In a couple’s Mexico City apartment designed by David Levy of Flexform, a Murano chandelier hangs above a marble-topped dining table from the showroom.

The Antonio Citterio walnut-back Morgan chairs are also from Flexform.

Architect Christi Azevedo, along with homeowners Lorena Siminovich and Esteban Kerner, transformed this 1,485-square-foot, multilevel, mid-century maze into a modern and efficient family home in just three months. “It was the craziest frickin’ thing,” laughs Azevedo. “It was like a Tetris game, putting it all together, trying to squeak out space wherever we could.” Purchased as if straight out of 1955, the home is now the ideal small space for Siminovich and Kerner to raise their young daughter, Matilda.

The architect placed the windows at Sabrina’s eye level so that she’d be able to see her son, Rocco, playing in the yard outside. "You can feel the seasons changing here," says Chiavelli. "I grew up three miles from here, outside in nature. This is a house for experiencing life."

Piet Hein Eek's wooden chairs add a touch of color to the monochromatic Amsterdram apartment of Hunter Hindman and Shelby Carr.

In the dining room, which opens to the backyard terrace, original tilework on the floors and walls complement decidedly modern counterparts—an original 1938 Butterfly chair by Antonio Bonet, Juan Kurchan, and Jorge Ferrari Hardoy, and a 1983 TMC floor lamp by Spanish designer Miguel Milá.

The dining room features 1970s leather-and-brass dining chairs and a table concocted from a brass-and-silver base and a custom lacquered top. The cheerful blue paint enlivening the doorway is from Emery & Cie.

The dining room.

Inside, white paint lightens up the middle of the building. A vintage Danish dining set and Cloud pendants by Frank Gehry for Vitra define the dining area.

Inside the luminous extension, an open L-shaped layout provides just enough separation between kitchen, dining, and living, without them becoming compartmentalized.

“What often happens in our relationship is I come to Funn with an idea and he makes it into something livable.” —Vincent Kartheiser

The architects stuck to a gray-scale color palette, installing slate tile floors that softly contrast with the white walls and Eames dining chairs. “It lets the views out the windows become the focus,” Dworkind explains. Doses of pure black accent important features, like the central wall that divides the kitchen and master bedroom behind it from the main living space.

The new volume houses the dining area, which includes stairs to the bedrooms. The table is from Blake Avenue and the walnut chairs are from Room & Board. “You don’t want bright colors to take away from that relationship between the interior and the exterior,” Walker says.

At the client’s request the kitchen contains neither upper cabinets (Shino can’t reach them) nor an oven (they only used the old one once—to reheat a pizza). A modular Roche Bobois Mah Jong sofa adds a decorative flourish to the living area while maintaining as low a profile as the traditional Japanese furniture.

The stairs lead to a sleeping loft outfitted with a mechanical skylight.

Homeowner Susanna prefers a motley set of dining chairs over a coordinated set; that way, guests can pick their favorite when they sit. Photo by: Petra Bindel

Made of stainless steel and TEKA hardwood, a Curzon dining table by Modloft is surrounded by a quartet of Victoria Ghost dining chairs by Philippe Starck for Kartell. A striped Missy pendant light by Filipe Lisboa hangs overhead. Four Chill White media consoles from CB2 line the western wall.

"We really love to cook and much of our home life revolves around our kitchen. When we have friends over it’s great to buzz around here; it’s almost like a cooking show. We’re a very equal couple. We wanted the kitchen island to be a single form that we could both use. We can both cook and we can both wash the dishes. The whole thing is really easy to clean as it’s just one main surface that you can wipe down. So the preparation surfaces, the hob [cooktop], and the sink are accessible from both sides. It’s a simple, fun, form-follows-function principle: Store, wash, prepare, cook, eat."

The dining room features a Glo-Ball T table lamp by Jasper Morrison.

Udechuku and Smith consider the rare rosewood-and-black glass dining set by Joaquim Tenreiro the highlight of their Brazilian Modern exhibition. "It's a true masterpiece, and the only piece I have felt really nervous about using," admits Udechuku.

Requirements for licensed contractors depend on the scope of work and the location of the project.

Called the “LDK,” for living, dining, and kitchen, the space is flexible—a blend of Western loft life and traditional Japanese homes, where rooms are multipurpose.

In the outdoor dining room, wire chairs by Harry Bertoia for Knoll surround a mango wood table made by a local carpenter, Diego Madrazo.

The table is situated in front of the house’s rear wall of skyscraper glass. Laminate kitchen cabinets by Ikea are framed in wraparound bluestone; the 48-inch commercial range is by FiveStar.

Shophouses are a staple of Southeast Asian urban architecture. A team of designers including Yong Ter, Teng Wui, Andrew Lee, and Edwin Foo renovated this shophouse into a contemporary sanctuary over the course of two years. They left the roof completely open from the beginning of the original airshaft to the back of the house. The heart is a cooking/dining area with a 13-foot-long Indonesian table made from a single piece of teak.

Konstantin Grcic’s Venus chairs for ClassiCon surround a table by Poliform in the formal dining room. Hill selected the Flos chandelier designed by Marcel Wanders for its "Old World reverence." The sleek fireplace mantel was designed by Hill and cobbled together onsite from three solid slabs of limestone.

Alex enjoys a sun-filled breakfast at the built-in dining table and bench, one of many space-saving designs.

The family sits around, and under in the case of four-year-old Kaz’ma, the sunken table for a snack. Makiko made the covers of the mats her mother sent from Japan by hand. The black lamp is from Ikea.

Located just off the kitchen, this room was originally designed for dining—the adjustable Ligne Roset Crescendo coffee table can be raised to 28.75 inches—but most days Bill and Abbie prefer to eat outside or at their casual Caesarstone-topped kitchen island. Today the space serves as a sunny reading spot and guest room, with a convertible futon (from Ligne Roset, since discontinued) and a set of leather-and-steel Paulistano armchairs from Design Within Reach.

The vacation complex is designed to promote an easy flow between the two families' spaces, which include guest cabins and a shared porch for hanging out and eating.

A view of the kitchen's back wall shows the bright marriage of the yellow Fireclay tile backsplash with incoming light from the adjacent sliding door and the row of windows just above the hanging Boca Raton blue cabinets. Basked in light, the new kitchen displays an organized and cheerful aesthetic.

Designed for an artist and entrepreneur client, this guest house features lots of light, access to the outdoors, and an industrial vibe.

What are some places the children's and parents' needs dovetail in the design? There was a lot of concern about minimizing clutter. There's acres of cabinetry to put things away. I think that helps to keep the kids calm. Clutter is really hard on autistic kids. Being able to keep things clean seems to really help. This place had to be user-friendly for the kids, parents, and tutors.

With the help of architect Bart Lens, Veerle Wenes and Bob Christiaens merged a 19th-century building with a 1970s one to create a combined home and art gallery in Antwerp. In the dining room downstairs, Wenes entertains family, friends, and gallery visitors. The yellow chair is by Jens Fager.

“The program of enclosures was developed around a courtyard that is protected from the constant wind. The transparency of the main facade brings the presence of the sea inside the house,” LLaumett says.