In the kids’ bunk room, Maca designed walnut beds with built-in storage and fabric headboards, and covered each one in hand-knit blankets by Marcela Rodriguez-Chile. The giraffe sconces are from Jonathan Adler. The girls play on a hand-embroidered Olli lounger from Heath Ceramics.

Architect Tamira Sawatzky used Ikea components—one-inch Lagan butcher block countertops and inexpensive Ekby Lerberg brackets—when designing the bookshelves along the living room wall in the home/studio he designed for himself and his wife in Toronto.

The master bedroom is a real continuation of the main living space; Varpu rides her tricycle through, and the whole family gathers on the bed to watch movies and cartoons on the television across the room.

The Kelleys furnished the cottage with help from Suzanne’s daughter Betsy Burbank of Betsy Burbank Interiors. Classic modernist icons, such as a Saarinen Womb chair for Knoll, a Herman Miller Eames lounge chair, and an Eileen Grey E1027 side table look at home alongside present-day pieces such as an Encore sofa (which handily folds down into a sleeping surface) from Room & Board and a Doka rug designed and produced by Stephanie Odegard. The Wohlert pendant lights from Louis Poulsen were designed by Vilhelm Wohlert in 1959, but grouped as such, they appear distinctly contemporary.

Piet Hein Eek's wooden chairs add a touch of color to the monochromatic Amsterdram apartment of Hunter Hindman and Shelby Carr.

Two San Francisco art and travel addicts overhauled a loft—and customized a pair of shipping containers—to accommodate their collection and reflect their passions. The shipping containers were stacked, joined with steel tubes, and lashed to reinforced floor joints to make them earthquake-safe.

In the dining room, which opens to the backyard terrace, original tilework on the floors and walls complement decidedly modern counterparts—an original 1938 Butterfly chair by Antonio Bonet, Juan Kurchan, and Jorge Ferrari Hardoy, and a 1983 TMC floor lamp by Spanish designer Miguel Milá.

The dining room.

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The acclaimed Italian designers Ludovica + Roberto Palomba carved a serene retreat out of a 17th-century oil mill in Salento.

In the living room, spare Scandinavian design takes center stage. Hans Wegner’s Wishbone chairs surround an Essay dining table by Cecilie Manz for Fritz Hansen; a mostly wood palette is enhanced by slate-gray brick around the fireplace. The paper lanterns throughout the home are a mixture of classics by Isamu Noguchi alongside those picked up in Japan and France.

“What often happens in our relationship is I come to Funn with an idea and he makes it into something livable.” —Vincent Kartheiser

The architects stuck to a gray-scale color palette, installing slate tile floors that softly contrast with the white walls and Eames dining chairs. “It lets the views out the windows become the focus,” Dworkind explains. Doses of pure black accent important features, like the central wall that divides the kitchen and master bedroom behind it from the main living space.

The new volume houses the dining area, which includes stairs to the bedrooms. The table is from Blake Avenue and the walnut chairs are from Room & Board. “You don’t want bright colors to take away from that relationship between the interior and the exterior,” Walker says.

In the living area of actor Vincent Kartheiser’s Hollywood cabin, redesigned by Funn Roberts to maximize every last inch of space, an Eames lounge chair and ottoman mix with a couch and coffee table by Cisco Home from HD Buttercup. The table in the main room is from West Elm.

At the client’s request the kitchen contains neither upper cabinets (Shino can’t reach them) nor an oven (they only used the old one once—to reheat a pizza). A modular Roche Bobois Mah Jong sofa adds a decorative flourish to the living area while maintaining as low a profile as the traditional Japanese furniture.

In the house’s front room Monkman relaxes on a stool from local retailer Andrew Richard Designs. A new window system draws in sunlight and views of the front courtyard designed by local landscape architect Terry McGlade, the building’s former owner.

“We didn’t go out and buy a living room collection,” Sofie explains. “In our home, we tried to avoid trends. The furniture we have are things we have collected over many, many years.” Vintage Eames for Herman Miller lounge chair; Isamu Nuguchi table; and Rocking elephant by Rocking Zoo.

