple’s 1964 Japanese-style town house to a small, elevated terrace with views of San Francisco Bay. Filigreed Cor-Ten steel fence screens—perforated with a water-jet cutter to cast dappled shadows on a bench and the ground below—and zigzagging board-formed concrete retaining walls are examples.

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An Introduction to Landscape Design: Cover the history of landscape architecture and learn how to cultivate your own backyard oasis.

With input from her clients, Barensfeld used a computer to generate the circular patterns that were carved into a pair of Cor-Ten steel screens with a water-jet cutter. The perforations allow light and the green of the surrounding Koi bamboo to filter into the space while preserving privacy.

The recycled shipping containers were sourced from the Pacific Port of Caldera in Costa Rica. “Discarded shipping containers are all over the world and cost relatively little,” Saxe says. “With a bit of creativity and understanding of local building techniques, the interiors can be modified for any client.”

Sliding aluminum panels on the facade of Green Orchard not only mirror the local flora, they also allow residents Fred and Edna Wadham to control how much sunlight enters their 2,150-square-foot home.

The living area features a Le Bombole ’07 sofa by Mario Bellini for B&B Italia, a Chieftan chair by Finn Juhl, and a rotating hanging stove by FireOrb. The poufs are by Tazi Designs.

"The labyrinth | Map"

Frontal view of the GOMOS #1

Krisel was also known for his boldly modern approach to landscape. The Menrad residence, shown here, features a distinct geometric design. The architect, working in the harsh Palm Springs climate, relied on hardscape elements—setting a precedent for drought-tolerant landscape design.

Walter Hood is perfectly comfortable carving out serene spaces amid often chaotic urban Oakland, California. Despite the speeding cars overhead, Splash Pad Park is now home to a thriving farmer’s market.

Mastic plants that can grow up to 16 feet tall will eventually create a canopy of shade around the structure.

Brian Keyes's Canvas Office Landscape is an updated cubby system for mobile workers.

“By emphasizing the low-tech element, I am inviting house users and house guests to play,” says Campbell, “Manual cooking, saws and wrenches, surfaces to work and measure on – this house may not contain the most gorgeous Italian vase but it has every tool imaginable, even antique Japanese tools – your neighbors will want to come to borrow them all and fix everything under the sun”. Rather than being old-fashioned, Campbell insists this approach is a survival strategy for the digital age.

The illuminated lights make you feel as if you are starring into space.

To date, the pair and their pals have built a compound complete with sheds, tree decks, a pavilion, a wood-fired hot tub, an outhouse, an outdoor shower, and, now, a redwood cabin where an ever widening network of friends gather for skill-sharing workshops and events.

Plants found in the surrounding landscape were used to obscure the lines between designed and natural worlds.

Board-formed concrete retaining walls double as ramps from the deck to the garden’s highest point.