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Living Room Bookcase Coffee Tables Design Photos and Ideas

Window seats frame the fireplace to create alcoves for people to sit and children to play. Drawers in the window seats have storage for toys and board games. An Altona Barebulb Chandelier Pendant from Rejuvenation hangs above, while the Basket Weave Wool Rug by Parachute covers the floor.
Some feel like renting is a compromise while they wait to hook onto the property ladder, but for Jeff and Kim, it was their first chance to lay down roots.
Some feel like renting is a compromise while they wait to hook onto the property ladder, but for Jeff and Kim, it was their first chance to lay down roots.
SHED replaced the drafty windows with tall sliding glass doors to connect to the deck. The Acre Lounge Chairs and Turn Tall Side Table are both by Blu Dot.
Woud’s modular sofa provides a vibrant accent color used elsewhere in the house and ADU. The striped club chair is from Ferm Living; the Eames chair and ottoman were among the only things the couple brought with them from Colorado. The knot cushions are by Design House Stockholm, and the prints are by Cornelia Thomsen.
"We’ve got these tall walls and we’ve got a lot of artwork, and one thing I’ve learned on my rental journey is how to hang artwork without marring walls,
<span style="font-family: Theinhardt, -apple-system, BlinkMacSystemFont, &quot;Segoe UI&quot;, Roboto, Oxygen-Sans, Ubuntu, Cantarell, &quot;Helvetica Neue&quot;, sans-serif;">“The curtain allows the space to be opened up or closed off in all kinds of different ways, and gives it more warmth and better sound-proofing,” says Vibeke.</span>
All the new built-in cabinetry floats a few inches off the ground and below the ceiling, adding light and shadow, so as not to make the 715-square-foot apartment feel confining.
One of the couple’s favorite new details is the built-in, L-shaped bookcase in the den.
The new den's rebuilt fireplace is clad with the same Heath Ceramics tile as the kitchen island. Avove it is a Christopher Wrobleski rope hanging. A vintage Hans Wegner chair with Maharam leather cushions was paired with a Lawson Fenning San Rafael Paolo coffee table.
“Decoration is something that fascinates me,” says Carolina. “Mixing old with modern works very well for me, so I have my great-grandmother's bed, but the dining room has Philippe Starck chairs.”
The couple added the wainscot, installed by Seamus, and painted in Farrow &amp; Ball Red Earth to continue the “color story” from the breakfast room. The white oak built-in has much needed storage behind the cane cabinet fronts and display. The Caitlin couch by Everygirl for Interior Define sits atop a vintage checkered rug with an Anthropologie coffee table and Hay Paper Shade overhead.
Windowsills were extended to do double-duty, and also function as bookshelves.
A blue checkered Moroccan rug amps up the visual interest in the space, along with a new yellow Togo couch and Herman Miller coffee table. Switching out the mullioned windows for new tilt-and-turn windows from Semko help the space feel larger and increase energy efficiency.
A BoConcept sectional is joined by a Yngve Ekström lounge chair and ottoman and an Eames chair in the living area. The couple found the vintage Danish coffee table at a flea market, while the traditional Indian stools were purchased for their wedding. Whitewashed poplar clads the far wall.
Sheer, lightweight curtains can be closed to separate the studio from the garden. “It’s a very quiet space where you can retreat into your own thoughts, read, write, and think,” says architect Cristian Stefanescu.
The renovated living room gave the space a splash of white, icluding a fireplace makeover, but retained the original red oak floors.
The original tongue-and-groove ceiling can still be seen in the living room, where an eclectic mix of furniture, including a Ligne Roset Togo, chair creates a laid-back ambiance.
Library; brass starburst ceiling light fixture brings a sense of ‘20s era glamour. Vintage sofa by Gerard van den Berg.
Contemporary furnishings now contrast with the traditional detailing of the preserved architecture.
Rossi did not carry the dividing wall between the bedroom and living room all the way up to the ceiling, so as not to break up the treatment up there, instead designing the wall as a custom storage and display unit.
The double-height wall of windows in the living room looks out on the property and was a big draw on their first walk-through.
In the living room, an Eames lounge chair is matched with a Richard Conover–designed fiberglass chair in similar proportions. A custom coffee table by Asher Israelow com-plements the industrial lighting by Workstead, affixed to walls painted in Farrow and Ball’s Manor House Gray. The sliding doors leading into the home office were fabricated by Markus Bartenschlager.
In the living room, a Stûv fireplace sits near Lori’s favorite place to paint. “We made the southeast corner glass, because that’s where the best view is,” says BCJ principal Ray Calabro.
An entrance hall leads to the living/dining area, where the architects used old bricks to make a fireplace, stairs, and built-in benches feel as though they were always there.
