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All Photos/kitchen/lighting : track/lighting : ceiling

Kitchen Track Lighting Ceiling Lighting Design Photos and Ideas

Another challenge was to swap in new lighting-here the architects installed Lambert Et Fils, Dot Line Suspension-without adding any new holes to the ceiling.
<span style="font-family: Theinhardt, -apple-system, BlinkMacSystemFont, &quot;Segoe UI&quot;, Roboto, Oxygen-Sans, Ubuntu, Cantarell, &quot;Helvetica Neue&quot;, sans-serif;">Workaday Design fashioned custom paneling that's a modern twist on the midcentury paneling they saw in Robert Rummer's own home. </span><span style="font-family: Theinhardt, -apple-system, BlinkMacSystemFont, &quot;Segoe UI&quot;, Roboto, Oxygen-Sans, Ubuntu, Cantarell, &quot;Helvetica Neue&quot;, sans-serif;">John and Nadia wanted the large-format tile, from Bosphorous Global, to call back to the cement floors typically found in these homes.</span>
The backsplash is covered in G120 Lemon Ice tile by Heath Ceramics.
The custom kitchen millwork is designed by reBuild Workshop, and fabricated by Custom Lotus, with quartzite counters. The high stools in white oak are by Space Copenhagen.
Caroline found the backsplash tile at Los Azulejos in Tecate, MX, while she was on a scouting trip for work. She texted Joel a photo: “He was like, ‘I don’t know, it looks a little terrazzo-y,’” says Caroline with a laugh. “But it turned out to be subtle enough.” The team actually had to install the backsplash twice because the first time, the red grout stained the tile surface. Joel and Caroline drove back to Mexico to purchase a second batch, with which they used white grout.
A skylight was added to bring in more light, and the existing ceilings painted Benjamin Moore ‘Black Tar’ for contrast. The island pendant is the Schoolhouse Ray 17” Pendant and the stools are the Artek Aalto High Chair K65.
Engelsman gave the kitchen an L-shaped layout with a large island workspace at the center, and pushed the tall storage into the garage, to create a wide circulation space to access the dining room and backyard.
The window in the kitchen that overlooks the garden is intentionally free of any structure, with the small ventilation openings discretely located to the side. This ensures the view is uninterrupted and the woodlands become part of the interior.
Access into the garden is through the side of the kitchen and not the rear. This means the rear is protected for wildlife and the family do not have to go through the garden to access the BBQ and hard landscaping.
Lambert &amp; Fils lights are suspended over the island.
Tiffany swapped out the dated vinyl for matte white tile from Home Depot on the floor. The backsplash is matte white subway tile from Tilezz, and the plywood cabinets are topped with white quartz counters. The Ready Stacking Barstool from Blu Dot are tucked under the island counter.
The hemlock slat ceiling runs throughout the first floor, save for the living room. The slats hide acoustical batting and tracks for lighting. It also adds warmth, texture, and interest, and provides a sense of continuity.
Hidden Kitchen Pantry Opened
The kitchen and dining area opens out to a narrow balcony that overlooks the internal courtyard and has views over the bay. The DC09 dining chairs are by Inoda + Sveje for Miyazaki Chair Company, and sourced from Great Dane Furniture.
The kitchen opens out into the dining room and living area, and features an island countertop from Caesarstone. The lighting throughout is from Liteline.
Slim-lined shelves highlight the wood backdrop. Cabinet hardware was custom powder-coated to match the cabinet color.
The kitchen’s Caesarstone Pure White countertop extends to the winding tread at the base of the stairs leading up to the mezzanine. Black granite covers the island.
Painted wood and steel beams subtly mark a separation between the former cattle shed and ruin footprint. The two areas now seamlessly flow together as a kitchen, dining, and living area.
The firm also designed the new kitchen space, opting for a contrasting darker palette.
A tiled niche sports cutting boards from the local Steelwood Design.
An integrated bench with a slat wall makes for a natural seat at the top of the stairs.
Now, the kitchen is seamlessly integrated into the floor plan and with the exterior via the large sliding doors. "It's really at the center of the pinwheel of circulation," says Cuddington. Construction-grade fir plywood cabinetry with cut-out handles is topped with a Caesarstone counter. The stools are from Hay.
An elongated kitchen window ties the interior to the outdoor deck and bar area and the landscape beyond.
