Jean-Christophe Aumas’ multihued Paris apartment houses both the highly sought artistic director and the stunning assemblage of furniture he’s brought back from his travels. Aumas designed the kitchen island, which is covered in marble tiles from Carrelages du Marais—the geometric floor tiles are from the same place—and strung the matrix of lights up above it. The barstools by Charlotte Perriand were discovered in a vintage store in Antwerp, Belgium. The green wall is covered in paint from Emery & Cie.

The inspiration for this prefabricated, modular family home on Fishers Island, New York, were the views that Tanney and Luntz saw from a 12-foot stepladder, which was balancing on the bed of a pickup truck when they first visited the site.

All about #red

In this shot, the promise of the emerging structure is clearly visible: intersecting granite and concrete walls demonstrate the harmonious triumverate of sky, stone and concrete.

Design Award of Excellence: Furnace Creek Visitor Center at Death Valley National Park Original Architects: Cecil Doty, National Park Service; Welton Becket & Associates, San Francisco, CA Restoration Team: National Park Service, Denver Service Center (Project Manager/Property Owner); Architectural Resources Group, Inc. (Architect); and AMEC Environment & Infrastructure Inc. (Project Management, Engineering, and Landscape Architecture)

This image of the Visitor Center in construction shows light perforating down from the Visitor Center's upper story into the galleries through an open stairwell.

A portion of its collection came back to the Clark after a 3-year international tour which was seen by 2.6 million people. Image courtesy of the Clark Art Institute.

A corrugated metal roofing, pine walls stained a warm blonde hue, and an abundance of glass make this modern prefab feel much roomier than its 1,600-square-feet size.

The quiet, minimalist kitchen features a wall in the same “criptoméria" wood used for the bookshelf in the living room. A Davide Groppi Punto 2 PL light hangs over the dining table.

Landscape architects Reed Hilderbrand helped fill out the completed prefab by planting sedge grass on one of the house’s two green roofs to reflect the texture of the surrounding meadow.

This dwelling joins a number of structures—such as a boathouse and guesthouse—owned by one family and used for vacations. They needed a new house to accommodate new generations at the reatreat.

Warm wooden walls ensure the simple bedroom setup, a low mattress next to a Muuto Leaf table lamp, offers more comfort than the cold stone exterior.

The house is oriented to maximize views of the ocean and Edgartown to the west, and Nantucket and Cape Pogue Bay to the east. Natural sea grasses sourced from the surrounding area cover the roof of the building, providing thermal insulation while also dampening the noise of rain, improving air quality, and helping to manage rainwater flow.

The chromatic Paris apartment of Jean-Christophe Aumas holds a treasure trove of rare vintage furniture, displays from his work, and items curated from his travels. As the artistic director of the creative agency Voici-Voilà, he designs store windows and special events for clients like Louis Vuitton, John Galliano, Lacoste, Céline, and more; and so it’s no wonder that his own 1,023-square-foot apartment is teeming with character. The entire flat is self-designed in a fusion of his professional and personal flavors. Over herringbone wood floors, walls with painted shapes frame hanging artworks; colored cubes, created for a Sol LeWitt–themed Louis Vuitton display, pepper the space; and foraged furnishings ranging from flea market finds to designer pieces outfit the home.

Bernier’s firm designed the built-in storage, seating area, and kitchen island to be intentionally abstract, directing attention to the forest outside. Cabinetmaker Pixel & Scie manufactured the furniture.

“The walnut unit between the kitchen and dining room ties into the fumed oak floor,” Dubbeldam says. “The rest of the materials in the house—glass, marble, stone—were selected to offset the wood.”

According to Remijnse, since the only direction they could build on the small site was up, they decided to add height with a gabled roof.

To further connect the indoor spaces with the New England landscape outside, glass walls in the living and dining areas slide open to eliminate the barriers between indoors and outdoors. Green slate tiles compose the flooring inside.

