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All Photos/living/furniture : table/furniture : coffee tables

Living Room Table Coffee Tables Design Photos and Ideas

<span style="font-family: Theinhardt, -apple-system, BlinkMacSystemFont, &quot;Segoe UI&quot;, Roboto, Oxygen-Sans, Ubuntu, Cantarell, &quot;Helvetica Neue&quot;, sans-serif;">The blue painting—by emerging Australian artist </span><span style="font-family: Theinhardt, -apple-system, BlinkMacSystemFont, &quot;Segoe UI&quot;, Roboto, Oxygen-Sans, Ubuntu, Cantarell, &quot;Helvetica Neue&quot;, sans-serif;">Kasper Raglus—picks up on the soft, powder blue shade of the curtain and the cobalt armchair. The table beneath the painting is the Orbit console by Faye Toogood for Tacchini.</span>
“Decoration is something that fascinates me,” says Carolina. “Mixing old with modern works very well for me, so I have my great-grandmother's bed, but the dining room has Philippe Starck chairs.”
In Lorne, Victoria, Austin Maynard Architects gave an old shack near the beach a modern revamp and a timber extension that allows for elevated sea views. With interiors lined in recycled Silvertop Ash, the house oozes a cozy, cabin-like feel.
The home’s eaves—over eight feet long—allow the garden doors to be kept fully open without rain blowing inside, barring a severe storm. The deep eaves also provide solar protection to the interior.
Large vintage pendants from an old ship suspend above the dining table, crafted by Dave Ball of Jacob May in Oakland. The radiant-heat flooring is reclaimed barn wood from Tennessee. The artwork that hangs above the cabinet and conceals a television was created from pieces of wood painted by local artists during a party hosted by Marka and Joe, who elected to leave the living area's large metal structural beam exposed.
The redesign created two arched passageways into the kitchen as part of a rebuilt dividing wall, improving circulation and doubling as built-in storage.
In the living room, a new wall of glass connects the house to its landscape, while a family-heirlume Persian rug adds softness to the new ceramic tile floor.
“We decided it was a fun moment to have no white in the space and use the fireplace as a kind of accent,” says Paula.
Owen and Clara reside in an apartment at the back of a83. The bedroom lofts over a kitchen and living area.
Library; brass starburst ceiling light fixture brings a sense of ‘20s era glamour.  Vintage sofa by Gerard van den Berg.
A gentle site crossfall offered an opportunity to experiment with internal level changes. “I just loved the idea of a conversation pit,” says architect Jeremy Bull. “It is a quirky oak and leather bench which gets used for most of our sitting, meals, board games, and spilling things.”
Living, dining, and kitchen spaces flow into one another in the soaring great room. Here, the Sacramento firm placed new, polished concrete slabs over the original ones to alleviate unsightly cracks.
The ceiling beams have been left exposed to create a stark contrast with the black framing.
“The roofline is angled so that the clients can wake up in the morning and see Mount Ka‘ala,” says architect Bundit Kanisthakhon.
Living room, Maison JJ Joubert
Terra House | Bernardes Arquitetura
Terra House | Bernardes Arquitetura
Second Living Room through to Dining Room with Raked Ceiling, Pool & Outdoor Entertaining
It’s a good idea to read reviews about specific pieces before buying them, which can help prepare you for the unexpected.
The Slow offers much more than boutique accommodations, steeping guests in a curated experience that blends art across several disciplines.
While much of the furniture was part of Ginger’s collection, the stools at the kitchen island were custom made by local woodworker Evan Boyle of Burl & Barrel to accommodate the unusually high bar counter.  The coffee table is from local midcentury shop Hawaii Modern.
After architect Andrew Berman renovated a 2,800-square-foot, two-bedroom SoHo loft, designer Justin Charette fitted out the interior with minimalist furnishings and built-ins to complement the landmark building’s industrial and historical features—including a pressed tin ceiling and exposed wood beams. Designed as a pied-à-terre for a bicoastal client, the converted loft retains its high ceilings and tall windows that flood the open-plan interior with natural light while introducing a more streamlined aesthetic that includes a neutral palette of white oak, exposed brick walls painted white, and sleek contemporary furnishings—many of which were sourced from local New York designers and makers.
Wallpaper, ceiling features, George Nelson bubble lamps, and a slatted wood wall help differentiate areas in the open space. "I went a little crazy with wallpaper," says Flore. "I think it's more interesting than paint. But the best wallpaper here is this ocean. It’s good for creativity, good for life."
Artist Christopher Florentino created this studio to be a source of inspiration. "This space is for me as an artist—to create in, to keep me inspired," he says. "I don’t think there are many spaces that have a Keith Haring and Shiro Kuramata chair in the same space. I’m trying to show who I am as a designer and as an artist."
Den
Den View
The living room on the first floor is the main family gathering space. “It is the collection zone for togetherness, and offers an abundance of natural light and extended views out to the bay and beyond,” says architect Tony Vella.
Every room in the house has a view out to the landscape and another up into the trees or the sky. “In some places, you will see a branch or a treetop framed by a skylight, and in other places it’s about looking up at the changing sky,” says architect Peter Tolkin. The casual dining and lounge area in the kitchen volume, for example, looks over the hills in the distance.
The large, round Douglas fir trunk contrasts with the rectangular ceiling beams and provides raw, organic texture in the open-plan living room.
Jane Austen's restored family home in Bath, England, is now a rental on Airbnb. Sunlight from a central courtyard pours into the living area, which features a cosy seating area and several nooks for writing or reading.
A ribbon-like spiral staircase leads from the open-plan living area to the second level, where the bedrooms are located.
The living, kitchen, and outdoor porch areas in the primary residence are situated to enjoy sunset. The living room opens directly to the screened outdoor dining porch and a timber deck that overlooks the surrounding hills.
Vaulted ceilings, arched windows, and Bauhaus-inspired design make The Deacon an ideal backdrop for weddings, reunions, and other parties.
David and Annemie's daughter swings in the living room. A door provides access to the lush backyard and surrounding area. “The kids have a lot of freedom. They have a big area where they can go and play without needing supervision,” says Annemie.
In the living area, a pair of rattan chairs found at the Paul Bert flea market in Paris join a coffee table designed by Guillerme et Chambron, also a flea-market find. A custom rug by CODIMAT was made in Madagascar.
A “cathedral” roof above the open-plan living area creates a sense of volume in the small space. The storage is all contained in carefully planned bespoke joinery units.
The living area’s cathedral ceiling extends outwards to become the northern veranda awning, which helps to shade the interior.
Fitted with a new black-framed window unit, the new, light-filled living room features a sofa and coffee table from Beitili.
A look at the open living area of the prefab house in Canelones, Uruguay, designed by MAPA. The roof is made of precast concrete slabs more commonly used to build bridges.
Using a natural material palette helps Ridge Mountain Residence by Ehrlich Yanai Rhee Chaney Architects blend in with its surroundings: the concrete complements the light browns and tans of the surrounding mountains, while Cor-ten steel cladding provides a naturally weathering material.
To ensure acoustic separation between the homes, the living spaces are located at either end, while service spaces are stacked adjacent to the central wall.
After: The industrial accents were kept at the ceiling in a nod to its past. The city required interior insulation to fulfill code, which meant McCuen was unable to expose the more rough, industrial texture on the walls.
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