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Living, dining, and kitchen spaces flow into one another in the soaring great room. Here, the Sacramento firm placed new, polished concrete slabs over the original ones to alleviate unsightly cracks.
Primary colors and straight lines fuse together in this bold apartment. A Cosmorelax Essex sofa sits in the living area, along with Maxalto Fulgens armchairs.
In the living room, a Croft House sofa cozies up to a Casamidy coffee table and leather-wrapped Remnant Stools from Cuffhome.
The dark blue walls and earthy fiber carpet were chosen for their ability to encourage unwinding.
The apartments are all fitted with opulent blackout blinds, sound absorbing curtains, and soft lighting to create a calming ambience that relaxes the brain and body.
The recording complex, Gold Diggers Sound, boasts nine state-of-the-art recording studios, a multiuse sound stage, kitchenettes and lounge areas, and is available for 24/7 access.
If they aren’t at the cocktail-fueled Evening Bar, chances are guests are hanging out in the “living room”—at least until the beer hall Brakeman and fried chicken joint Penny Red’s open.
A motley assortment of contemporary local and international art curated by the Detroit gallery Library Street Collective enlivens the hotel.
Awash in blue, the prominent "living room" is not just a social hangout for Shinola Hotel guests, but the downtown Detroit community.
The light-filled lobby, located in the basement, is at once industrial and warm.
There are four viewing decks to take in the spectacular scenery and sunsets. The extensive glazing forms a seamless integration of indoor-outdoor space.
The dining room sits just off the living room.
Among the family’s favorite pieces is a 1957 leather Paulistano chair by Paulo Mendes da Rocha that Russell and Oona purchased to celebrate their marriage. “It’s important to us that the house is filled with beautiful things, but it has to be a place where it’s okay to put your feet on the sofa,” Oona explains.
The new open-plan living/dining/kitchen space benefits from the raised ceiling height and the addition of the clerestory windows on the south, west and north sides.
The view from the kitchen.
The Ace Hotel New Orleans in New Orleans, Louisiana
The floor in which the living and dining rooms are located on is made of reclaimed wood. The space takes on a midcentury vibe and has been furnished with pieces from Brazilian designers from the 1950s and 60s, such as Jorge Zalszupin and Sergio Rodrigues.
An overview of the spaces.
The open layout on the main level includes the living room with a fireplace, the dining room, and the kitchen.
Room 1, located on the 2nd floor, blends industrial detailing with exposed brick walls, polished concrete floors, rich textile finishes, and a custom walnut bed.
In the living room, Samuel painted the exposed wood and stonework to unify the space and let the original texture step forward. (The wood had been painted already by previous owners.) A custom ten-foot sofa sits below the window and the green canvas armchairs are from Urban Outfitters.
Built in wood shelving sits below clerestory windows, opposite a large brick fireplace with a sculptural chute. Expansive windows provide views of the Bay beyond.
Continuous clerestory windows provide views out into the surroundings at all edges. The butterfly roof appears to hover atop the structure.
The house is like an anthology of modern design, spread out across 4,300 square feet. In the formal living room alone, there’s a Japan chair by Finn Juhl, a Hang-It-All rack by Charles and Ray Eames, a Scissor chair by Pierre Jeanneret, a Wiggle stool by Frank Gehry, and an Akari lamp by Isamu Noguchi. George began his collection in the 1990s with a pair of Paul McCobb stools, which sit near the fireplace.
Interior designer Merrill Lyons plays with her son in the Brooklyn home she renovated with her husband, Charles Brill, a lighting designer and cofounder of New York–based company Rich Brilliant Willing (RBW). The couple’s design sensibility is marked by a warm mix of historic periods and styles, punctuated with pieces by RBW, including the circular brass Cinema chandelier that hangs in the living room. The leather sofa and teak credenza are vintage; the 1960s rosewood Genius armchair by Danish designer Illum Wikkelso was reupholstered with fabric sourced from an outlet.