By creating a desk out of roof beams, this home office perfectly integrates into an open-plan renovation of a Northern Italian farmhouse.

This open-concept Amsterdam loft features soaring 15-foot ceilings, an Eames lounge chair and ottoman, and a Jielde light. Throughout the home, Standard Studio architects Wouter Slot and Jurjen van Hulzen favored raw materials, including concrete, oiled oak, and hot-rolled steel, all of which complemented the original space's industrial feel. Tucked smartly underneath the loft, a compact home office features functional built-in shelving and an Eames DSR chair.

In the living room, an Eames lounge chair is matched with a Richard Conover–designed fiberglass chair in similar proportions. A custom coffee table by Asher Israelow com-plements the industrial lighting by Workstead, affixed to walls painted in Farrow and Ball’s Manor House Gray. The sliding doors leading into the home office were fabricated by Markus Bartenschlager.

The dining table, made from a single piece of teak, is a little over 13 feet long and was custom made for the space. It can seat up to 24.

For Paul and Shoko Shozi, a pair of retiring Angelenos, the goal was to shut out the neighborhood but bring in the sunny skies. Their new prefab home, the Tatami House, designed by Swiss architect Roger Kurath of Design*21, makes a central courtyard the physical, and maybe even the spiritual, center of the home. Because the Japanese maple in the courtyard had to be planted before the ipe deck was laid, Kurath designed a small removable panel to allow access to the tree’s base. The Shozis can pull up the bit of decking to tend to the tree and replace it when they’re through. And because the boards line up perfectly, only the gardener need know it’s there. From the kitchen and living room you’re well connected to the courtyard and the rest of the house.

An Eames lounge and ottoman hold court in the master bedroom upstairs. Plenty of natural light and a muted color scheme give the space a wonderfully light feel.

Architects Mayer Sattler-Smith designed the bookshelves and Alvar Aalto the 406 lounge chair for Artek.

A handful of modernist classics—an Eames Lounge, a Bubble Lamp by George Nelson, and a shell armchair from Modernica—kit out the living room and kitchen.

A linear sequence of eight, 12-foot bays extends the length of the home from rear bedrooms and an office to the open kitchen and living room space. The modest form, a reflection of the owners' desire for simplicity, required few materials: wood, concrete, and steel. Photo by Ron Johnson.

A hanging chair takes up a corner of the lounge–guest room.

Manning House by Jack Manning (1960)

A photograph by Phil Schaafsma highlights the ergonomic design of the chair.

A vintage Molded Plywood Lounge Chair (LCW) by Charles and Ray Eames for Herman Miller sits in front of built-in shelving in untreated hemlock.

Set amongst the trees, with its simple form and earthy adherence to wood, the home fits in well. "Veronica and I walked the land for many months before we decided where to put the house," says Hirsh. "We had picnics there. We sat looking east. We sat looking west. We sat looking south. The site felt wonderful." Photo by Ron Johnson.

With four children under the age of six, the Ruells have learned not to be overprotective of their collection of contemporary and vintage furniture. In the living room, an Eames lounge chair and ottoman sit on a Moroccan rug from M.Montague, while the family’s eldest child, Mirene, surveys the indoor/outdoor view. Throughout the house, Kolbe windows and fixed glass (in existing jambs) were added to increase energy efficiency.

The living area now feels open and bright and showcases the couple’s appreciation for furniture design and artwork. The family opted for a Camber sectional and rug from Design Within Reach, coffee table from Steven Alan Home, and replica Eames Lounge to outfit the space.

The study features floor-to-ceiling sliding glass doors that bring the outdoors in. Space-saving custom walnut desks are accented by a Pixo Optical LED Table Lamp, an AJ table lamp, and a 1958 Eames Management Chair.

A classic piece like this Eames lounge chair appears dressed down next to a hammock in the office space. Also featured are wooden office chairs by Norman Cherner.

The LCW debuted in 1946, when it caused a stir at national design festivals.

In the living room Daphne the dog keeps company with a Case Study Day Bed from Modernica, a LCM chair by Charles and Ray Eames for Herman Miller, and a painting by the Brooklyn artist Joyce Kim.

For the dining room table, Hirsh and Volny collaborated with local company TCWoods, an urban sawmill that makes custom furniture and art from downed trees. Based on a classic George Nakashima design, the table is made from a maple tree that had been in front of Boulder High School.

The courtyard is just one of many open spaces that will be highly utilized—in the non-winter months anyway. Concrete worked well with developing the language of FlatPak. The second level is a wood panel that can be clad in corrugated metal or cedar—different layers that can be plugged in like covers on your cellphone.

In the living room are a sectional by American Leather for Room & Board, an Eames lounge chair and ottoman, and a custom floor lamp and coffee table by Jeremy Clark and Ed Haynes.

The trip from garage to first floor is through a wood-clad spiral staircase that resembles a giant slatted barrel.

In true mid-century fashion, a George Nelson Bubble Lamp is paired with an Eames Lounge by Charles and Ray Eames in a corner of the living room. The glass walls and mitered corner are original features of architect Saul Zaik’s 1956 design.

The exterior is clad in Siberian larch, which doesn’t require paint and will develop a gray patina.

The architects divided the home into separate floors for sleeping, living, and working. Since the house is situated on a hill that slopes 20 feet from top to bottom, there are plenty of stairs. Those pictured above were crafted using wood salvaged from a 100-year-old bungalow that previously stood on the site.

"We composed the house to have its highest, brightest space in the middle," says Paul Raff. Warm wood stairs lead to the second floor, which houses guest bedrooms, bath, and a kitchenette for the family's frequent visitors.

A high band of windows on the east side of the home lets light in, while a simple wood overhang shades an outdoor dining area on the terrace with mountain views. "On clear days, it feels like you can see across the high plains to Kansas," says Hirsh. Photo by Ron Johnson.

Classic mid-century furniture like the Eames lounge chair in Cohen’s bedroom populate the home, a nod to his long life in architecture.

Rich blue PKW-2 chairs by Charles and Ray Eames for Herman Miller surround a custom table by Bruce Bolander in the home Bolander built in Malibu Canyon.

Early “Kangaroo” Chair, 1962. Walnut and leather. By Wendell Castle.

“From the courtyard, you then enter the house proper, directly into the main living room,” Hutchison says. “From this room, you have a panoramic view looking out through the trees to the river, or back into the courtyard.” The wood-burning fireplace, from Majestic, is clad in steel panels. Eames Molded Plywood lounge chairs sit side-by-side in the living room.

Charrier transformed a cramped attic into a sunny dining room with Vitral windows and white-tinted pine floors by Dinesen. The Sara table is by Hay, the Shell chairs are by Charles and Ray Eames, and the artwork is a hand-printed textile she had framed.

A small office for Dorothee, furnished with a desk by German architect Egon Eiermann and an Eames chair, overlooks the street.

Beyond the terrace, the backs of the Flatiron Peaks reveal themselves. Revegetation of the 35-acre property began immediately following construction of the home—a 2,500-square-foot structure that blends into its woodsy surroundings. Photo by Ron Johnson.