The clients insisted that none of the trees on the property be disturbed, so Kevin Alter and his team at Alterstudio Architecture built a deck and an overhang around two of them.

Another view of the deck.

“The house is a piece of origami made out of triangular shapes, which we then draped over the landscape,” says Arbel.

Alterstudio Architecture of Austin designed this house in the Texas capital for a young family of four.

The courtyard is just one of many open spaces that will be highly utilized—in the non-winter months anyway. Concrete worked well with developing the language of FlatPak. The second level is a wood panel that can be clad in corrugated metal or cedar—different layers that can be plugged in like covers on your cellphone.

In consultation with the clients, Alterstudio opted to clad the house in local cypress rather than imported, FSC-certified ipe.

Gaffney's cousin lives in the house just in front. To give a bit of perspective, this photo was likely taken just feet in front of the waist-high wall that runs between the two houses's yards.

A familiar scene in the Benoit home: Peter paints at the Steelcase desk—"I do all my work here," he says—while Ando sits nearby, waiting for attention.

Bruce Thatcher and Kirsty Leighton behind their London home.

Judin was fascinated by the abandoned gas station ever since he first discovered it in 1992. At the time, it had been unused for seven years. He finally purchased it in 2005 and transformed it into a one-of-a-kind residence.

Bassam (left, with Fellows) hung redwood garage doors that match the house’s exterior.

A good dose of inspiration from Luis Barragán turned a dark and beleaguered midcentury house into a family home for the ages. The paint colors chosen by the residents and architect Linda Taalman are American Cheese and Blushing Bride, both by Benjamin Moore, creating a tapestry of color and texture.

Fed up with flashy, environmentally insensitive beach homes, architect Gerald Parsonson and his wife, Kate, designed a humble hideaway nestled behind sand dunes along the New Zealand coastline. Crafted in the image of a modest Kiwi bach, their 1,670-square-foot retreat consists of a group of small buildings clad in black-stained pine weatherboards and fiber-cement sheets.

The back of the house has sliding doors that open far enough to expose the entire livingroom to the families' back yard.

“Peter and I’ve got shockingly similar and far-reaching design inspirations. Our conversations would move easily from brutalism to driftwood to kachinas and then flow right back to something applicable to architecture. I can’t tell you how many times I will do that with a less-design-literate client and just get a blank stare!” —Architect Craig Steely

Kayak in hand, Tom and Will make a break for the beach.

A new addition to Sea Ranch’s enclave of utopian homes, this structure (and the separate guesthouse seen here) clad in rough concrete and Cor-ten steel seamlessly blends in with its half-a-century-old California neighbors. Designed by the dean of the Woodbury School of Architecture and the head of the University of Oregon’s architecture department, its spaces flow into one another underneath an angled plywood ceiling and illuminate built-in furniture crafted from vertical-grain Douglas fir.

“Segovia is a very central region, but an underdeveloped one,” de la Quadra-Salcedo says. “Traditionally devoted to agriculture and mainly livestock, it flourished in the sixteenth century but now that the older generations are disappearing, there is a problem of abandoned villages and fields.” The structure highlights the rural surroundings.

The Casa Cuatro sits above a 180-foot cliff that overlooks the Pacific Ocean. The locally quarried stone makes the house blend in with the landscape and acts as a thermal-mass wall, absorbing heat during the day and releasing it through the evening.

Mark Word Design did the landscaping, with an emphasis on water conservation. "It's about usage levels, but it's also about the way we treat storm water and runoff since it all goes back into our supply at the end of the cycle," designer Sarah Carr says. Word and his team chose plants that help reduce erosion, require little watering, and allow storm water to percolate. Mulch and living ground covers—including Big Blue liriope, marsilea, and Palisades zoysia turf—keep moisture within the soil and lower the temperature of the soil, protecting the roots of the live oak trees.

The Perth residence of Renee Coleman via the Design Files.

The interior combines modern and more traditional elements, such as this oriental rug.

Roberto Burneo designed this home for his eldest niece, her husband, and their three young children in a suburb outside Quito, the capital of Ecuador. The house is set on a flat expanse of land with fruit trees, and Burneo's design "guides the social areas inward in order to link them to the gardens.”

The cypress cladding carries over from the exterior to the interior of the house.

On one side of the house, a white central staircase leads to a split-level landing the Robertsons call "the reading room." "We needed a place to hang out and for the kids to read," explains owner Vivi Nguyen-Robertson. Awaiting the birth of the couple's son, she relaxes in a built-in reading nook in the library.

The house was built on piers (save for the lower-level bedroom) so that little of the natural landscape would be disturbed.

Where once there was a timeworn 1950s bungalow in the Metropolitan Green Belt south of London, there now stands a dynamic house whose two volumes are joined by a glass atrium. The project was designed by Grant Freeman of OB Architecture.

Churtichaga and de la Quadra-Salcedo purchased a parcel of former farmland to build their vacation home twelve years ago but only recently completed the house—a timber-clad minimalist structure expertly designed to disappear into the scenic landscape.

Atherton's bedroom also contains a miniature piano; outside is a red bud tree, an appealing spot for mellow contemplation.

Having purchased the land from a friend who also has a house in the community, Schneider had a better sense of what she wanted—and what she didn't—her site. "From the experience at the neighbor's house," Foster says, "she knew she didn't want the house to have its back to the morning sun so we created a deck and somewhere to sit outside that faces east." Don't miss a word of Dwell! Download our FREE app from iTunes, friend us on Facebook, or follow us on Twitter!

@sticks.and.bricks: it's #treehouse season! please excuse me while I go #playintheyard.

Burneo took advantage of the perpendicular orientation of the volumes to create outdoor spaces that look out to the gardens.

The ground-floor sauna, one of the home’s central gathering spots, is built from stained alder. The electric heater is from the Finnish company Iki.

Designed in 1960, the house was originally a lodge to accommodate horse trails. Throughout the years, the house has expanded with various additions and renovations.

A silo ladder in the study leads to the roof deck. Both desk lamps are Tizios by Richard Sapper for Artemide; the pendant is a Zettle’z by Ingo Maurer; and the Kalos armchair and Solo desk chair are by Antonio Citterio for B&B Italia.