The living room is furnished with a Tolomeo Mega floor lamp by Artemide, a Milo Baughman Recliner 74, a Morsø 7648 wood stove, and a Hampton rug by Capel Rugs.

The kids room is outfitted with built-in bunk beds.

The upper two levels of the home are set back from the street, increasing privacy and allowing light to flow uninhibited from the front clerestory window into the communal living spaces. On the top floor, the children's bedrooms are strategically veiled from the street by the slatted reflector screen.

The compact living area is just off the kids’ room.

Van Dusen began making her own clothing as a teenager after convincing her mom to buy a sewing machine she'd use to reconstruct her closet full of thrift store garments. Color was her primary muse, often favoring bright hues in unexpected combinations and graphic patterns. What she couldn't find, she created, albeit inefficiently — the only way she knew how — by assembling her own printed textiles, one element at a time.

The dining room features a Glo-Ball T table lamp by Jasper Morrison.

Operable panels of the built-in cabinetry, in chocolate and caramel colors, offer cues to the color palette of more mobile furnishings. Using the same panel material, the architect customized a West Elm couch for the living room.

The living and dining room look out to the central courtyard, promoting indoor/outdoor living. Here, five doors slide into a pocket in the wall to create a nearly 23-foot-wide opening on one side looking into the garden. Another set on the opposite side enhances cross ventilation.

Designed by Stockholm firm Waldemarson Berglund Arkitekter, this prefab artist studio called Ateljé 25 is shaped like a Monopoly house, serves as an artist’s studio and has simple plywood interiors and massive skylights.

Requirements for licensed contractors depend on the scope of work and the location of the project.

Halfway through a pregnancy isn’t exactly the ideal time to buy a house. So after spending months scouting San Francisco’s Victorians and turnkey cookie-cutters—and almost defecting to the East Bay—Lorena Siminovich and Esteban Kerner decided to put the hunt on hold until after their baby was born. But then one afternoon Kerner, a design director with Old Navy, logged on to Craigslist on a whim. He saw a below-market listing for a single-family home in Noe Valley, their neighborhood of choice. With crumbly brick cladding, peeling rust-brown paint, and rotting garage doors, the house lacked curb appeal. But the Argentine couple was drawn to the interior. "It was amazing and strange at the same time," says Kerner of the 1,485-square-foot, multilevel, midcentury maze. "Mind-boggling," adds Siminovich. "It was just a knot of doors and a series of insane stairs to nowhere."

Have your children help you go through their book collections and pick out what books they haven't read yet. If you are able to safely leave your home, you can coordinate curbside dropoff book exchanges with friends.

Built in the early 1970s, the house's kitchen, living, and dining areas were originally divided into three distinct zones. In order for this great room to flow as one, Klopf Architecture removed the glass doors and solid walls separating the enclosed atrium from the kitchen and living room. A Herman Miller trade poster, Design Within Reach book tower, and IKEA sofa mingle in the space.

The door to Eoghan Mahony’s office is set on a caster and has a hinge that runs the entire ten-foot height.

The table is situated in front of the house’s rear wall of skyscraper glass. Laminate kitchen cabinets by Ikea are framed in wraparound bluestone; the 48-inch commercial range is by FiveStar.

Shophouses are a staple of Southeast Asian urban architecture. A team of designers including Yong Ter, Teng Wui, Andrew Lee, and Edwin Foo renovated this shophouse into a contemporary sanctuary over the course of two years. They left the roof completely open from the beginning of the original airshaft to the back of the house. The heart is a cooking/dining area with a 13-foot-long Indonesian table made from a single piece of teak.

Konstantin Grcic’s Venus chairs for ClassiCon surround a table by Poliform in the formal dining room. Hill selected the Flos chandelier designed by Marcel Wanders for its "Old World reverence." The sleek fireplace mantel was designed by Hill and cobbled together onsite from three solid slabs of limestone.

This room can be a family room, office, or guest suite. The flooring is the same throughout: Riva Floors, Engineered Wood Select Grade, in Crystal Thunder, and the couch is from Restoration Hardware. Unseen is the foosball and ping pong tables.