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Living Room Ceiling Lighting Pendant Lighting Design Photos and Ideas

The sofa is the Hastings Sectional Sofa by Rejuvenation, with Turn Tall Side and Coffee Tables in Wood by Blue Dot, and, for a reading light, the Simone Double Sconce in True Black by Schoolhouse.
Window seats frame the fireplace to create alcoves for people to sit and children to play. Drawers in the window seats have storage for toys and board games. An Altona Barebulb Chandelier Pendant from Rejuvenation hangs above, while the Basket Weave Wool Rug by Parachute covers the floor.
Deep blue Heath Ceramics tile accents the fireplace surround, which was relocated from the back room.
A Pierson Sofa by Room and Board sits with a vintage travertine coffee table from Chairish and two Maker's Armchairs by Lawson Fenning. The Dixon Six Light Ceiling Fixture, also from Lawson Fenning, is overhead.
Slabs of pink marble warm the kitchen, which opens to the living area. Stampton collaborated with Paul Valentine, who curated the furniture, which features pieces by Shin Okuda and Kristin Dickson-Okuda.
"We can't get enough of the ceramic tile flooring, it's so Brazilian and it looks surprisingly good in the interior of an apartment,
A dry-stacked rock hearth supports a Charnwood freestanding woodstove, which was carefully chosen to fit the scale of the surroundings.
Ceramic pendants by Courtney Duncan and a yellow sculpture by Antonio join a Hay sectional in the living room. Antonio crafted the stained glass panel at left.
“Decoration is something that fascinates me,” says Carolina. “Mixing old with modern works very well for me, so I have my great-grandmother's bed, but the dining room has Philippe Starck chairs.”
If color doesn't scare you in the slightest, go for broke!
In Lorne, Victoria, Austin Maynard Architects gave an old shack near the beach a modern revamp and a timber extension that allows for elevated sea views. With interiors lined in recycled Silvertop Ash, the house oozes a cozy, cabin-like feel.
Glass doors slide open to create seamless transitions between the interior and exterior living areas.
“This wasn’t a reconstruction, but a major renovation,” says Dora. “The bones were there.”
The couple sourced midcentury furniture and dishware from Toronto dealers like Mid Century Modern Toronto and Inabstracto. They also loved Etsy sellers Mimi La Rouleuse, Mid Age Vintage DE, Happy Moose Vintage, Mrs. Marvellous, and The Art of Object.
The original tongue-and-groove ceiling can still be seen in the living room, where an eclectic mix of furniture, including a Ligne Roset Togo, chair creates a laid-back ambiance.
The materials for the prefab were chosen to help the lodge blend into the wood. According to the architects, “the lodge features an intentionally limited palette of natural materials, including the same species of timber, western red cedar, on the external cladding and internal lining. Left unfinished, the exterior will weather naturally to a silver-gray color that is reminiscent of the local landscape, which will contrast the cozy, warmer tones of the interior."
“Those living rooms are always a challenge in brownstones, to furnish in a thoughtful way,” says Cuttle, pointing to the narrow dimensions of the room, the low window sills, and abundance of woodwork taking up wall space. A curving Carl Hansen sofa floats in front of the bay window, so as not to block the light and allowing easy sightlines. The chairs and coffee table are from Lawson Fenning and the rug is Jardan.
Yellow vinyl floor tile defines the new living room and keeps the interior from veering too industrial. “You need to offset the brick with something simple,” says Tom. “Otherwise, you get too many textures.” The lights and coffee table were found at local vintage stores.
Contemporary furnishings now contrast with the traditional detailing of the preserved architecture.
Sunken Living Room
In the sitting room, designer Dennis Budd of Gast Architects bumped out the foyer space slightly to define an entry colonnade, while new white oak paneling on the far wall creates a mural-like backdrop for the relocated dining area.
Moving on-site to the remote countryside location during the construction process enabled the firm to engage with all of the craftspeople on the project, from the blacksmith to the structural engineers and timber framers, who’s workshop was nearby.
A plastered fireplace column acts as a divider between the living spaces and the single bedroom.
When architects Thomas Karsten and Alexandra Erhard toured the raw industrial space, they were struck by how much light streamed in, a gift bestowed by large windows and the rare presence of a private patio.
Boyer relocated the laundry room and installed this cozy seating nook for the family in the old space. Occupants can interact with people in the kitchen, or appreciate the views into the front yard and mature trees.
The plywood fins have a telescopic effect that intensifies the coastal view to the north. "I wanted the clients to have an alternative experience to the wide open vistas they work in on the farm,
The home is composed of two modules, with a kitchen and common space at the center.
One of the major highlights of the home is its strong indoor-outdoor connection.
The black core anchors the home and tucks utilitarian functions behind imperceptible doors. The core “connects the floors visually, enhances the verticality of the townhouse, and creates a dramatic backdrop for the hallway bridges at each level,” notes the firm.
The couple refinished the original Fir floors, and planed and sanded down the original moldings and white-washed them. They painted the original fireplace with black matte paint and stenciled a contrasting glossy pattern on the tile. Jason designed and built the coffee table, and the walnut console, which has laser-cut perforated doors. (There’s an inset, upholstered seat for sitting when donning shoes that the cat loves to sleep in.)
Clerestory windows pierce the pitched roof on its west side, making the living area, with its custom curved sectional sofa and built-in end tables, full of natural light year-round.
A curved slot above the living room is designed to grab the northern light and pull it all the way down through the home. The arched shape references the original shape of the hallway walls. "We used this form in a few areas: bathroom enclosures, bathroom windows, and this skylight," explains Ben Peake, an associate at the firm. "The concave [scalloped] form is also seen in the wainscotting, and the dining room table and the coffee table legs."
The different ceiling heights delineate the different rooms.
A linear suspension light from the Mile Collection by Lambert & Fils hangs above the nine-foot-long black granite island.
The chapel like ceiling of the Living Room overlooking the waterbody.
Birdseye designed the home to be "as visually quiet as possible," says Mac.
While much of the furniture was part of Ginger’s collection, the stools at the kitchen island were custom made by local woodworker Evan Boyle of Burl & Barrel to accommodate the unusually high bar counter. The coffee table is from local midcentury shop Hawaii Modern.
Taking cues from the warmth of the setting sun, Brooklyn-based Workstead’s renovated a 1,800-square-foot Tribeca loft in an 1864 factory building. A timber palette and custom woodwork achieve a cozy feel throughout, and the architects tore out awkward interior partitions and dated finishes and exposed the building’s original fir joists to restore the loft’s open and airy feel. Oversized windows, a light color palette, and a minimalist design approach help pull natural light deep into the home while simultaneously directing views out toward the Hudson River.
"Selecting furniture for this space was a unique experience because, as it is not our primary residence, we wanted to find the right balance between guest-friendly pieces and custom pieces that felt unique and designed with the space in mind," says Tarah. "We split the difference by sourcing some budget-friendly pieces that were lower impact but high function at a reasonable cost."
Wallpaper, ceiling features, George Nelson bubble lamps, and a slatted wood wall help differentiate areas in the open space. "I went a little crazy with wallpaper," says Flore. "I think it's more interesting than paint. But the best wallpaper here is this ocean. It’s good for creativity, good for life."
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