When architects Thomas Karsten and Alexandra Erhard toured the raw industrial space, they were struck by how much light streamed in, a gift bestowed by large windows and the rare presence of a private patio.
Oliver Furth's designs permeate the space from the updated rooms down to the furnishings.
In the living room, a RAIS Q-Tee 2 stove and CB2 rocker warm the space.
Berube introduced the owners to Jan Kath rugs when they couldn't find vintage carpets they liked. It was love at first sight. "I've been waiting my whole life to find these,
Berube's starting point was the continuous wall of black millwork clad in a solid matte surface by Fenix. "We decided on a dark palette to work with the exterior,
It’s a good idea to read reviews about specific pieces before buying them, which can help prepare you for the unexpected.
The bright living room features a fireplace, open shelving, and artwork showcasing emergent female voices, which was of particular interest to one of the owners.
Amanda got rid of the mirrored wall and installed FLOS AIM Pendant Lights in the living room.
Architect Amanda Gunawan’s 1,620-square-foot Biscuit Loft in Downtown L.A. is awash in gentle light. Designed by French-born, Missouri-based architect E.J. Eckel in 1925, the building had been converted by Aleks Istanbullu Architect in 2006 into a live/work complex. Amanda introduced Japanese-inspired touches to soften the industrial language. The harmonious living room features a CB2 sofa, white Eames Lounge Chair and Ottoman, Knoll Wassily Chair, and a rug and timber bench from Zara Home.
Inside, the voluminous living area features a double-height fireplace clad in cedar and large-format tiles—both of which are echoed along the facade as well. Full-height windows wrap around the opposite corner, providing an abundance of sunlight and helping to naturally heat the space during wintertime.
In the Dank Lounge, a film screen lowers in front of room-darkening curtains on movie nights. The deep sectional was built by Lizz and Isaac while the Blob coffee table is by Project Room, and the Scandinavian rya rug is vintage. The couple’s art collection includes works by many friends and local artists. A print by Alex Smith, along with drawings by Cammie Staros and Karl Haendel, hang in the lounge beside a painting by John Finneran and a photo by Lizz.
A sofa from Città sits in the light-filled living room.
The couple’s two sons, Isaac and Charlie, play music with Charlie’s girlfriend, Saskia Randle, in the living room, where an Isamu Noguchi Akari lantern hangs above a Cloud sectional from RH Modern.
Living Room
Wood tones and earthy textures warm the reimagined living room. Much of the art were gifts that the couple bought for each other or pieces by mutual friends; the Mickey Mouse painting is by New Jersey–based artist Dylan Egon. "We like to bring some of the city into the country," says Lauren.
A collaboration between YUN Architecture and interior designer Penelope August, a renovated, 19th-century townhouse with landmark status used to be an egg and poultry distributor. Now virtually unrecognizable, the parlor floor is the home's open-plan living area. A formerly defunct fireplace was reactivated and clad with a custom-made, limestone mantle.
On one side of the house, a white central staircase leads to a split-level landing the Robertsons call "the reading room." "We needed a place to hang out and for the kids to read," explains owner Vivi Nguyen-Robertson. Awaiting the birth of the couple's son, she relaxes in a built-in reading nook in the library.
“The main living spaces, flowing from the central courtyard, fold down with the stepped concrete floor,” says Fox. “Plywood joinery and an off-form concrete ceiling anchor and harmonize.”
White oak flooring keeps the open-concept space feeling light and bright.
The designers raised the floor in the sunken den and painted the dated paneling Cotton Balls by Benjamin Moore. “We hardly ever used that space, and now we’re in there all the time,” says John. The credenza is a vintage find from Sunset Bazaar, while the Blok horizontal sconce is from WAC Lighting.
The entrance foyer encapsulates the home’s themes of reuse—through the salvaged wood and metal gate—artisan furniture, and colourful abstraction. The Moroccan wall hanging is a vintage find, and the chairs and table are by local furniture designer Seth Keller. The industrial gate has been given a domestic twist with the addition of coat hooks for the client’s young child.
"I always knew there had to be a sight line from the living room to the kitchen, all the way to the back of the house," says Alex. "That really opened up everything [like], ‘Oh, yeah, this is the way it's supposed to be.’"
The Grove Modern bookshelf is from Room & Board, as is the tan leather sofa and the rug.
Floor-to-ceiling shelves and storage bookend a cabinet that conceals the television.
The pair replaced the cluttered firewood storage with a floating hearth that can double as a seat and display for art.
Raj and Watts extended the fireplace column to the ceiling to highlight the room’s expansive scale, and had it coated in concrete plaster. It was important to retain the wood-burning fireplace—a rarity in the city—but “we wanted to re-clad it in a material that also spoke to the industrial past of the building,” says Raj.
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