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The backsplash is covered in Clé Tile, and the counters are Carrara marble.
The light in the kitchen is Supernova by Delta. “We explored the historical idea of how traditional native dwellings had a fire at the centre of the house around which everything gathers,” says architect Trevor Wallace. “The idea of an ‘oculus’ came from this and we thought it would be fun to play off that and provide this oculus-like light that is effectively the centre point of gathering within the home.”
The large kitchen is a space for the family to gather, with a stone-look porcelain benchtop and splashback from Stone Tile. “The clients wanted the stone in the kitchen to feel natural rather than dramatic,” says architect Trevor Wallace. “It's large format porcelain, though, as I don’t think they would have been able to handle the level of patina that would have developed on a natural stone when cooking with children!”
Marble covers the backsplash, and new upper cabinets inset with fluted glass were added.
The architects reused much of the existing walnut cabinetry, giving it an ebonized finish for contrast.
In the kitchen, a bank of copper-fronted cabinetry joins the pink marble backsplash. The island is set atop a curving pink base that gives it some lightness.
This kitchen in Austin, Texas, was designed by Royce Flournoy and expertly combines black, Shaker-style cabinets, white subway tiles, Carrera marble countertops, and wooden floors to create a balance between rustic warmth and industrial simplicity.
Custom oak clad kitchen integrates wall and floor finishes
The kitchen was a collaboration between Urban Pioneering Architecture, Alex Scott Porter A+D, MW Construction, and CNS Construction. The lower cabinetry boxes are IKEA units with custom fronts and panels painted in Benjamin Moore Midnight Dream by MW Construction, while the upper floating walnut cabinet is custom. A Carrara marble counter syncs with the backsplash, which is Boneyard Brick from Chelsea Arts Tile & Stone. The pendant lights are the Mass Light NA5 from Norm Architects for &Tradition.
Chen used high-contrast materials to lighten the space, which has only one window. He lined the kitchen in glossy 3-D tile from Ann Sacks, and wall covering from Flat Vernacular. He removed the rear wall of the kitchen and replaced it with a sliding acid-etched glass partition, which picks up ambient light from windows in the service entrance. Chen installed drawers below the white marble countertops and swapped out overhead cabinets for full-height cabinets in the pantry. Under the glass partition, a thick counter of striped Kenya Black marble adds doubles as a bar top and work surface.
Walnut and book-matched  Calcutta kitchen
Kitchen (w/ Winston)