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All Photos/living/lighting : track/furniture : sectional

Living Room Track Lighting Sectional Design Photos and Ideas

In the living room, there's a chair and rug from FÜÜR.
The flex room and living room are tucked under the mezzanine floor with the primary suite.
The double-height wall of windows in the living room looks out on the property and was a big draw on their first walk-through.
All of the materials were selected for their eco-friendliness, with FSC-Certified wood was used for both the exterior and interior paneling.
A linear suspension light from the Mile Collection by Lambert & Fils hangs above the nine-foot-long black granite island.
Instead of designing a completely open plan, Berg separated the public rooms with a freestanding fireplace wall made of Mutual Materials bricks in Coal Creek. An Emmy sectional by Egg Collective for Design Within Reach faces a Lars chair from Room & Board
Homeowners Ligaya Tichy and Russel Simmons relax with their daughter, Skye, in the family room, which occupies a new glass pavilion. A custom rug by Vaheed Taheri snugly fits into the space, which also features a custom sofa; a Dama side table by R&D Poliform; a Sten Floor Lamp by Norm Architects for Design Within Reach; a Moby coffee table by Angela Adams; and a Group Cocktail chair by Philippe Malouin for SCP from The Future Perfect. The Running Magnet track light is by Flos.
Inside, nods to naval architecture continue with wood-clad walls and ceilings, as well as a simple yet functional use of space. Black fixtures and trim accentuate the angular shapes.
Another lounge area is located in the sound-proof basement, providing a spot to enjoy the custom stereo system. "The rug truly captures the ’80s love of geometric shapes," says Lorenz.
Earth tones adorn the living room, which is anchored by a Sisal rug from ABC Carpet. A low-slung Dune sofa from Poliform is an invitation to lounge.
A large, open living room seamlessly flows from the kitchen.
In the living room, a Söderhamn sectional sofa from IKEA joins a Molded Plastic Rocker by Charles and Ray Eames for Herman Miller and a Jøtul stove. The burlap pillows were crafted by Cori out of coffee bean sacks. “She has ideas about making stuff that I would never think of,” says Craig.
When the homeowners of this 1960 home in Portland’s Southwest Hills bought the property in 2009, they became the new owners of a lot of white carpeting, tired woodwork, dated wallpaper, and lackluster storage. Over time, they came to wish for a home that better suited their lives, but didn’t want to sacrifice the excellent midcentury bones. A two-pronged renovation became the answer to their problems. For the first phase completed in 2016, Fieldwork Design + Architecture remodeled the main floor. The firm swapped out the white carpeting for warm cork flooring, then strategically inserted variegated cedar planking. Fireplace surrounds received new plaster to bring in a subtle, earthy texture. Sharp black accents, whether via dining chairs or new patio doors, add definition. Fieldwork replaced the trim around the windows with CVG fir and added variegated cedar planking for warmth and texture. For the second phase of the transformation, which wrapped in 2019, Annie Wise of Annie Wise Design stepped in for a gut remodel of the kitchen and master bathroom, with the goal of ensuring any changes remained consistent with what had already been done.
"The balcony is kept at the same height as the interior floor and built with similar materials and colors to extend the interior space," says the firm. "Additionally, the interior floor looks like a part of the balcony, thereby erasing the interior–exterior boundary. This design provides residents the feeling of living in nature even though they are actually living in a skyscraper."
"The curve at the ceiling blurs the boundary between roofs and wall," says the firm.
"Small IKEA kitchens drive me crazy, but six kitchens' worth of IKEA cabinets can be made into something beautiful," says homeowner Andrew Dunbar. Staggered by width, the cabinets have exposed kick-plate gaps for storing CDs.
The living room boasts a bright blue epoxy “rug” and tables fashioned from logs.
The textiles and furniture selected for the family room in particular echo the feeling of casual comfort, with wood shelving continuing from the kitchen and low, informal couches.
In this updated 1950s Portland home, a light gray Neo sofa by Bensen harmonizes with warm wooden walls, ceilings, and floors, as well as a red-and-mustard-yellow vintage rug.
Previous owners changed the outdoor terrace into a sun room.
The sectional is from Dellarobbia, and the leather chair is the Toro Lounge Chair from Blu Dot. Annie Wise sourced the rugs and accent pillows.
The expansive wall of glass is broken by the wood-burning brick fireplace.
The home's post-and-beam construction leads the eye straight from the central atrium to the backyard on the opposite side.
The common area in this penthouse by Studio RHE boasts a digital cube ceiling, stunning views, and an immense book collection by the bar.
The open-plan living space is anchored by a black brick fireplace with a sleek modern profile. Muddox makes the commercial wire-cut thin bricks in ebony with liquid black added to the mortar mix. The Studio Floor Lamp is from Schoolhouse.
Alpine Noir by Casework
La Vinya, PGA Golf Resort | Studio RHE
The light-filled living area includes a Le Corbusier leather chair and a caned lounge chair. A door on the far wall opens up to a balcony space.
In the living room, the wood and concrete shell is accented with a steel stair railing and a window wall with a Mondrian pattern in the glazing.
The living room sports a panoply of wood: Douglas fir for the ceiling, hemlock for the walls, and stained oak for the floor. The sofa is the Neo model by Bensen and the rug is vintage.
The Yang sectional and Dibbets rug are both from Minotti; the coffee tables are by Eric Freyer.
The petrified wood stumps are from RH Modern.
The interior of the house recalls the rawness and scale of an exhibition space, appropriate since the residents own an art gallery.
The front great room is intentionally public; the furniture-like wall (inspired by Mies’ Farnsworth house) creates privacy for all other rooms—even with no window coverings. No rooms have interior walls that connect with the outer perimeter of the house, echoing a design element of our 1958 E. Stewart Williams house in Palm Springs, CA.
A black planter with ferns separate the living lounge from the dining area.
A completely glazed inner courtyard ensures that the home is flooded with light.
The open space is bright an airy, but has the feel of a private retreat in the forest.
A view of the geodesic dome from the top.
The hexagonal wood paneling.
The living area now feels open and bright and showcases the couple’s appreciation for furniture design and artwork. The family opted for a Camber sectional and rug from Design Within Reach, coffee table from Steven Alan Home, and replica Eames Lounge to outfit the space.
The dining, kitchen, and living areas flow along one long gallery-like wing of the main house, creating an easy space to entertain in.
In the main house, large windows allow the forest to enter the living space, an effect opposite from its exterior presence.
When a Manhattan family approached Frame Design Lab to create a more private master bedroom, they imagined the firm would simply rework a few closet walls. Instead, partners Nina Cook John and Anne-Marie Singer proposed a bold plan to divide the space by adding a 60-square-foot unit in the middle of the floor plan to reorganize the flow.
Marcel Breuer Hooper House II Den
In the living room, a vintage Danish chair faces a sectional upholstered in Knoll fabric. The Nelson Ball clock is from Vitra and the throw pillows include a Jonathan Adler Seahorse design. Acacia flooring from Reward Hardwood Flooring was used throughout. - Santa Monica, California Dwell Magazine : July / August 2017
Living Room