The ground floor has a visitor’s bedroom for when Velma has friends over to stay.

The smooth, raven-hued island in this kitchen is made of oak with a thin stone countertop. A Foscarini Gregg Pendant hangs overhead.

The firm collaborated with Kountry Kraft and its modular manufacturer, Simplex Homes, to expand the palette of materials, including the teak cabinetry used in the kitchen and dining areas. Interior designer David Bentheim suggested the marble backsplash for the bar area. Antique dining chairs, an LED Aurea pendant lamp by FontanaArte, and a Paolo Piva table from B&B Italia complete the room.

Dan Pacek, left, and John Roynon prepare cocktails at their 12-foot “display island” in the renovated kitchen of their home in New Jersey. The couple bought handles matching those on their Thermador refrigerator and used them on a set of pantry doors, one of which conceals the steps to the basement.

The homeowners were impressed by the way Salmela conflated the indoor/outdoor continuum. “We really needed that contact with the lake and the woods even when inside,” says Golob. All outdoor seating by Kartell.

The kitchen features a concrete island topped with marble. Deja-Vu stools by Naoto Fukasawa surround the island. A print by Guy Gormley, as well as a painting bought during holiday in St. Tropez, hang on the walls.

A second green roof is planted with sedum and plays host to one of the family’s favorite spots: a hammock. Bentheim suggested adding a trellis overhead to soften and balance the appearance of the facade.

The kitchen has open storage and cabinets and an island made of plywood.

In New York about two hours north of New York City, architecture and interiors firm BarlisWedlick created an eclectic compound designed to suit a client with an idiosyncratic wish list. In the kitchen, a custom Stickbulb LED lamp hangs above a kitchen island topped by concrete from Get Real Surfaces. The cabinets and island feature a modern version of a traditional board and batten siding that are given an even more contemporary feel with the concrete countertop.

This modular system created by the architects at Resolution: 4 allows them to customize a home’s floor plan by stacking, lining up, and joining factory-built, rectangular modules.

Subtle features incorporated into the design, including an elevated terrace and jetty, help the home float above the island.

Architect Michelle Linden worked with Brothers to create a minimalist house. Inspired by the inward-looking approach of Cistercian abbeys, Linden oriented the U-shaped structure around a courtyard.

O’Sullivan designed the ceiling “to have a knitted or woven quality like that of wool or silk.” It dives down over the kitchen and dining area, eventually reaching a point at the entry that is low enough to touch. Here, resident Jes Wood leans against the onyx kitchen island while her daughter Ruby hangs out. Replica Jean Prouvé chairs surround the dining table; a vase by Bruce and Estelle Martin for Kamaka Pottery sits on top. The Reel table under the television is by Atelier Oï for B&B Italia.

In the kitchen, an island countertop serves as a mixed-use area for cooking, storage, and seating for up to five people. The room opens up to an outdoor dining area.

Jonathan Adler and Simon Doonan collaborated with New Haven, Connecticut, firm Gray Organschi on their midcentury-inspired New York vacation home.

In keeping with the island’s rugged character, the new home was pared down to the essentials. Even the floor in the living room, elevated during the construction process to give seated guests sight lines of the coast, helped frame the outdoors. With this philosophy in mind, Vieira da Silva sourced and designed simple, light furniture, such as the custom bookshelves made from “criptoméria," a type of Japanese wood planted in the Azores for construction. The floor lamp, a Sampei model by Davide Groppi, is set above a Lamino Easy Chair by Swedese. Both the sofa and table are also Swedese.

In the kitchen, teak-and- thermofoil cabinets and Caesarstone countertops mix with Miele appliances—wall ovens, induction cooktop, hood, and microwave—and a Sub-Zero refrigerator. The kitchen sink and faucet are by Blanco. The owners, who split their time between Fishers Island and Great Britain, found the vintage pendant lamps at Lassco architectural salvage.

The custom island also features a cut-out shelf.