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Living Room Coffee Tables Pendant Lighting Design Photos and Ideas

Alex and Jean filled the living area with furniture from their previous homes. New double-glazed timber-sash windows and custom shutters—a £38,000 splurge—flood the space with light.
<span style="font-family: Theinhardt, -apple-system, BlinkMacSystemFont, &quot;Segoe UI&quot;, Roboto, Oxygen-Sans, Ubuntu, Cantarell, &quot;Helvetica Neue&quot;, sans-serif;">“The curtain allows the space to be opened up or closed off in all kinds of different ways, and gives it more warmth and better sound-proofing,” says Vibeke.</span>
The designers painted the walls of the living room bright white and outfitted the space with custom millwork beneath the fireplace and modernist light fixtures and furniture.
The open-concept living area, a benefit of the Quonset-design, includes velvet chairs from CB2.
To reflect light around the room, Alper chose to use two shades of white in this space. The warmer of the two, Cotton Balls, was used on the walls.
“Decoration is something that fascinates me,” says Carolina. “Mixing old with modern works very well for me, so I have my great-grandmother's bed, but the dining room has Philippe Starck chairs.”
If color doesn't scare you in the slightest, go for broke!
Kelly Kai (left) and Catalina Monsalve (right) relax in the Morongo Valley home they renovated together.
Low-lying furniture and art makes the high-ceilinged living room appear even bigger. Most of the furnishings were sourced secondhand, though the hanging lamp is a DIY Nick made by fusing two paper shades together.
In Lorne, Victoria, Austin Maynard Architects gave an old shack near the beach a modern revamp and a timber extension that allows for elevated sea views. With interiors lined in recycled Silvertop Ash, the house oozes a cozy, cabin-like feel.
The dining area pendant is a vintage Louis Poulsen piece, and the dining table is from HAY. The dining chairs are a mix of antique wood chairs, a Thonet, and an Eames DCM chair. The lounge chair is a mid-century Norwegian piece from Skarbos.
Glass doors slide open to create seamless transitions between the interior and exterior living areas.
The home’s eaves—over eight feet long—allow the garden doors to be kept fully open without rain blowing inside, barring a severe storm. The deep eaves also provide solar protection to the interior.
Marka and Joe's English Setter named Finn rests in the living room; not pictured is Finn's sidekick Charlie, the couple's other beloved dog.
Large vintage pendants from an old ship suspend above the dining table, crafted by Dave Ball of Jacob May in Oakland. The radiant-heat flooring is reclaimed barn wood from Tennessee. The artwork that hangs above the cabinet and conceals a television was created from pieces of wood painted by local artists during a party hosted by Marka and Joe, who elected to leave the living area's large metal structural beam exposed.
Upon entry is a charming foyer with ample storage that leads down to the main living areas.
The couple sourced midcentury furniture and dishware from Toronto dealers like Mid Century Modern Toronto and Inabstracto. They also loved Etsy sellers Mimi La Rouleuse, Mid Age Vintage DE, Happy Moose Vintage, Mrs. Marvellous, and The Art of Object.
“We decided it was a fun moment to have no white in the space and use the fireplace as a kind of accent,” says Paula.
Designer and artist Jaime Hayon renovated a 1920s apartment in Valencia, Spain, into a vibrant guesthouse and artist’s residency.
The original tongue-and-groove ceiling can still be seen in the living room, where an eclectic mix of furniture, including a Ligne Roset Togo, chair creates a laid-back ambiance.
A dry-stacked rock hearth supports a Charnwood freestanding wood stove, which was carefully chosen to fit the scale of the surroundings.
“Those living rooms are always a challenge in brownstones, to furnish in a thoughtful way,” says Cuttle, pointing to the narrow dimensions of the room, the low window sills, and abundance of woodwork taking up wall space. A curving Carl Hansen sofa floats in front of the bay window, so as not to block the light and allowing easy sightlines. The chairs and coffee table are from Lawson Fenning and the rug is Jardan.
Yellow vinyl floor tile defines the new living room and keeps the interior from veering too industrial. “You need to offset the brick with something simple,” says Tom. “Otherwise, you get too many textures.” The lights and coffee table were found at local vintage stores.
Contemporary furnishings now contrast with the traditional detailing of the preserved architecture.
The couple spent six months designing their 1,178-square-foot, two-story home. Its compact size was informed by the existing garage’s 20-foot-by-30-foot footprint and L.A.’s ADU size limit of 1,200 square feet. "We had always planned on designing a compact house, however, having a hard limit to its size was definitely a challenge,
Beside a simple but spacious kitchen, the living area is meant to be warm and casual.
The 500-square-foot dwelling includes a first-floor living room, kitchen and bathroom, along with a lofted bedroom.
The renovation entailed completely rebuilding the interior and opening up the segmented rooms. In the living space, a low-slung contemporary sofa offers a comfortable place to land without stealing focus from the restored antiques. The circular mustard rug reflects the tone of the hardwood floors and pulls the room together.
Living, dining, and kitchen spaces flow into one another in the soaring great room. Here, the Sacramento firm placed new, polished concrete slabs over the original ones to alleviate unsightly cracks.
In the living room are a sectional by American Leather for Room & Board, an Eames lounge chair and ottoman, and a custom floor lamp and coffee table by Jeremy Clark and Ed Haynes.
The upper levels of the six-bedroom, four-bathroom Mountain House feature large picture windows that offer sweeping valley views.
Moving on-site to the remote countryside location during the construction process enabled the firm to engage with all of the craftspeople on the project, from the blacksmith to the structural engineers and timber framers, who’s workshop was nearby.
An entrance hall leads to the living/dining area, where the architects used old bricks to make a fireplace, stairs, and built-in benches feel as though they were always there.
When architects Thomas Karsten and Alexandra Erhard toured the raw industrial space, they were struck by how much light streamed in, a gift bestowed by large windows and the rare presence of a private patio.
The black core anchors the home and tucks utilitarian functions behind imperceptible doors. The core “connects the floors visually, enhances the verticality of the townhouse, and creates a dramatic backdrop for the hallway bridges at each level,” notes the firm.
The couple refinished the original Fir floors, and planed and sanded down the original moldings and white-washed them. They painted the original fireplace with black matte paint and stenciled a contrasting glossy pattern on the tile. Jason designed and built the coffee table, and the walnut console, which has laser-cut perforated doors. (There’s an inset, upholstered seat for sitting when donning shoes that the cat loves to sleep in.)
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