"We needed a place to station the computer, and have one-on-one meetings with clients," explains Efrat of the new study. "However. I didn’t want to make the public space feel dark and small (by subtracting a chunk of it for a designated room). Another constraint was to have acoustic isolation, and the glass-walled room was the perfect solution for all of the above—it made the main living space feel more spacious since it enables light to pass through, yet separated it from the main living space acoustically and effectively."
A central fireplace, designed as a minimal, gray block and visible from both sides, subtly separates the living and dining zones.
All the original windows were restored and reglazed with high-performance glass. The original openings were reinstated, and the large timber trusses (and the entire warehouse shell) were strengthened to meet the latest earthquake code.
Set in a heritage brick building in Montreal, this apartment maintained the brick wall in the kitchen to evoke the building's industrial heritage. The brick was painted white to brighten the space.
Gardiner Architecture ensured that flexibility, practicality, comfort, and spaciousness were all present in Elm Street House, as well as natural connections to the oft-used backyard and the surrounding neighborhood. The kitchen units are composed of blackbutt veneer and have a matte finish; the counters are Caesarstone. A pass-through window at the sink connects to the yard and makes for easy entertaining.
The kitchen is inspired by the commercial kitchens that the client worked at in his youth.
Now, a white kitchen recedes from the main space. A long island keeps the working area separate, yet still connected.
The kitchen features slightly industrial finishes—including concrete, glass and ceramic subway tiles—that are easy to clean and reflect natural light into the space.
The majority of the kitchen is set into the rear back wall, which is painted black to ground the house in the sloped site.
The kitchen and dining space opens out onto the timber terrace, which has expansive water views.
The kitchen units in Elm Street House by Gardiner Architects are composed of blackbutt veneer and have a matte finish. The counters are Caesarstone.
An integrated terrazzo-tile counter holds an induction cooktop under a simple, cylindrical extractor hood in Sorrento House by Figureground Architecture. The cabinetry is composed of blackbutt timber.
Named the Quarry House, this striking, bluestone-clad dwelling has been designed by creative architecture studio Finnis Architects in collaboration with interior designer Carmel Iudica. The kitchen of Quarry House is tucked under the living spaces above and wrapped in a warm wood finish.
In the kitchen of Selby Aura, Drawing Room Architecture painted the existing cabinetry and kept the hardware. They installed new Caesarstone raw concrete composite stone counters, a tile backsplash, and a custom wall shelf.
A waterfall marble counter wraps the kitchen peninsula.
A 14-foot-long island topped with stainless steel separates the kitchen from the rest of the living area. The hallway with the surf boards leads to a second bedroom suite.
The living room, kitchen, and dining room flow into one another. The floors are hickory. "I've never used hickory in my life as an architect," says McCuen, whose wife chose the wood for the flooring. He’s since become a convert. "It is fabulous. It works with everything, and it finishes great," he says.
In the open kitchen, a bold red backsplash delightfully contrasts with the crisp white cabinetry.
"The kitchen appears as a central bench, acting as social knuckle to the interior space," says the firm.
The spacious eat-in kitchen has room for an island.
The kitchen cabinets are from Multiform's Form-1 line, which was designed by Carsten Michelsen in 1982. Per the company's website, Form-1 was Michelsen's effort to "elevate the Scandinavian kitchen to the level of the Danish furniture classics of the 1950s."
The ceilings in the great room are almost 23 feet high, and "the lot provides magnificent views over the entire city of Oslo in different directions," said Taugbøl, which the firm made sure to capture with the window placement.
At a home about half an hour from Lake Tahoe, architect Jack Hawkins and interior designer Cheryl Chenault built a house that would support their clients’ unique requirements in a home that would be 8,000 to 10,000 square feet. In the kitchen, two islands, one in the shape of an L and the other a smaller rectangular island, are layered table over one portion create generous space to spread out. Norman Cherner barstools from Design Within Reach line the island in the kitchen, which is crowned by an open loft office. The faucets are from Dornbracht; the countertops are Caesarstone. Hawkins integrated a steel-clad casual eating nook, at left.
East Williamsburg Townhouse Renovation by New York Architect Adi Gershoni
The kitchen has been remodeled and updated with a center island and stainless steel appliances.
The Kitchen & Dining Room The custom-made cabinet wall with white washed oak panels and charcoal grey metal detail, resting in front of a striped backdrop. #studioadjective @studioadjective #apartment #home #Kitchen #residential Studio Adjective Ltd. www.adj.com.hk Instagram : @Studioadjective
The copper hood makes a bold statement in the subdued kitchen.
Front Detail of the Kitchen
A Parisian Pied-À-Terre by Piret Johanson Studio #designmilk
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