The Stair House print in gray.

The Funkis House print.

The dining room houses Juhl's Judas table and Egyptian chairs, both from 1949. The abstract paintings hanging above the dining table are by Asger Jorn and Richard Mortensen.

Architectural ispiration and exhibition posters fill the walls of Juhl's home office. Two chairs of Juhl's design are placed on the side of his desk, designed in 1945.

Dam uses a process that combines digital tools and drawing by hand. Pictured is her Lamp A3 print.

In the garden room, Juhl's 1957 Japanese chair lies next to a sofa table and a built-in bench, designed for the house. The blue upholstery matches Anna Thommsen’s carpet.

Vilhelm Lundstrom portrait of Juhl’s wife, Hanne Wilhelm Hansen, hangs above Juhl's Poet sofa (1941). The sofa faces one of Juhl's most recognizable designs, the 1949 Chieftain chair. The white brick hearth extends into the room to resemble an area rug.

A new book by German publisher Hatje Cantz looks back on Finn Juhl's legacy and his home's new role as a public museum.

A collection of Juhl's chair designs can be found in the seating area of the master bedroom; a 1942 prototype chair, Karmstool (1953), three 48 chairs and a two-seat sofa (1948). Poul Henningsen's 1962 chrome plated Contrast lamp 1962 hangs over the table.

The Abstraction A4 print is based on multiple hand drawings Dam created while studying architect and furniture maker Finn Juhl’s oeuvre. “Other Danish designers of his time were more geometric in the way they worked, but Juhl managed to create simple pieces with curved lines,” she says.

"I always play with perspective," Dam says. "I love that a simple line can look like it is both going in and out of an illustration, depending on how you choose to look at it." Pictured is the House A4 print.

Juhl painted this watercolor rendering of the house in 1968, more than 25 years after the house was finished. The site plan of the property shows a separate building that was supposed to house Juhl's design studio. The plan was never realized and the bedroom facing west was expanded instead.

House A3 by Kristina Dam Studio, $130. Copenhagen-based Kristina Dam was trained in graphic design and calls on midcentury housing for her prints framed in steel.

The Turning Tray was originally designed by Finn Juhl in 1956. The original trays are now on display at Finn Juhl’s Carlottenlund, Denmark home, which is now a museum. ArchitectMade has relaunched the Turning Trays by creating exact replicas from Juhl’s original drawings. Each tray features many of Finn Juhl’s characteristic design elements, including curved teak frames and the corner joints.

In the Danish House Illustration, Kristina Dam Studio celebrates Danish architect and designer Finn Juhl. A part of the “An Abstraction of FJ” series, this print is defined by its use of line, geometric details, and pattern. The series is based on multiple hand drawings she created while studying the work of Finn Juhl. Kristina Dam called to Juhl’s use of curved lines in his designs, which is clearly celebrated here in the House Print.

Durable, economical, and easy to build, the simple A-frame was once the must-have midcentury vacation home. Today, the classic retreat has been propelled back to popularity, thanks largely to photo-centric platforms like Instagram and Pinterest. Read on for 20 charming A-frame homes that caught our eye.

A third of the house and deck cantilever out toward the stream, and the void beneath the deck provides a place for wood storage. The cabin sits just 100 feet from the water, and with the windows open you can hear the ambient rush of the stream from throughout the house.

Located in Denmark, Kristina Dam Studio is a multifaceted design studio founded by designer Kristina Dam. The studio is focused on connecting the worlds of graphic design, interior spaces, and art. Shown here in By Lassen’s Illustrate Frames alongside the View Mirror, Kristina Dam’s architectural prints are striking accents that blend digital printing and hand drawing. Her framed prints include the Abstraction House, Danish House, Finn Juhl House, Mountain House, Simpel House, and Tree House Illustrations.

David Hertz shows how he used a pre-fabricated panels typically used for walk-in refrigeration buildings for the Panel House (above) and a 747 wing to build the 747 Wing House in Malibu.

Surman Weston delivers a contemporary twist on the mock-Tudor style with minimalist interiors and intricate brickwork.

An aerial shot of the property showing the house nestled in a clearing. The dense wooded surroundings inspired the couple to prioritize exterior views in the home’s design

Clad in Douglas fir, the home is constructed of low maintenance materials that tie in with the natural surroundings.

The slate roof of the triangular 'A-House' contrasts with the Douglas fir clad rectangular body of the adjacent form. Exterior terraces wrap and connect the two building forms.

the project integrates the construction to its natural landscape.

Although there are several houses nearby, the homeowners relish the privacy and tranquility provided by the surrounding dense forest.

The house is clad in Siberian larch and has a standing-seam Galvalume roof. Landscape architect Karin Ursula used native plantings to help the land recover from construction. The gravel put down in lieu of new soil will gradually fill in with plants as leaves decompose and produce a layer of soil.

The inspiration for Heva was a wooden home in Bordeaux, France.

The Light House is a vacation home in Denmark designed by Søren Sarup of Danish firm Puras Architecture. It consists of a low-lying Douglas fir–clad volume topped with a slate-covered A-frame.

"One visit over the winter, and we drove up to find four feet of snow covering the driveway and stairs down to the cabin,

The exterior of the house consists of sandblasted masonry and Ferrari shade sails stretched on a steel frame.

Built of galvanized steel, the new front door conveys safety and security. The owners had previously experienced a break-in, and they thought a more imposing entrance could serve as a deterrent. Directly behind the entry is the courtyard linking the old and new buildings.

The showroom features distinct rooms adorned with Scandinavian designs. Finn Juhl's Pelican chairs, designed in 1940, create a sitting space.

Generations of family have lived on this wooded, waterfront site, where architect Will Randolph has built a weekend getaway for less than $70,000.

Originally built in 1974 as a kit home, this A-frame cabin was saved from ruins by an ambitious couple who temporarily turned it into a home for five.