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All Photos/living/floors : rug/furniture : recliner

Living Room Rug Floors Recliner Design Photos and Ideas

A love of midcentury design marks the couple’s choice of living room furnishings, which include an Eames lounge chair and a Noguchi coffee table, paired with a sofa from HD Buttercup. The arching neck of the Prouvé Potence sconce mirrors the home’s exterior form, while the large Fleetwood sliding door extends the space to the outdoors.
In the living area, a dry packet stone fireplace frames a fire grate that was forged by an expert blacksmith.
In the living area of actor Vincent Kartheiser’s Hollywood cabin, redesigned by Funn Roberts to maximize every last inch of space, an Eames lounge chair and ottoman mix with a couch and coffee table by Cisco Home from HD Buttercup. The table in the main room is from West Elm.
“We didn’t go out and buy a living room collection,” Sofie explains. “In our home, we tried to avoid trends. The furniture we have are things we have collected over many, many years.” Vintage Eames for Herman Miller lounge chair; Isamu Nuguchi table; and Rocking elephant by Rocking Zoo.
In the living room, an Eames lounge chair is matched with a Richard Conover–designed fiberglass chair in similar proportions. A custom coffee table by Asher Israelow com-plements the industrial lighting by Workstead, affixed to walls painted in Farrow and Ball’s Manor House Gray. The sliding doors leading into the home office were fabricated by Markus Bartenschlager.
Brothers Nima and Soheil relax in the family room on an Eames lounge chair and a custom sofa they designed. “Mid-century architecture draws the outdoor environment indoors,” says Soheil. “There’s a lot of natural light, a lot of ventilation.”
In true mid-century fashion, a George Nelson Bubble Lamp is paired with an Eames Lounge by Charles and Ray Eames in a corner of the living room. The glass walls and mitered corner are original features of architect Saul Zaik’s 1956 design.
An entrance hall leads to the living/dining area, where the architects used old bricks to make a fireplace, stairs, and built-in benches feel as though they were always there.
When architects Thomas Karsten and Alexandra Erhard toured the raw industrial space, they were struck by how much light streamed in, a gift bestowed by large windows and the rare presence of a private patio.
In the living room, a Stricto Sensu sofa by Didier Gomez and a Prado daybed by Christian Werner, both from Cinna, join a marble-topped coffee table by Florence Knoll. The red easy chair and ottoman are from the Platner Collection by Knoll, joined by a stool from La Redoute, a Tulip side table by Eero Saarinen for Knoll, and a pair of PK22 chairs by Poul Kjærholm for Fritz Hansen. The black Potence wall lamp is by Jean Prouvé while the tiles on the floor and above the fireplace are from Living Ceramics.
Clerestory windows pierce the pitched roof on its west side, making the living area, with its custom curved sectional sofa and built-in end tables, full of natural light year-round.
The guesthouse features a small lounge area in front of a bunk room and master bedroom. Paris Peak is visible in the distance through the side window.
The living room is anchored by a large concrete fireplace that also forms the house's robust structural system. Pops of color come from a painting by Milton Wilson.
Having spent more time at home in recent months, Nina and her family are truly experiencing the "essence" of her design, she says. Their library corner, a space that was once underused, has become a place of respite for the family where they can gather on the Nanimarquina Rangoli rug and listen to records.
Up the stairs is a light-filled living room which features Tasmanian oak flooring and 10-foot-tall ceilings. According the the listing, the couple "loved to host lively intellectual affairs with their circle of friends, global dignitaries, and artists" in this very space.
In a Portland home, Rise Boyer of Risa Boyer Architecture led a renovation that would respect the home's original aesthetic and make it easier for the homeowners to entertain.
The vertical fins allow light and air to pass into the pavilion, while providing some protection from the elements.
In the sitting room, folding doors open to the lush backyard, establishing a seamless indoor-outdoor connection.
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The open-plan living space features a strong brick-inlay fireplace and original wood paneling.
The atrium also leads directly into the expansive great room, which features tongue-and-groove ceilings that have been painted white.
Takeshi Nii’s Ny chair is paired with a Reese sofa and cherry Grove nightstand from Room & Board in the living room.
The angled fireplace is clad in Grove Brickworks field tile from Waterworks – laid vertically with no grout in between.
The wood-paneled ceiling is surrounded by walls of glass. The decorative window screens are actually water-cut aluminum copies of the original plastic ones.
Living room from front door framing the landscape.
Here is a peek at the living room looking toward the entry.
The original double-sided fireplace was wrapped in plaster for an updated look. Yet, it was kept in the same location, as the home maintained its original footprint throughout the remodel.
The vaulted ceiling adds an expansive airy feel that the original home lacked. Now, the wall of windows perfectly frames the gorgeous overlook.
Contemporary materials like concrete and steel are a wonderful contrast to the ancient stone walls.
A wall of windows frames the spectacular view of the lake and imparts a dynamic sense of place throughout the open-plan living area.
