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Kitchen Concrete Floors Metal Counters Refrigerator Design Photos and Ideas

In the kitchen, the couple kept the original cabinets and "beautiful, custom-rolled stainless-steel counters,” says Christine. They updated the island counter, flooring, and backsplash, adding Foro marble, Concrete Collaborative tiles, and Cle tile, respectively.
"The galley-style kitchen on the south boundary has a slim footprint compared to the rest of the house, and allows for north-facing windows almost measuring 16 feet in height," says Naughtin. "The windows can be opened to draw warm air up and out of the space."
“The home wasn’t an inexpensive house to build,” says architect Peter Tolkin. “At the same time, it doesn’t have very fancy interior finishing. We wanted to design a modern house with a certain kind of spirit, and we didn’t think that the interior materials needed to be overly fancy. The two places where we really splurged—I think to great effect—were on the tiles in the bathrooms and kitchen, and the copper cladding, which protects the house but also has a very strong visual component to it.”
The original wood ceiling was revealed, and the appliances are also freestanding. Shelving and lights are also by Vipp.
"In the kitchen we wanted to create an austere volume filled with natural light that allows for a small room to feel so much bigger," says Hazelbaker.
The modular unit is by Vipp, and was chosen to visually juxtapose the new addition with the existing structure.
This midcentury in Armonk, New York, was the personal residence of Arthur Witthoefft, an architect for renowned firm Skidmore, Owings & Merrill. Witthoefft won an AIA First Honor Award in 1962 for his design, and the home was listed on the Register of Historic Places in 2011 after a meticulous restoration profiled in Dwell. The kitchen was modernized with white lacquer and stainless steel.
Cedar Creek Residence in Texas sits on a seven-acre lakeside property much beloved to the client, who wanted a modern home that connects inside and out. "The goal of the design was to provide an artful and low-maintenance retreat that would blend in with the site," said Wernerfield Architecture, who worked on the project along with Emily Summers Design Associates. The stainless-steel kitchen system is by Bulthaup, and the countertop was fashioned by Brooklyn-based Wüd Furniture Design.
Faulkner specified a Shaws apron-front sink with separate taps for hot and cold water. It was a deliberate move to make it feel like an addition by leaving the plumbing exposed. The industrial look is complemented by steel counters and reclaimed wood cupboards. The steel-framed window opens and overlooks the screened porch, where prevailing breezes come through. A shutter can also be rolled across on the porch side for privacy.
Sleek and stylish, the stainless steel chef's kitchen boasts numerous appliances from Viking.
The kitchen is outfitted with Miele appliances. The faucet and stainless steel cabinets are by Boffi.
The kitchen features a 24-foot-long counter made of stainless steel and walnut.
In the kitchen, the team refinished the original cabinets, supplemented them as needed, and introduced a new stainless steel countertop. New appliances provide modern functionality.
Juicy Green Laminex island countertops add a bright pop of color to the all-white kitchen. The rear countertops are stainless steel, and the backsplash is mirrored glass.
The view from the dining area into Nik's galley kitchen below.
The heart of Nik's home is a spacious galley kitchen fitted out with precision-cut cabinets, ceramic-coated stainless steel countertops and Siemens appliances.
A glimpse of the galley kitchen in Jon's house. Microcement flooring with underfloor heating can be found throughout both homes.
Unimpeded glimpses of the surrounding property via generous sight-lines and copious glazing.
Lofted kitchen, sealed integrally colored concrete floors. The tiny frosted glass window only glows on owners' marriage anniversary for 2 minutes.
Double height kitchen with the warm mass of cabinets rising like a stalagmite in the cavern scaling the height while the hung pendant lights from ceiling coming down like stalactites to the human scale.
“The tile, with its sporadic bolts and nails, doesn’t need a lot of art, as it is art too,” Lisa says. “The copper windows... Well, you just can’t find those anymore.”