The cover of the new book Wonderwall Archives 01.
The cover of the new book Wonderwall Archives 01.
The complete line of WorkShop products, including limited edition items, is available now. New tools for work and brainstorming will periodically refresh the collection.
The complete line of WorkShop products, including limited edition items, is available now. New tools for work and brainstorming will periodically refresh the collection.
Resonant Surface 01 by Christine Yogiaman and Ken Tracy

This installation and amplification system, built of wood veneer and aluminum, was inspired by the sound of muezzins and the abstract look of Islamic design. 

Photo by Juan Roldan
Resonant Surface 01 by Christine Yogiaman and Ken Tracy This installation and amplification system, built of wood veneer and aluminum, was inspired by the sound of muezzins and the abstract look of Islamic design. Photo by Juan Roldan
DW0608_ESSAY_01
DW0608_ESSAY_01
Suspension 01 by Tim Richartz
Suspension 01 by Tim Richartz
An early photo of the Noguchi table taken by Martin J. Schmidt.
An early photo of the Noguchi table taken by Martin J. Schmidt.
Colorful accents puncture the interior.
Colorful accents puncture the interior.
Archival illustration by Carl Larsson.
Archival illustration by Carl Larsson.
This piece of ephemera started it all: Bubeshko's first check to Schindler, which kicked off the design process.
This piece of ephemera started it all: Bubeshko's first check to Schindler, which kicked off the design process.
MH01’s angled roof, black shingles, and Superboard panels bring a modern sensibility to a traditional cottage form.
MH01’s angled roof, black shingles, and Superboard panels bring a modern sensibility to a traditional cottage form.
This image depicts the Chevrolet design studio.

"It’s a testament to the vision of Eero Saarinen, that his architectural design continues to provide an environment supportive of innovation, exploration and pride for so many of us who are aware of the privilege to work at such an important and beautiful facility," Skarsgards says. "There is a strong commitment by our leadership to maintain and carefully renovate the almost 60-year-old campus, in a way that modernizes its function, but retains its aesthetic integrity."
This image depicts the Chevrolet design studio. "It’s a testament to the vision of Eero Saarinen, that his architectural design continues to provide an environment supportive of innovation, exploration and pride for so many of us who are aware of the privilege to work at such an important and beautiful facility," Skarsgards says. "There is a strong commitment by our leadership to maintain and carefully renovate the almost 60-year-old campus, in a way that modernizes its function, but retains its aesthetic integrity."
Another view of the gold interior.
Another view of the gold interior.
Arne Jacobsen designed nearly every element in the hotel, including the built-ins, textiles, and accessories. In addition to furnishing the rooms with existing pieces from his portfolio, Jacobsen created new items for the hotel, like the Drop chair shown in this archival photo.
Arne Jacobsen designed nearly every element in the hotel, including the built-ins, textiles, and accessories. In addition to furnishing the rooms with existing pieces from his portfolio, Jacobsen created new items for the hotel, like the Drop chair shown in this archival photo.
Loreto Archives Centre (Gray Puksand: Ballarat, Australia)

A turn-of-the-century schoolhouse isn’t a surprising choice for a small archive. But the striking design of this historical site, which framed the original structure in glass and exposed original joints and materials, gives the documents and ephemera a more dramatic home.
Loreto Archives Centre (Gray Puksand: Ballarat, Australia) A turn-of-the-century schoolhouse isn’t a surprising choice for a small archive. But the striking design of this historical site, which framed the original structure in glass and exposed original joints and materials, gives the documents and ephemera a more dramatic home.
Glass walls surrounding the interior courtyard make the entire layout of the center visible from within.
Glass walls surrounding the interior courtyard make the entire layout of the center visible from within.
Shulman's archives en route to the Getty
Shulman's archives en route to the Getty
This house—shown here in an early 1960s photograph—located at 1586 Burton Street, The Grove, Saint Paul, was designed by Lisl and Win in 1959 for John Wolf.
This house—shown here in an early 1960s photograph—located at 1586 Burton Street, The Grove, Saint Paul, was designed by Lisl and Win in 1959 for John Wolf.
DW1106_ROME_01
DW1106_ROME_01
Floor Plan of Project01 by Instead
Floor Plan of Project01 by Instead
This vintage advertisement showcases the original collection of Bubble Lamps, including pendants, sconces, and floor lamps.
This vintage advertisement showcases the original collection of Bubble Lamps, including pendants, sconces, and floor lamps.
Brand and DeMarie also inherited this early blueprint.
Brand and DeMarie also inherited this early blueprint.
'Eden' archival blue colorway by Alexander Girard.
'Eden' archival blue colorway by Alexander Girard.
Peter Williams, a Jamaican-born architect, understands that architecture and design, when used in the right way, can promote longer, healthier lives among residents of developing countries. Williams will present his unique approach onstage.
Peter Williams, a Jamaican-born architect, understands that architecture and design, when used in the right way, can promote longer, healthier lives among residents of developing countries. Williams will present his unique approach onstage.
Resonant Surface 01 by Christine Yogiaman and Ken Tracy

Stacked like a cubist version of a custom phonograph, Resonant Surface 01 debuted at in this Dubai courtyard in March during the Sikka 2014 art fair. Both teach architecture at the American University of Sharjah, the emirate next to Dubai, and have become engrossed with Islamic design.