The Kelleys furnished the cottage with help from Suzanne’s daughter Betsy Burbank of Betsy Burbank Interiors. Classic modernist icons, such as a Saarinen Womb chair for Knoll, a Herman Miller Eames lounge chair, and an Eileen Grey E1027 side table look at home alongside present-day pieces such as an Encore sofa (which handily folds down into a sleeping surface) from Room & Board and a Doka rug designed and produced by Stephanie Odegard. The Wohlert pendant lights from Louis Poulsen were designed by Vilhelm Wohlert in 1959, but grouped as such, they appear distinctly contemporary.
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A black LC4 chaise lounge from Cassina is paired with an Eames storage shelf from Herman Miller.
The mezzanine level
Dining + Living
The clients intend to retire to the house. They asked that rooms be constructed flexibly on a non-domestic scale. This one, with an Eames lounge and floor-to-ceiling glass windows, frames a serene mountain vista like a painting.
Tung takes in the wooded view from the house’s back deck. Inside, the Goetz sofa, Eames lounge chair and ottoman, and Aalto stool are all from Herman Miller.The rug and throw are by Emma Gardner.
The living area now feels open and bright and showcases the couple’s appreciation for furniture design and artwork. The family opted for a Camber sectional and rug from Design Within Reach, coffee table from Steven Alan Home, and replica Eames Lounge to outfit the space.
The remaining floor area was freed up, so the owner had room for to create a small living lounge.
Inside the unit, Robb (Robb Studio) and Bishop (Studio Gild) inherited several attractive features: 14-foot ceilings, exposed concrete, and a fireplace set within the original chimney stack of the building. The primary goals included making the kitchen more prominent within the home— it was moved forward to engage more acutely with the dining and living room spaces—and to properly showcase the client’s art collection (much of which, including an eight-panel painting by Matt Mullican that stretches across nearly an entire wall).Add a caption
Built-in storage solutions and floating shelves provide ample storage in the main living space. Homerwood Hickory flooring and exposed structure reach outwards to the views beyond.
Openings in the ceiling allow sunlight to wash over the black slate floors and fir columns. A velvet-upholstered Mr. Chair by George Mulhauser adds color to the living room.
Thankfully, the house came with many of its furnishings, including a 1940s Florence Knoll sofa, an Elliptical table by Charles and Ray Eames, a George Nelson tripod floor lamp, and a Breuer-designed Long chair. A pair of Barcelona chairs by Mies van der Rohe replaced two Arne Norell Sirocco armchairs.
Sofie and her husband searched high and low for a vintage Herman Miller piece, finally finding a 30-year-old Eames lounge chair to complement the family’s living room. The carpet is by Hay, the painting is by Claus Carstensen, and the lamp by Jielde.
Jessica Helgerson Interior Design updated a split-level ranch house in Portland by introducing a clean white palette and vintage furnishings.
In an apartment overlooking São Paulo’s Ibirapuera Park—completed in 1954 to commemorate the city’s 400th anniversary—the furniture is as distinctive as the view. Architect Flavio Castro of FCstudio worked closely with the residents to update and outfit the home, which is appointed with a mix of contemporary and Brazilian modern classics. A pair of Sérgio Rodrigues’s Paraty armchairs (in foreground)—designed for Brasilia’s Itamaraty Palace in 1963—face a duo of Jader Almeida’s Isa armchairs in the living area. The green Ro lounge and ottoman are by Jaime Hayon for Fritz Hansen.
Furniture groupings and bright, dramatic accents—like the sapphire banana-fiber rug by Kamy Maison in the main living area—further divide the interior into distinct yet flexible stations. The trio of seating options includes wood-and-cane Cosme Velho armchairs by Claudia Moreira Salles, a plush Soft Dream leather sofa by Antonio Citterio for Flexform, and a blue Fergana sofa by Patricia Urquiola for Moroso. Just beyond, a Fina table, also by Salles, joins Marta chairs by Aristeu Pires and Torch pendants by Sylvain Willenz to form the dining area.
FCstudio updated the 5,000-square-foot apartment by removing several walls in central areas to clarify views and simplify the overall floor plan. The firm also custom-designed the Brazilian walnut room divider with a striking geometric pattern that allows light to traverse throughout the living area.
The front door is outfitted with a Saturn knob by Schlage; the same hardware was used as pulls at Lustig’s June Wayne House.
Circa-1940s documents that were filed with the Los Angeles Department of Building and Safety credit William H. Thomas, who was a very close friend of graphic designer Alvin Lustig, as the house’s “certified architect.” After extensive research conducted by the home’s previous owner, Andy Hackman, the house’s current owner, Andrew Romano, believes the structure was in fact Lustig’s own design.
As much as the owners and Roberts wanted – and needed – to modernize the home, they also tried to honor some of its historical touches. They preserved the mantel, and replaced the plaster crowns on the parlor level. The antique chaise is by Lisa Sherman, and the walls are painted pavilion gray by Farrow & Ball.
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