SubscribeSign In
All Photos/living/lighting : track/lighting : recessed

Living Room Track Lighting Recessed Lighting Design Photos and Ideas

Instead of designing a completely open plan, Berg separated the public rooms with a freestanding fireplace wall made of Mutual Materials bricks in Coal Creek. An Emmy sectional by Egg Collective for Design Within Reach faces a Lars chair from Room & Board
The living room features a timber-clad wall that echoes the timber used in the south facade.
Art by Zoe Pawlak sits on the mantle with an Eames Bird from Herman Miller.
Cuddington had the drywall removed to reveal the house’s original structural framework, which in turn screens the living areas while also allowing visual connection with the front door. "Having the ability to just swap out [the drywall] and open it up gave the home a sense of arrival and a preface to the type of materials that were being used in the project," says Cuddington.
The living room features a Cheminee Philippe wood-burning fireplace, which has a large heating capacity. By placing it below the void, it is able to heat both the downstairs and common areas upstairs.
The Artichoke light in bronze from Louis Poulsen joins Vitra cork stools and leather couches from Borge Mogensen.
The view from the entry now encompasses open and airy living spaces that connect to the garden via floor-to-ceiling glass.
La Vinya, PGA Golf Resort | Studio RHE
Full-height windows provide the living room with lots of natural lighting. A generous fireplace anchors the room.
In the living room, the slanted, open-joist ceiling rises to almost 10 ½ feet. A fusuma door leads to the dining room. The torso sculptures are by Janice Trimpe.
Wooden ceilings ground some of the home's more industrial features in its organic setting.
In the living area, Lou sits on a Room & Board sofa, while one of the family’s two Great Danes relaxes nearby; the fireplace is by Montigo.
The den, located above the living room, connects to an at-grade fire pit terrace to the south, as well as an elevated deck with views of the lake to the north.
A look at the gallery space that features well-considered lighting.
The front great room is intentionally public; the furniture-like wall (inspired by Mies’ Farnsworth house) creates privacy for all other rooms—even with no window coverings. No rooms have interior walls that connect with the outer perimeter of the house, echoing a design element of our 1958 E. Stewart Williams house in Palm Springs, CA.
Openings in the ceiling allow sunlight to wash over the black slate floors and fir columns. A velvet-upholstered Mr. Chair by George Mulhauser adds color to the living room.
The dining, kitchen, and living areas flow along one long gallery-like wing of the main house, creating an easy space to entertain in.
Living Room
Interior design by Antonio Da Motta Leal. Large bypass doors serve as a screen between the kitchen and great room and feature silk paintings by Chinese artist Eros Zhao.