Photo by Juan Roldan
Resonant Surface 01 by Christine Yogiaman and Ken Tracy Stacked like a cubist version of a custom phonograph, Resonant Surface 01 debuted at in this Dubai courtyard in March during the Sikka 2014 art fair. Both teach architecture at the American University of Sharjah, the emirate next to Dubai, and have become engrossed with Islamic design. Photo by Juan Roldan
Resonant Surface 01 by Christine Yogiaman and Ken Tracy

While it was first displayed as more of an architectural abstract than an actual addition to a minaret, Yogiaman and Tracy, who have also done extensive work in Indonesia, are exploring the idea of designing a mosque and integrating this design.

Photo by Juan Roldan
Resonant Surface 01 by Christine Yogiaman and Ken Tracy While it was first displayed as more of an architectural abstract than an actual addition to a minaret, Yogiaman and Tracy, who have also done extensive work in Indonesia, are exploring the idea of designing a mosque and integrating this design. Photo by Juan Roldan
Resonant Surface 01 by Christine Yogiaman and Ken Tracy

Seven horns crafted from wood veneer, each measuring 10 feet long, have been coiled and shaped together to help amplify a person’s voice, separated by 6-millimeter thick aluminum frames. The shape, initially a geodesic dome in the Buckminster Fuller mold, was reshaped into a bent octagon to accommodate the horns. The installation works as a resonating engine just like a trumpet horn, and distributes the sound so well, it’s actually hard to hear yourself when you’re standing behind it.

Photo by Juan Roldan
Resonant Surface 01 by Christine Yogiaman and Ken Tracy Seven horns crafted from wood veneer, each measuring 10 feet long, have been coiled and shaped together to help amplify a person’s voice, separated by 6-millimeter thick aluminum frames. The shape, initially a geodesic dome in the Buckminster Fuller mold, was reshaped into a bent octagon to accommodate the horns. The installation works as a resonating engine just like a trumpet horn, and distributes the sound so well, it’s actually hard to hear yourself when you’re standing behind it. Photo by Juan Roldan
Bright, light-filled rooms around the edge of the building offer comfortable spaces to view artifacts.
Bright, light-filled rooms around the edge of the building offer comfortable spaces to view artifacts.
The plan brought back the central fountain, updated mechanical systems, improved circulation, and fixed wear and tear, among other things.
The plan brought back the central fountain, updated mechanical systems, improved circulation, and fixed wear and tear, among other things.
Mellon Square in Pittsburgh, Pennsylvania, underwent a $10-million restoration in 2014. Since opening in 1955, the park has remained a beloved part of the urban fabric.
Mellon Square in Pittsburgh, Pennsylvania, underwent a $10-million restoration in 2014. Since opening in 1955, the park has remained a beloved part of the urban fabric.
A monoprint from the Stedelijk Museum’s archive cards.
A monoprint from the Stedelijk Museum’s archive cards.
A monoprint from the Stedelijk Museum’s archive cards.
A monoprint from the Stedelijk Museum’s archive cards.
The archive also contains some print rollers, as well.
The archive also contains some print rollers, as well.
Here's an archival shot of the high-backed Rapson rocker.
Here's an archival shot of the high-backed Rapson rocker.
L'Afrique wallpaper by Studio Job for NLXL. See it at Via Savona 35.
L'Afrique wallpaper by Studio Job for NLXL. See it at Via Savona 35.
Clockwise from top left: Bobi Classic Mailbox, Azzurro wallpaper by Elitis,  by Jasper Morrison for Punkt, ceramic egg crate from Sur La Table, Pip Pip birdfeeder by Stina Sandwall for SMD Design, WC Line by Josh Owen for Kontextur.
Clockwise from top left: Bobi Classic Mailbox, Azzurro wallpaper by Elitis, by Jasper Morrison for Punkt, ceramic egg crate from Sur La Table, Pip Pip birdfeeder by Stina Sandwall for SMD Design, WC Line by Josh Owen for Kontextur.

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