Sebastian Wrong's font clock for Established & Sons symbolizes to a tee the era of design since 2000. We're living in an internet age in which typography has become a part of pop culture no longer relevated to kerning-happy designers. The Font Clock isn't terribly expensive, and it's quirky yet massively appealing.

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Sebastian Wrong Carpet and Tiles by Sebastian Wrong, produced by Fletco Carpet Tiles A/S.

Among those in the audience (and among the designers celebrated that evening): Sebastian Wrong, of Established & Sons.

The clients cite Frank Lloyd Wright’s Mrs. Clinton Walker House in Carmel, California, as a very loose inspiration for the design of their house. From the deck off the kitchen and living area, Miha, nine years old, takes in an uninterrupted view of the Pacific Ocean.

Alongside Nagasaka's Resin Collection, British designer Faye Toogood has created an atmospheric installation called 'The Conductor'. The interactive piece is made up of 160 fluorescent bulbs connected up to a switchboard of cast resin switches. Visitors can operate the switches, which each play a different note when flicked on and off, to create their own personal light and audio show within the space.

Part of a longstanding modernist tradition of visual trickery, the coir coconut fiber Cuboid Door Mat's geometric shape and shading give the illusion of a three dimensional object.

Philippe Malouin for Established & Sons, 2014

Crash lounge chair for Established&Sons, 2010.

The Spun Table Lamp ($995-$1,195)—designed by Sebastian Wrong for Flos—comes in a variety of sizes and finishes, including the polished aluminum seen here. Made it Italy, it features a 0-100 percent dimmer that gives you ultimate control over of illumination.

In the living area, a Tufty-Time sofa by Patricia Urquiola for B&B Italia, a Soft Grid blanket by Established & Sons, and a wood-burning stove by Stûv keep her comfortable.

Landmarks lamps by Sylvain Willenz for Established & Sons.

London-based Sebastian Wrong’s Studio Chair is made of acrylic paint and ash. At Qubique, the co-founder of Established & Sons will launch his new personal venture, "The Wrong Shop," with a charity auction.

Felt Dining Table and Chairs by Delphine and Reed Krakoff for Established & Sons An unconventional application of soft fabric adds both warmth and tension to the function of these furnishings, as spilling becomes a dangerous proposition.

Illustration by David Galletly

Illustration by David Galletly

Marston (on the porch with sons Eddie, left, and George) designed the new brick house to reference outbuildings on the property.

A visit to the Established & Sons’ space yielded a hugely impressive stash of sixteen new designs. Bricks and Mortar is a new collaboration between Sebastian Wrong and Richard Woods, a series of deceptively soft chairs.

After lunch we traipsed over to the Teatro Versace to see a showcase of new designs from Established & Sons. Among the offerings was Haystack, a graphic and pliable seating option by Richard Woods and Sebastian Wrong.

Milan saw the launch of wrong.london, an offshoot of HAY that's run by creative director Sebastian Wrong. The lighting-focused division released these veneered-oak lampshades, dubbed 30degree, among other designs.

Over in St James's Park, the highly anticipated collaboration between London-based designer Sebastian Wrong and Danish design brand HAY is on display inside an ornately decorated Georgian townhouse. The opulent interiors provide the perfect contrast for the collection's sleek and contemporary lines.

A thick coat of resin provides a tactile tabletop on one of Japanese architect Jo Nagasaka's new pigmented resin pieces for Brit brand Established & Sons.

Danish brand HAY delved into Memphis designer Nathalie Du Pasquier's archive to reissue a series of printed cotton textiles as part of its "Wrong for HAY" collection. Shown here is Sebastian Wrong's "Curve" chair upholstered in a blue, green, white, and black pattern called "Ice".

Two of Sebastian Wrong's Spun Lights hover over the floor, beneath three glowing Circle Lights.

Hackney Sofa by Wrong for Hay The real magic of this wood-frame, foam-stuffed sofa comes to the fore when you’re moving: It breaks down and packs flat to make navigating narrow doorways and stairwells a cinch.

Sebastian's office is downstairs in a long, open space that doubles as a playroom.

Wrong WoodsStep inside the comic-book world of Richard Woods and Sebastian Wrong and witness the right way their Wrong Woods line of graphic furniture is made. Featured in the February 2008 issue.

Sebastian Errazuriz's Porcupine Cabinet allows the user to open a variety of different quills to create their own form. Lacquered wood, steel, glass; Edition of 12. 2011. Courtesy of Cristina Grajales Gallery, New York Photo: Courtesy of Cristina Grajales Gallery, New York.

The Crate by Jasper Morrison for Established & Son, $179

A collaboration by renowned designers Sebastian Wrong and Richard Woods, the Wrongwoods Tray is a distinctive serving tray with a bold pattern and functional details. Created for Established & Sons, the tray is crafted from plywood and features a playful, colorful palette that lightens the density of the wood pattern within the tray. The Wrongwoods Tray includes two handles on either side, making it easy to transport.

Hackney sofa by Wrong for Hay. See it at Via Ciovassino 3a.

Purdy, Eva Luna, and Simon play cards under a Louvre Light by Established & Sons.

The Sarti house—like much of the furnishings inside—is neatly hidden amongst its more established counterparts. In the early evening, Sarti’s studio takes on a lanternlike appearance.

Nederhof and his son Scott sit at a Tulip table by Eero Saarinen for Knoll in the flexible office area. The chairs are by Friso Kramer for Ahrend, and the Corona pendant light is from Established & Sons.