Just up a ladder is the green roof, which is planted with maintenance-free sedums and tall grasses near the patio that Monkman tends carefully.

The landscaping appears to be based on the mullet principle: business in the front, as seen here (manicured grid lawn, with native vegetation sprouting in careful symmetry), party in the back (sunflowers and wild mountain grass growing in harmonious chaos).

A Good Reed The most changed area of the home is the small guest room–office, where Neely, who works from home, removed the closet doors and added a grass-cloth wall treatment to distinguish it from the rest of the house’s decor. “Many of the Eichlers originally had grass cloth as a covering on the sliding closet doors,” he says. “The guest room–office is the only other room that can be seen from the public areas across the atrium, and I wanted this wall to add visual interest.”

In the coastal town of Byron Bay in New South Wales, Australia, local practice Harley Graham Architects elevates the Australian "garden studio" with this 646-square-foot granny flat. Named Marvel Street Studio, the guesthouse is an addition to a home designed by Paul Uhlmann.

They installed water-saving artificial grass on their patio for pup Moxy to enjoy.

Luciano Kruk perforates a concrete volume with glass walls to fashion a simple yet elegant vacation home in the province of Buenos Aires. On a quiet lot populated with aged pinewood, Luciano Kruk designed a modest vacation home for three sisters and their families. The 807-square-foot, two-level home is ensconced in its forest setting. The firm employed board-formed concrete inside and out to connect the building with its environment. "Pine planks were used to set the formwork so that the partitions, as well as the slabs, would preserve the texture of the wood veins in an attempt to establish a harmonious dialogue with the bark of the local trees," said the firm.

Native grasses spill forth from the green roof toward a stairway leading to the main level.

The oasis-like abode stands out amongst the neighboring buildings.

A verdant tundra that the architect dubbed the “courtyard” separates Bullitt’s house from his 900-square-foot studio. The space, which is planted with Bog Myrtle, bearberry, and other native plants, “reinforces...the dominance of the landscape over the building,” the architect says. “The end result was an exceedingly naturalized setting.”

A small terrace outfitted with an H55 easy chair by Björn Hultén offers a view of the San Francisco Bay.

The ever-changing, lush wooded surroundings of Minnesota, such as those experienced at this 8,000-square-foot Type Variant House outside of Minneapolis designed by Coen and Partners, are right near the small town of New Richland.

Landscape designer Bernard Trainor’s creative use of poured-in-place concrete pavers—such as off the living room, where they break up a low-maintenance lawn of June grass—give the irregularly shaped lot a sense of order. Foxtail ferns and blue chalk sticks, a succulent, lend dashes of color to the entry courtyard, while thyme makes for a fragrant accent between the pavers.

Courtyard

A modern mix of unpretentious, yet luxurious design elements resulted in an awe-inspiring, sophisticated and lighthearted living space with a seamless transition between indoors and out. The extraordinary high ceilings and volume contributes to its welcome feeling.

This 3,200-square-foot structure was assembled with a prefabricated foundation, concrete panel siding, and efficient built-ins, minimizing construction debris and toxins—such as concrete foundation tar—on the site.

A wisteria-shared courtyards and garden with a dining area.

The landscape design, by Anna Boeschenstein of Grounded, followed a 2,200-square-foot extension by Formwork architects Robert and Cecilia H. Nichols. The front door is painted in Chinese Red by Sherwin-Williams.

Upon his first visit to Tasmania, an island south of the Australian mainland, resident David Burns was immediately smitten with its varied, pristine landscape. Working with architecture firm Misho+Associates, he built a self-sustaining, 818-square-foot retreat that would allow him to completely unplug from urban life.

Achieving such efficiency and maintaining the integrity of the wetlands and woodlands on the property meant more research for both the designers and the resident—just getting approval for the siting of the buildings and the driveway took eight months—but Hague is hardly one to do things half way. “A lot of times couples engage in house-building, like birds. I'm doing this solo, more like a monk,” he says of the deeply personal undertaking.

Sited parallel to each other, the two autonomous bedroom cabins frame perspectival views of the surrounding landscape. Exteriors of all three structures feature mitered corners and cross-laminated timber panels, all nailed by hand.

The backyard’s emphasis on nature is mirrored in the front of the home, which also underwent extensive landscaping by Considered Design. The owners and Parish wanted to “tone everything down” and turn the home into a backdrop for a natural setting.

To combat the site’s steep, uneven grade, Boeschenstein staggered a series of ipe decks around the two main volumes of the house. Atticus joins his brother, Bodhi, on the zigzag decks.

Linden specified a black stain from Cabot for the house’s exterior. The shade draws on Scandinavian and Japanese building traditions and helps the structure blend into the landscape. Native grasses populate the courtyard.

“It was very important to get the integration between the garden and the house right,” Maynard says. The architects worked with Bush Projects to strike that balance, laying down concrete pavers and planting native flora that add to the home’s relaxed feel. Permanent steel awnings protect windows from glare, while retractable fabric ones by Shadefactor offer residents optional shelter when they sit outside.

Glass Houses Though the original plans called for a frameless wall of glass in the back, it turned out that it would eat up most of the budget. Instead, they installed three wood-framed windows made by Fecon. fecon.de Cut and Plant For the landscaping, the couple literally took a page out of somebody else’s book. Winterhalder says their garden was lifted from page 38 of Peter Janke’s Kleine Gärten (Small Gardens), published by Becker Joest Volk Verlag. bjvv.de

Crushed stone paths and native plantings, including cacti, wildflowers, and grasses, encompass the surrounding landscape. “We’re nothing but natural,” says Austin. “The cacti, to me, are like pieces of sculpture, each with their own personality. I even named some.”

Shope and his wife carefully designed an eco-friendly landscape: For instance, they did not fell any tree with holes that could support an owl’s nest. They also planted flower species that feed hummingbirds and monarch butterflies. Shope laid out the pathway of reclaimed granite slabs that leads toward the Hudson River below.

On a bluffside lot in San Francisco, architect Anne Fougeron oversaw the renovation of a 1960s home, transforming a series of ill-conceived updates made over the years.

An old sugarcane dock was turned into a swimming pool, which offers views of the Karst mountains and Li River from a distance.